id: 138379 accession number: 1962.307 share license status: CC0 url: https://clevelandart.org/art/1962.307 updated: 2024-03-26 01:58:57.890000 Antelope Headdress, early 1900s. Western Sudan, Mali, Bamana, early 20th century. Wood, metal, glass beads, seashells, string, and probably tar; overall: 45.2 x 4.8 x 12.4 cm (17 13/16 x 1 7/8 x 4 7/8 in.). The Cleveland Museum of Art, Gift of Katherine C. White 1962.307 title: Antelope Headdress title in original language: series: series in original language: creation date: early 1900s creation date earliest: 1900 creation date latest: 1925 current location: creditline: Gift of Katherine C. White copyright: --- culture: Western Sudan, Mali, Bamana, early 20th century technique: Wood, metal, glass beads, seashells, string, and probably tar department: African Art collection: African Art type: Mask find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 45.2 x 4.8 x 12.4 cm (17 13/16 x 1 7/8 x 4 7/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: African Sculpture opening date: 1963-04-19T05:00:00 African Sculpture. Kenyon College, Gambier, OH (organizer) (April 19-May 6, 1963). title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art opening date: 2006-06-09T00:00:00 The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). --- LEGACY EXHIBITIONS * {'description': 'MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 55, p. 118, repr. p. 89.', 'opening_date': '2006-06-09T00:00:00'} --- PROVENANCE Julius Carlebach, NY date: no earlier than 1939 footnotes: *
Carlebach fled from the Nazis in Germany in 1937; he started his gallery in New York in 1939. The New York Times, obituary October 14, 1964 
citations: Katherine White Reswick (aka Katherine C. White) date: ?-1962 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Sims, Lowery Stokes. The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006. page number: Mentioned and reproduced: P. 88-89, no. 55 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1962.307/1962.307_web.jpg print: https://openaccess-cdn.clevelandart.org/1962.307/1962.307_print.jpg full: https://openaccess-cdn.clevelandart.org/1962.307/1962.307_full.tif