{
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        "accession_number": "1962.43",
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        "tombstone": "Daoist Retreat in Mountain and Stream (Landscape after Ni Zan [1301\u20131374]), 1567. Lu Zhi (Chinese, 1496\u20131576). Hanging scroll; ink on paper; overall: 109.1 x 45.8 cm (42 15/16 x 18 1/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1962.43",
        "current_location": null,
        "title": "Daoist Retreat in Mountain and Stream (Landscape after Ni Zan [1301\u20131374])",
        "creation_date": "1567",
        "creation_date_earliest": 1567,
        "creation_date_latest": 1567,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Ming dynasty (1368\u20131644)"
        ],
        "technique": "hanging scroll; ink on paper",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Overall: 109.1 x 45.8 cm (42 15/16 x 18 1/16 in.)",
        "dimensions": {
            "overall": {
                "height": 1.091,
                "width": 0.458
            }
        },
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        "copyright": null,
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            {
                "inscription": "Artist's inscription, signature, and 3 seals:\r\n\r\nIn my youthful days I liked to imitate the ink method of Y\u00fcn-lin [Ni Tsan].  Mr. Wen, the academician [Wen Cheng-ming], remarked that I barely succeeded in achieving some resemblance.  He once honored me with the inscription \"lofty and imperturbable indeed was the personality of Ni Y\u00fc [Ni, the Odd].  Pale ink and blue smoke were formed by his scribbling brush. His surviving works have become so rare in the last two hundred years; only Pao-shan [Lu Chih] carries on his true tradition.\"  In my older years, having to comply with frequent requests for paintings, my brushwork has become stronger than before and I thought to myself that I may have surpassed the Old Master.  In the ting-mou year of the Lung-ch'ing era [1567] a friend brought a small painting [by Ni Tsan] and showed it to me in the mountains.  I studied and enjoyed it for a long time, then realized that I was actually inferior.  This gave me second thoughts about my earlier style, so I selected a piece of old window paper and did this painting in imitation.  My friend was kind enough to say that it was truly a quick and close resemblance.  I then wrote a colophon and presented the painting to him.  My poem says:\r\n\r\nHigh mountains and distant waters are the thoughts coming from the lute;\r\nThe drunken leaves and the sparse woods are merely flowers in the mirror.\r\nThis idea, I'm sure, will be understood by Tzu-ch'i, one who appreciates my art, \r\nIt is for him that I have painted on thin paper with light touches,\r\nThe cloudy color of an autumn evening.\r\n\r\nThis is the winter solstice of the same year.  By then, Pao-shan, Mr. Lu, was already over seventy years of age.  Could it be that one's brush also gets old together with one's age, as the saying goes.  I put down my brush with a laugh.  [2 seals] Lu Shu-p'ing shih, Pao-shan tzu. [seal, bottom left corner] Lu Chih shu-p'ing.  trans. WKH\r\n\r\n6 additional seals of Chu Ching-hou (n.d.).",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
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            "current": [
                {
                    "id": 302276,
                    "title": "Year in Review - 1962",
                    "description": "<i>Year in Review - 1962</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).",
                    "opening_date": "1962-10-24T04:00:00"
                },
                {
                    "id": 520794,
                    "title": "Fifteen Chinese Paintings from the Cleveland Museum of Art",
                    "description": "<i>Fifteen Chinese Paintings from the Cleveland Museum of Art</i>. Smith College Museum of Art, Northampton, MA (organizer) (October 9-28, 1964).",
                    "opening_date": "1964-10-09T04:00:00"
                },
                {
                    "id": 301895,
                    "title": "The Colors of Ink",
                    "description": "<i>The Colors of Ink</i>. Asia House Galleries (January 10-March 3, 1974).",
                    "opening_date": "1974-01-10T04:00:00"
                },
                {
                    "id": 304561,
                    "title": "Visions of Landscape: East and West",
                    "description": "<i>Visions of Landscape: East and West</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
                    "opening_date": "1982-02-17T05:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Royal Ontario Museum, Toronto, 1956: Tseng, Loan Exhibition, cat. no. 21.",
                    "opening_date": "1956-01-01T00:00:00"
                },
                {
                    "description": "Smith College Museum of Art, Northampton, Mass., 1964: Fifteen Chinese Paintings from the Cleveland Museum of Art, no catalogue.",
                    "opening_date": "1964-01-01T00:00:00"
                },
                {
                    "description": "Asia House Gallery, New York, 1974: Lee, Colors of Ink, cat. no. 31.",
                    "opening_date": "1974-01-01T00:00:00"
                },
                {
                    "description": "Cleveland Museum of Art, 1981: Eight Dynasties of Chinese Painting, cat. no. 183, p. 234-235.",
                    "opening_date": "1981-01-01T00:00:00"
                }
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        "provenance": [
            {
                "description": "Chu Ching-hou",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            },
            {
                "description": "Frank Caro",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            },
            {
                "description": "Chu Ching-hou; Frank Caro",
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                "footnotes": null,
                "date": null,
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            "Taoist Retreat in Mountain and Stream [Landscape after Ni Tsan]"
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