{
"data": {
"id": 140148,
"accession_number": "1964.150",
"share_license_status": "CC0",
"tombstone": "Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot, 1458. Fra Filippo Lippi (Italian, c. 1406\u20131469). Tempera on wood panel; framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.150",
"current_location": "117A Italian Renaissance",
"title": "Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot",
"creation_date": "1458",
"creation_date_earliest": 1458,
"creation_date_latest": 1458,
"artists_tags": [
"male"
],
"culture": [
"Italy, Florence, 15th century"
],
"technique": "tempera on wood panel",
"support_materials": [],
"department": "Medieval Art",
"collection": "MED - Medieval Art",
"type": "Painting",
"measurements": "Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.)",
"dimensions": {
"framed": {
"height": 0.94,
"width": 0.4,
"depth": 0.065
},
"unframed": {
"height": 0.813,
"width": 0.298,
"depth": 0.03
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 304723,
"title": "Year in Review (1964)",
"description": "Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965).",
"opening_date": "1964-12-08T05:00:00"
},
{
"id": 301412,
"title": "Florence and the Arts: Five Centuries of Patronage",
"description": "Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).",
"opening_date": "1971-07-13T04:00:00"
},
{
"id": 675363,
"title": "Filippino Lippi and Rome",
"description": "Filippino Lippi and Rome. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 26, 2025-February 22, 2026).",
"opening_date": "2025-11-26T05:00:00"
}
],
"legacy": [
{
"description": "Exhibition of Italian Art 1200\u20131900, Royal Academy of Arts, Burlington House, London (organizer) (1930).",
"opening_date": null
},
{
"description": "Florentine Paintings Before 1500, Burlington Fine Arts Club, London (organizer) (1920).",
"opening_date": null
},
{
"description": "National Loan Exhibition, National Gallery Funds, Grafton Galleries, London (organizer) (1909\u20131910).",
"opening_date": null
}
]
},
"provenance": [
{
"description": "Commissioned by Giovanni di Cosimo de' Medici, Florence, as a gift for King Alfonso V of Aragon (Alfonso I of Naples)",
"citations": [],
"footnotes": null,
"date": "by 1457",
"sortorder": 2
},
{
"description": "Collection of King Alfonso V of Aragon (Alfonso I of Naples), Naples",
"citations": [],
"footnotes": null,
"date": "by 1458",
"sortorder": 3
},
{
"description": "Collection of Countess Sara Pacheco, Madrid",
"citations": [],
"footnotes": null,
"date": "by 1871",
"sortorder": 4
},
{
"description": "Purchased by Sir John Charles Robinson, Madrid, for Sir Fancis Cook, Soughty House, Richmond, Surrey",
"citations": [],
"footnotes": null,
"date": "1871",
"sortorder": 5
},
{
"description": "By descent to Sir Frederick Cook, Sir Herbert Cook, and their heirs",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 6
},
{
"description": "Rosenberg & Stiebel Inc., New York",
"citations": [],
"footnotes": null,
"date": "by 1964",
"sortorder": 7
},
{
"description": "The Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "1964",
"sortorder": 8
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Saint Michael's opulent appearance reflects the wealth and status of both the patron and the recipient of these paintings.",
"description": "These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de\u2019 Medici of Florence commissioned the ensemble in 1457 as a diplomatic gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio\u2019s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk\u2019s habit. Saint Michael\u2019s sword, shield, and exquisitely bejeweled armor celebrate his role as heaven\u2019s defender against evil.",
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"citations": [
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"citation": "Leone de Castris, Pierluigi. La pittura del Quattrocento a Napoli: 1400-1458: da Ladislao D'Angio\u0300-Durazzo ad Alfonso D'Aragona. London: Artem (2020).",
"page_number": "p. 236, 246; figs. 314-5",
"url": ""
},
{
"citation": "Quesada, Francesc Ruiz. \"Els primers Trast\u00e0mara. In La legitimaci\u00f3 mariana d'un llinatge.\" Capitula facta et firmata: Inquietuds art\u00edstiques en el quatre-cents, p. 93. Valls: Cosset\u00e0nia Edicions, 2011.",
"page_number": "p. 93. Fig10",
"url": ""
},
{
"citation": "Brockwell, Maurice W. et al. A Catalogue of the Pictures and Drawings in the National Loan Exhibition in Aid of National Gallery Funds Held in the Grafton Galleries, London. London: William Heinemann, 1909.",
"page_number": "p. 105",
"url": "https://archive.org/details/catalogueofpictu00nati/mode/2up"
},
{
"citation": "Cole, Alison. Virtue and Magnificence: Art of the Italian Renaissance Courts. New York: Harry N. Abrams, Inc., 1995.",
"page_number": "p. 24, fig. 15",
"url": "https://archive.org/details/virtuemagnificen0000cole/mode/2up"
},
{
"citation": "Gilbert, Creighton E. Italian Art 1400\u20131500: Sources and Documents. New Jersey: Prentice-Hall, Inc., 1980.",
"page_number": "pp. 7-8",
"url": "https://archive.org/details/italianart1400150000unse/page/n259/mode/2up"
},
{
"citation": "Navarro, Fausta. \"La pittura a Napoli e nel Meridione nel Quattrocento.\" In La Pittura in Italia : Il Quattrocento, Vol. 2, p. 455. Milan: Electa, 1987.",
"page_number": "455",
"url": ""
},
{
"citation": "Ruda, Jeffrey. \"The National Gallery Tondo of the Adoration of the Magi and the Early Style of Filippo Lippi.\" In 1975 Studies in the History of Art, Vol. 7, pp. 7-38. Washington, D.C.: National Gallery of Art, 1975.",
"page_number": "pp. 7-38, figs. 8 and 9.",
"url": "https://www.jstor.org/stable/42617891"
},
{
"citation": "Crowe, J. A. and G. B. Cavalcasselle. A New History of Painting in Italy from the Second to the Sixteenth Century, Vol. 2. London: John Murray, 1864.",
"page_number": "328-331",
"url": "https://archive.org/details/historyofpaint02crow"
},
{
"citation": "Ruda, Jeffrey. Filippo Lippi Studies: Naturalism, Style and Iconography in Early Renaissance Art. New York: Garland Publishing, Inc., 1982.",
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"url": ""
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{
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"page_number": "pp. 2-5",
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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},
{
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{
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{
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},
{
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{
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},
{
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"page_number": "p. 90",
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},
{
"citation": "Boskovits, Miklo\u0301s, ed. Italian Paintings from the 13th to 15th Century. Firenze, Italy: Polistampa, 2009.",
"page_number": "Mentioned: p. 155",
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},
{
"citation": "The Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014.",
"page_number": "p. 276",
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},
{
"citation": "Fliegel, Stephen N. \"Fra Filippo Lippi's Saints: Altarpiece panels by the Florentine master started life as a political gift.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine 55, no. 5 (September/October 2015): 14-15.",
"page_number": "Reproduced and Mentioned: p. 14-15",
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},
{
"citation": "Noelle, Alexander J., and Cleveland Museum of Art. Filippino Lippi and Rome. Cleveland, OH: Cleveland Museum of Art, 2025.",
"page_number": "Mentioned and reproduced: p. 92-93, no. 1",
"url": ""
}
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