id: 140148
accession number: 1964.150
share license status: CC0
url: https://clevelandart.org/art/1964.150
updated: 2025-06-12 11:11:47.427000
Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot, 1458. Fra Filippo Lippi (Italian, c. 1406–1469). Tempera on wood panel; framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund 1964.150
title: Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot
title in original language:
series:
series in original language:
creation date: 1458
creation date earliest: 1458
creation date latest: 1458
current location: 117B Italian Renaissance
creditline: Leonard C. Hanna Jr. Fund
copyright:
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culture: Italy, Florence, 15th century
technique: tempera on wood panel
department: Medieval Art
collection: MED - Medieval Art
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Fra Filippo Lippi (Italian, c. 1406–1469) - artist
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measurements: Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review (1964)
opening date: 1964-12-08T05:00:00
Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965).
title: Florence and the Arts: Five Centuries of Patronage
opening date: 1971-07-13T04:00:00
Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971).
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LEGACY EXHIBITIONS
* {'description': 'Exhibition of Italian Art 1200–1900, Royal Academy of Arts, Burlington House, London (organizer) (1930).', 'opening_date': None}
* {'description': 'Florentine Paintings Before 1500, Burlington Fine Arts Club, London (organizer) (1920).', 'opening_date': None}
* {'description': 'National Loan Exhibition, National Gallery Funds, Grafton Galleries, London (organizer) (1909–1910).', 'opening_date': None}
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PROVENANCE
Condessa Pacheco, Madrid (sold 1871); Sir Francis Cook, Doughty House, Richmond (1871, sold by family 1964); (Rosenberg & Steibel)
date:
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RELATED WORKS
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CITATIONS
Leone de Castris, Pierluigi. La pittura del Quattrocento a Napoli: 1400-1458: da Ladislao D'Angiò-Durazzo ad Alfonso D'Aragona. London: Artem (2020).
page number: p. 236, 246; figs. 314-5
url:
Quesada, Francesc Ruiz. "Els primers Trastàmara. In La legitimació mariana d'un llinatge." Capitula facta et firmata: Inquietuds artístiques en el quatre-cents, p. 93. Valls: Cossetània Edicions, 2011.
page number: p. 93. Fig10
url:
Brockwell, Maurice W. et al. A Catalogue of the Pictures and Drawings in the National Loan Exhibition in Aid of National Gallery Funds Held in the Grafton Galleries, London. London: William Heinemann, 1909.
page number: p. 105
url: https://archive.org/details/catalogueofpictu00nati/mode/2up
Cole, Alison. Virtue and Magnificence: Art of the Italian Renaissance Courts. New York: Harry N. Abrams, Inc., 1995.
page number: p. 24, fig. 15
url: https://archive.org/details/virtuemagnificen0000cole/mode/2up
Gilbert, Creighton E. Italian Art 1400–1500: Sources and Documents. New Jersey: Prentice-Hall, Inc., 1980.
page number: pp. 7-8
url: https://archive.org/details/italianart1400150000unse/page/n259/mode/2up
Navarro, Fausta. "La pittura a Napoli e nel Meridione nel Quattrocento." In La Pittura in Italia : Il Quattrocento, Vol. 2, p. 455. Milan: Electa, 1987.
page number: 455
url:
Ruda, Jeffrey. "The National Gallery Tondo of the Adoration of the Magi and the Early Style of Filippo Lippi." In 1975 Studies in the History of Art, Vol. 7, pp. 7-38. Washington, D.C.: National Gallery of Art, 1975.
page number: pp. 7-38, figs. 8 and 9.
url: https://www.jstor.org/stable/42617891
Crowe, J. A. and G. B. Cavalcasselle. A New History of Painting in Italy from the Second to the Sixteenth Century, Vol. 2. London: John Murray, 1864.
page number: 328-331
url: https://archive.org/details/historyofpaint02crow
Ruda, Jeffrey. Filippo Lippi Studies: Naturalism, Style and Iconography in Early Renaissance Art. New York: Garland Publishing, Inc., 1982.
page number: pp. 29, 30, 75
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Baxandall, Michael. Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style. Oxford: Clarendon Press, 1972.
page number: pp. 2-5
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Eastlake, Sir Charles L., ed., trans. Handbook of Painting. The Italian Schools, Pt. 1. London: John Murray, 1869.
