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"share_license_status": "CC0",
"tombstone": "Warrior Figurine with Removable Headdress, 600\u2013900. Mexico, Yucat\u00e1n, Jaina Island region, Campeche, Maya style (250-900). Earthenware with pigment; overall: 26.1 cm (10 1/4 in.). The Cleveland Museum of Art, James Albert and Mary Gardiner Ford Memorial Fund, 1963.93",
"current_location": "233 Mesoamerican and Intermediate Region",
"title": "Warrior Figurine with Removable Headdress",
"creation_date": "600\u2013900",
"creation_date_earliest": 600,
"creation_date_latest": 900,
"artists_tags": [],
"culture": [
"Mexico, Yucat\u00e1n, Jaina Island region, Campeche, Maya style (250-900)"
],
"technique": "earthenware with pigment",
"support_materials": [],
"department": "Art of the Americas",
"collection": "AA - Mesoamerica",
"type": "Sculpture",
"measurements": "Overall: 26.1 cm (10 1/4 in.)",
"dimensions": {
"overall": {
"height": 0.261,
"height_inch": 10,
"height_inch_fraction": 0.25
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"current": [
{
"id": 304258,
"title": "Year in Review (1963)",
"description": "Year in Review (1963). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 27, 1963-January 5, 1964).",
"opening_date": "1963-11-27T05:00:00"
},
{
"id": 309959,
"title": "The Blood of Kings: A New Interpretation of Maya Art",
"description": "The Blood of Kings: A New Interpretation of Maya Art. Kimbell Art Museum, Fort Worth, TX (organizer) (May 17-August 24, 1986); The Cleveland Museum of Art, Cleveland, OH (October 8-December 14, 1986).",
"opening_date": "1986-05-17T04:00:00"
}
],
"legacy": []
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"did_you_know": "Maya blue pigment was made by combining clay with indigo in a complex technique developed around the ninth century.",
"early_education_description": null,
"artlens_description": null,
"description": "The major offerings placed in the Maya graves of Jaina Island were ceramic figurines, some of Mesoamerica's finest, that depict deities and humans in a variety of roles. This warrior, his headdress removable, once probably held weapons and wears either quilted cotton armor or the feathered uniform of a military order. We don't know why such figures are often pot-bellied.",
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"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 293",
"url": "https://archive.org/details/CMAHandbook1966/page/n317"
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{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 294",
"url": "https://archive.org/details/CMAHandbook1969/page/n318"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 397",
"url": "https://archive.org/details/CMAHandbook1978/page/n417"
},
{
"citation": "Fortenberry, Diane, ed. The Art Museum. London; New York: Phaidon Press, 2017.",
"page_number": "Reproduced: P. 232, no. 1",
"url": null
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"updated_at": "2026-09-23 15:05:30.405000"
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