id: 140148 accession number: 1964.150 share license status: CC0 url: https://clevelandart.org/art/1964.150 updated: 2024-04-20 11:00:33.278000 Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot, 1458. Filippo Lippi (Italian, c. 1406–1469). Tempera on wood panel; framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1964.150 title: Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot title in original language: series: series in original language: creation date: 1458 creation date earliest: 1458 creation date latest: 1458 current location: 117B Italian Renaissance creditline: Leonard C. Hanna, Jr. Fund copyright: --- culture: Italy, Florence, 15th century technique: tempera on wood panel department: Medieval Art collection: MED - Medieval Art type: Painting find spot: catalogue raisonne: --- CREATORS * Filippo Lippi (Italian, c. 1406–1469) - artist --- measurements: Framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); Unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review (1964) opening date: 1964-12-08T05:00:00 Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965). title: Florence and the Arts: Five Centuries of Patronage opening date: 1971-07-13T04:00:00 Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). --- LEGACY EXHIBITIONS --- PROVENANCE Condessa Pacheco, Madrid (sold 1871); Sir Francis Cook, Doughty House, Richmond (1871, sold by family 1964); (Rosenberg & Steibel) date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Leone De Castris, Pierluigi. La pittura del Quattrocento a Napoli: 1400-1458 : da Ladislao D'Angiò-Durazzo ad Alfonso D'Aragona. 2020, 236. page number: Mentioned: p. 246; Reproduced: p. 236, figs. 314-315. url: Berenson, Bernard. I disegni dei pittori fiorentini. Milano: Electa editrice, 1961. page number: Mentioned: vol. 1, p. 129; Reproduced: vol. 3, fig. 175 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 79 url: https://archive.org/details/CMAHandbook1966/page/n103 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 79 url: https://archive.org/details/CMAHandbook1969/page/n103 Cleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. page number: Reproduced: fig. 30A & 30B, p. 80 - 83; colorplate XVI url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 90 url: https://archive.org/details/CMAHandbook1978/page/n110 Boskovits, Miklós, ed. Italian Paintings from the 13th to 15th Century. Firenze, Italy: Polistampa, 2009. page number: Mentioned: p. 155 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 276 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_web.jpg print: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_print.jpg full: https://openaccess-cdn.clevelandart.org/1964.150/1964.150_full.tif