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Holmes, Megan. Fra Filippo Lippi: The Carmelite Painter. New Haven: Yale Univerity Press, 1999.
page number: pp. 172, 174, 176. Figs. 173a and 173b.
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Gordon, Dillian. The Fifteenth Century Italian Paintings, Vol. 1. London: National Gallery, 2001.
page number: p. 152, figs. 13 and 14
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Butler, Joseph T. "The American way with art." The Connoisseur (November, 1971): 208.
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Tozzini Cellai, Valeria. L’arte Nel Rinascimento, Filippo Lippi : Gli Usi, I Costumi, Gli Avvenimenti Che Accompagnarono La Vita Del Grande Pittore. Prato: Edizioni del Palazzo, 1986.
page number: pp. 46, 84-6, 171
url:
Burlington Fine Arts Club, and Roger Fry. Catalogue of an Exhibition of Florentine Painting before 1500. London: Chiswick Press, 1920.
page number: pp. 21-2, fig. 15
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Pieraccini, Gaetano. "I Figli di Cosimo il Vecchio." In La stirpe dei Medici di Cafaggiolo : saggio di ricerche sulla trasmissione ereditaria dei caratteri biologici 5, pp. 81-99. Florence: Olschiki, 1926.
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Mannini, Maria Pia and and Marco Fagioli. Filippo Lippi: Catalogo Completo. Florence: Octavo, 1997.
page number: pp. 124-5, cat. 50
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Bologna, Ferdinando. Napoli E Le Rotte Mediterranee Della Pittura: Da Alfonso Il Magnanimo a Ferdinando Il Cattolico. Naples: Società napoletana di storia patria, 1977.
page number: pp. 102-3, figs. 68-9
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Ruda, Jeffrey. Fra Filippo Lippi: Life and Work with a Complete Catalogue. London/New York: Phaidon Press (1993).
page number: pp. 198, 442-4; plates 113-4, 294-5
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Toscano, Gennaro. "Nápoles y el Mediterráneo: Relaciones Entre Miniatura y Pintura en la Transición de la Casa de Anjou a la Casa de Aragón." In El Renacimiento Mediterráneo: Viajes de Artistas E Itinerarios de Obras Entre Italia, Francia Y España En El Siglo XV, edited by Comisario Mauro Natale, p. 90. Madrid: Fundación Colección Thyssen-Bornemisza, 2001.
page number: p. 90, fig. IV-20
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Gilbert, Creighton, trans. Italian Art, 1400-1500: Sources and Documents. Englewood Cliffs, N.J.: Prentice-Hall, 1980.
page number: p. 7
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Duits, Rembrandt. Gold Brocade and Renaissance Painting: A Study in Material Culture. London: Pindar Press, 2008.
page number: fig. 98
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Ames-Lewis, Francis. "Fra Filippo Lippi and Flanders." Zeitschrift für Kunstgeschichte, 42 Bd., H. 4 (1979): 271.
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The Cleveland Museum of Art. The Bulletin of the Cleveland Museum of Art, Vol. 52, No. 6 (June, 1965): 144.
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Wasserman, Burt. "News & Notes." Art Education, Vol. 18, No. 1 (January, 1965): 37-9.
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page number: pp. 96–97, 101–102, 211–212; fig. 145
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Cook, Francis, Maurice W. Brockwell, and Herbert Frederick Cook. Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook, Bart. London: W. Heinemann, 1932.
page number: p. 27, fig. 17
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Metropolitan Museum of Art and Detroit Institute of Arts. “Accessions of American and Canadian Museums: July–September 1964.” The Art Quarterly XXVII (1964): 490–491.
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Pittaluga, Mary. Filippo Lippi. Firenze: Del Turco, 1949.
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_web.jpg
print: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_print.jpg
full: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_full.tif