id: 139745 accession number: 1963.514 share license status: CC0 url: https://clevelandart.org/art/1963.514 updated: Vase, 1736–95. China, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95). Porcelain with decoration in colored fa-lang enamels, Guyuexuan ware; overall: 15.4 cm (6 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1963.514 title: Vase title in original language: series: series in original language: creation date: 1736–95 creation date earliest: 1736 creation date latest: 1795 current location: 010 Focus Gallery creditline: John L. Severance Fund copyright: --- culture: China, Qing dynasty (1644-1911), Qianlong mark and reign (1736-95) technique: Porcelain with decoration in colored fa-lang enamels, Guyuexuan ware department: Chinese Art collection: China - Qing Dynasty type: Ceramic find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 15.4 cm (6 1/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: 乾隆年製 translation: remark: --- CURRENT EXHIBITIONS title: Year in Review (1963) opening date: 1963-11-26T05:00:00 Year in Review (1963). The Cleveland Museum of Art (organizer) (November 26, 1963-January 5, 1964). title: The Porcelain Connection opening date: 1982-06-22T04:00:00 The Porcelain Connection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 22-August 15, 1982). title: China through the Magnifying Glass: Masterpieces in Miniature and Detail opening date: 2022-12-11T05:00:00 China through the Magnifying Glass: Masterpieces in Miniature and Detail. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 11, 2022-February 26, 2023). --- LEGACY EXHIBITIONS --- PROVENANCE (J.T. Tai, sold to the Cleveland Museum of Art) date: ?–1963 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1963– footnotes: citations: --- fun fact: The child in orange has a bun above his ear, while the rest of his head is clean-shaven, like the other children’s. digital description: wall description: The four-character mark on the base of this vase indicates that it was made in Jingdezhen and then sent to Beijing to be decorated in the imperial workshops by painters who were trained in using Western perspective and shading. --- RELATED WORKS --- CITATIONS Lee, Sherman E. "Year in Review for 1963." The Bulletin of the Cleveland Museum of Art 50, no. 10 (1963): pp. 263-94. page number: Reproduced: p. 286, fig. 81 url: https://www.jstor.org/stable/25151974 "Oriental Art Recently Acquired by American Museums, 1963." Archives of the Chinese Art Society of America 18 (1964): pp. 69-91. page number: Reproduced: p. 72, fig. 13 url: https://www.jstor.org/stable/20067074 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 271 url: https://archive.org/details/CMAHandbook1966/page/n295 Childcraft Annual: An Annual Supplement to 'Childcraft: the How and Why Library." Chicago: Field enterprises Educational Corporation, 1968. page number: Reproduced: p. 25 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 271 url: https://archive.org/details/CMAHandbook1969/page/n295 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 360 url: https://archive.org/details/CMAHandbook1978/page/n380 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1963.514/1963.514_web.jpg print: https://openaccess-cdn.clevelandart.org/1963.514/1963.514_print.jpg full: https://openaccess-cdn.clevelandart.org/1963.514/1963.514_full.tif