{
"data": {
"id": 138531,
"accession_number": "1962.42",
"share_license_status": "CC0",
"tombstone": "Meditative Visit to a Mountain Retreat: In Picture and in Words (\u5dd6\u6816\u601d\u8a2a\u5716\u8a60), 1648. Xiang Shengmo (Chinese, 1597\u20131658). Handscroll; ink on paper; overall: 30.5 x 273 cm (12 x 107 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1962.42",
"current_location": null,
"title": "Meditative Visit to a Mountain Retreat: In Picture and in Words",
"title_in_original_language": "\u5dd6\u6816\u601d\u8a2a\u5716\u8a60",
"creation_date": "1648",
"creation_date_earliest": 1648,
"creation_date_latest": 1648,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "handscroll; ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Overall: 30.5 x 273 cm (12 x 107 1/2 in.)",
"dimensions": {
"overall": {
"height": 0.305,
"height_inch": 12,
"height_inch_fraction": 0.0,
"width": 2.73,
"width_inch": 107,
"width_inch_fraction": 0.5
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Artist's title and 3 seals (in front of painting): \n\n[title] Meditative Visit to a Mountain Retreat: In Picture and in Words \u5dd6\u6816\u601d\u8a2a\u5716\u8a60\n\n[3 seals] Tian lai ge zhong wen sun \u5929\u7c5f\u95a3\u4e2d\u6587\u5b6b; \nXiang shi kong zhang zui xin han mo \u9805\u6c0f\u5b54\u5f70\u9189\u5fc3\u7ff0\u58a8; \nQing fu yuan zhong di yi miao ye \u6e05\u798f\u7de3\u4e2d\u7b2c\u4e00\u5999\u696d.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "[\u5370] \u5154\u70cf\u53df; \u8003\u53e4\u6b63\u4eca. \n\n\u89c0\u65af\u4eba\u516e\u4f55\u900d\u9059\uff0c\u975e\u900d\u9059\u516e\u601d\u5176\u53cb\u3002\n\u601d\u5176\u53cb\u516e\u5929\u4e00\u65b9\uff0c\u6b32\u4e00\u8a2a\u4e4b\u96e3\u56de\u9996\u3002\n\u677e\u8036\u67cf\u8036\u7a31\u5f8c\u51cb\uff0c\u5dd6\u7a74\u970f\u5fae\u4f55\u4e8c\u9149\u3002\n\u5c71\u516e\u6c34\u516e\u4eba\u60a0\u60a0\uff0c\u9060\u83ab\u81f4\u4e4b\u795e\u4ea4\u5426\uff1f\n\u6cb3\u95dc\u4e00\u5411\u671b\u4e0d\u53ca\uff0c\u8a00\u7b11\u4e8e\u4eca\u66f4\u975e\u5076\u3002\n\u554f\u6e38\u9b5a\u516e\u6a02\u4f55\u6df1\uff1f\u554f\u98db\u9ce5\u516e\u6b78\u4f55\u85ea\uff1f\n\u554f\u733f\u9db4\u516e\u4f55\u89aa\u758e\uff1f\u554f\u9e7f\u8c55\u516e\u4f55\u592d\u58fd\uff1f\n\u554f\u767d\u96f2\u516e\u5f9e\u4f55\u4f86\uff1f\u554f\u6d41\u6cc9\u516e\u5411\u4f55\u8d70\uff1f\n\u554f\u6f01\u6a35\u516e\u4f55\u6c5f\u5c71\uff1f\u554f\u8349\u6728\u516e\u4f55\u755d\u754e\uff1f\n\u554f\u6625\u79cb\u516e\u4f55\u708e\u6dbc\uff1f\u554f\u4e16\u4eba\u516e\u4f55\u9577\u4e45\uff1f\n\u554f\u65e5\u6708\u516e\u4f55\u6666\u660e\uff1f\u66fe\u898b\u7576\u6642\u70cf\u5154\u53df\uff1f\n\n\u620a\u5b50\u5609\u5e73\u4e4b\u521d\u5076\u4f5c\u6b64\u5716\u5e76\u984c\u3002 \u80e5\u6a35\u9805\u8056\u8b29\u8b58\u3002\n[\u5370] \u5154\u70cf\u53df; \u9805\u6c0f\u5b54\u5f70; \u672a\u55aa\u65af\u6587.",
"inscription_translation": "Artist's inscription (a rhymed prose (fu \u8ce6)), signature, and 5 seals: \n\n[2 seals at end of painting]: Tu wu sou; Kao gu zheng jin.\n1 Inscription (fu \u8ce6): \n\nLooking at this gentleman [Xiang Shengmo], how carefree is he; \nWhen he isn\u2019t carefree, he is longing for his friend. \nImpatient is his longing, the latter is far, far away. \nWhen he dreams of visiting him, he also fears not being able to return. \nIs he like a pine, or a juniper? They are said to last long. \nDoes he reside by a cliff or in a grotto, perhaps not unlike the two [peaks named] Mt. You? \nWith hills or rivers intervening, he indeed is far, far away. \nAs the distance is beyond reach, can we communicate in spirit? \nCut off by a river or a mountain pass, we can\u2019t even see each other. \nIn vain we seek to talk and laugh, but we are not together. \nShall we ask the fish: how deep is your enjoyment [of water]? \nOr the flying birds: to which marsh will you land? \nOr the monkey and the crane: who are your kindred souls? \nOr the deer and the hog: which of you will live longer? \nOr the white cloud: whence do you come? \nOr the flowing stream: to where shall you flow? \nOr the fisherman and the fuel gatherer: who rules over this land?\nOr the grass and the plants: in whose fields do you grow? \nOr the Spring and Autumn: why does the world become so cruel? \nOr the people in general: how long would we last? \nOr the sun and the moon: whence come the light and the dark? \nSo have you ever met the Old Man of Wutu at that time? \n\nIn the wuzi year [1648], at the beginning of the twelfth month, I happened to do this painting, so did the inscription. Xuqiao, Xiang Shengmo [3 seals]: Tu wu sou; Xiang shi kong zhang, Wei sang si wen.",
"inscription_remark": null,
"sortorder": 2
},
{
