id: 139066 accession number: 1963.256.180.a share license status: CC0 url: https://clevelandart.org/art/1963.256.180.a updated: 2023-03-10 19:42:44.350000 Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 180r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1963.256.180.a title: Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 180r title in original language: series: series in original language: creation date: c. 1500 creation date earliest: 1495 creation date latest: 1500 current location: creditline: Leonard C. Hanna, Jr. Fund copyright: --- culture: Flanders, Ghent and Bruges, late 15th century technique: ink, tempera, and gold on vellum department: Medieval Art collection: MED - Manuscript Illuminations type: Bound Volume find spot: catalogue raisonne: --- CREATORS * Master of the First Prayerbook of Maximillian (Flemish, c. 1444–1519) - artist Alexander Bening has been presumed to be the same artist formerly know under the sobriquet, "Master of the Older Prayerbook of Maximilian I" * Associates - artist --- measurements: Codex: 22.5 x 15.2 cm (8 7/8 x 6 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Unidentified first owner? (c. 1500) date: c.1500- footnotes: citations: Isabella the Catholic, Queen of Castile date: footnotes: citations: Baron Edmond de Rothschild (Late 1800s till 1934) date: footnotes: citations: Baron Maurice de Rothschild date: 1934-1954 footnotes: citations: (Rosenberg & Stiebel, New York, NY), sold to the Cleveland Museum of Art date: 1954-1963 footnotes: citations: The Cleveland Museum of Art, Cleveland, Oh date: 1963- footnotes: citations: --- fun fact: digital description: wall description: This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies. This prayer book, called a book of hours, was intended not for a cleric, but for the private devotions of a lay person-in this case, Isabella the Catholic, Queen of Spain (1451-1504). Isabella's coat of arms embellishes the book's frontispiece. It is unlikely that the book was commissioned by the Queen herself; rather, she probably received it as a diplomatic gift from someone courting her patronage, perhaps Cardinal Francisco Jimenez de Cisneros. A Franciscan friar, Jimenez was dependent upon Isabella for his advancement, first to the post of Queen's confessor in 1492, and then to Archbishop of Toledo in 1495. --- RELATED WORKS --- CITATIONS Mikolic, Amanda. CMA Collection Highlight: A Bridal Couple and the Enduring Legend of the Forget-Me-Not. Cleveland Museum of Art Thinker Blog on Medium, October 26, 2018. page number: url: https://medium.com/cma-thinker/cma-collection-highlight-a-bridal-couple-and-the-enduring-legend-of-the-forget-me-not-cd0d89cb7539 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1963.256.180.a/1963.256.180.a_web.jpg print: https://openaccess-cdn.clevelandart.org/1963.256.180.a/1963.256.180.a_print.jpg full: https://openaccess-cdn.clevelandart.org/1963.256.180.a/1963.256.180.a_full.tif