"inscription": "13 additional seals: \n4 of Tang Zuomei \u5510\u4f5c\u6885 (late 18th\u201319th century); \n3 of Zhang Baixi \u5f35\u767e\u7199 (1847\u20131907); \n4 of Zhang Heng \u5f35\u73e9 (1915\u20131963); \n2 unidentified.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 3
}
],
"exhibitions": {
"current": [
{
"id": 377849,
"title": "1000 Jahre Chinesische Malerei",
"description": "1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, M\u00f9nich, Germany (organizer) (October 16-December 13, 1959).",
"opening_date": "1959-10-16T04:00:00"
},
{
"id": 302276,
"title": "Year in Review - 1962",
"description": "Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).",
"opening_date": "1962-10-24T04:00:00"
},
{
"id": 445380,
"title": "The Restless Landscape: Chinese Painting of the Late Ming Period",
"description": "The Restless Landscape: Chinese Painting of the Late Ming Period. University of California, Berkeley. University Art Museum, Berkeley, CA (organizer) (November 9, 1971-January 2, 1972); Fogg Art Museum/Harvard University, Cambridge, MA (February 11-April 2, 1972).",
"opening_date": "1971-11-09T05:00:00"
},
{
"id": 301895,
"title": "The Colors of Ink",
"description": "The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
"opening_date": "1974-01-10T04:00:00"
},
{
"id": 304561,
"title": "Visions of Landscape: East and West",
"description": "Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
"opening_date": "1982-02-17T05:00:00"
}
],
"legacy": [
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
}
]
},
"provenance": [
{
"description": "Tang Zuomei \u5510\u4f5c\u6885 [late 1700s\u20131800s]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "Zhang Baixi \u5f35\u767e\u7199 [1847\u20131907]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 2
},
{
"description": "Zhang Heng \u5f35\u73e9 [1915\u20131963]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 3
},
{
"description": "(C. C. Wang \u738b\u5b63\u9077 [1907\u20132003], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131962",
"sortorder": 4
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1962\u2013",
"sortorder": 5
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The artist was known for his pine trees, like the grove at the end of the scroll, which shades a gentleman.",
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60469003"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1962.42-meditative-visit-to"
]
},
"citations": [
{
"citation": "Zheng, Zhenduo \u912d\u632f\u9438. Tang Song yi lai ming hua ji: Yun hui zhai cang \u5510\u5b8b\u4ee5\u6765\u540d\u756b\u96c6: \u97de\u8f1d\u9f4b\u85cf. Shanghai: Shanghai chu ban gong si, 1947.",
"page_number": "Reproduced: pls. 90, 91",
"url": null
},
{
"citation": "Wang, Chi-ch\u02bbien, and Victoria Contag. Seals of Chinese painters and collectors of the Ming and Ch'ing periods reproduced in facsimile size and deciphered. Hong Kong: Hong Kong University Press, 1966.",
"page_number": "pp. 388-392",
"url": null
},
{
"citation": "Cahill, James. The Restless Landscape: Chinese Painting of the Late Ming Period. Berkeley: University Art Museum, 1971.",
"page_number": "cat. no. 10",
"url": null
},
{
"citation": "Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "cat. no. 35",
"url": null
},
{
"citation": "Li, Chu-tsing \u674e\u541b\u6bc5. \"Xiang Shengmo zhi Zhao yin shi hua \u9805\u8056\u8b13\u4e4b\u62db\u96b1\u8a69\u756b.\" In Ming Yi min shu hua yan tao hui ji lu: Xianggang Zhong wen da xue Zhongguo wen hua yan jiu suo wen wu guan, 1975 nian 8 yue 31 ri zhi 9 yue 3 ri [\u660e \u907a\u6c11\u66f8\u756b\u784f\u8a0e\u6703\u8a18\u9304 : \u9999\u6e2f\u4e2d\u6587\u5927\u5b78\u30fb\u4e2d\u570b\u6587\u5316\u784f\u7a76\u6240\u30fb\u6587\u7269\u9928, \u4e00\u4e5d\u4e03\u4e94\u5e74\u516b\u6708\u5345\u4e00\u65e5\u81f3\u4e5d\u6708\u4e09\u65e5 = Proceedings of the Symposium on Paintings & Calligraphy by Ming I-min: 31 August-3 September 1975, Art Gallery, the Institute of Chinese Studies, the Chinese University of Hong Kong]. Dekun Zheng, Zongyi Rao, and James C. Y. Watt. Hong Kong: The Chinese University of Hong Kong, Institute of Chinese Studies, Art Museum, 1976.",
"page_number": "Reproduced: pp. 549-550, fig. 12",
"url": null
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 195, pp. 251-252",
"url": null
},
{
"citation": "Yang, Kathleen \u694a\u51f1\u7433, and Chi-ch\u02bbien Wang \u738b\u5b63\u9077. Through a Chinese connoisseur's eye: private notes of C.C. Wang \u738b\u5b63\u9077\u8b80\u66f8\u7b46\u8a18. Beijing: Zhong hua shu ju, 2010.",
"page_number": "Mentioned and Reproduced: p. 311, fig. 31",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 324-329",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Mentioned: p. 327",
"url": null
}
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