{
"data": {
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"accession_number": "1964.242",
"share_license_status": "CC0",
"tombstone": "A Pair of Peafowl (\u5b54\u96c0\u7af9\u77f3\u5716), late 1400s-early 1500s. Lin Liang (Chinese, 1416\u20131480). Hanging scroll, ink on silk; painting: 160 x 106 cm (63 x 41 3/4 in.); overall with knobs: 256.5 x 133.3 cm (101 x 52 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.242",
"current_location": null,
"title": "A Pair of Peafowl",
"title_in_original_language": "\u5b54\u96c0\u7af9\u77f3\u5716",
"creation_date": "late 1400s-early 1500s",
"creation_date_earliest": 1485,
"creation_date_latest": 1505,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "hanging scroll, ink on silk",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting: 160 x 106 cm (63 x 41 3/4 in.); Overall with knobs: 256.5 x 133.3 cm (101 x 52 1/2 in.)",
"dimensions": {
"overall with knobs": {
"height": 2.565,
"height_inch": 101,
"height_inch_fraction": 0.0,
"width": 1.333,
"width_inch": 52,
"width_inch_fraction": 0.5
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"painting": {
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"inscriptions": [
{
"inscription": "\u6797\u826f. [\u5370] \u4ee5\u5584\u5716\u66f8",
"inscription_translation": "Artist's signature and seal: Lin Liang. [seal] Yi shan tu shu",
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"title": "1000 Jahre Chinesische Malerei",
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"title": "The Severance and Greta Millikin Collection",
"description": "The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990).",
"opening_date": "1990-07-05T04:00:00"
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"id": 376407,
"title": "Layers of Meaning: China\u2019s Flora and Fauna in Painting and on Porcelain",
"description": "Layers of Meaning: China\u2019s Flora and Fauna in Painting and on Porcelain. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2020-June 6, 2021).",
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"legacy": [
{
"description": "Jiao yu bu di er ci quan guo mei shu zhan lan hui zhuan ji [\u654e\u80b2\u90e8\u7b2c\u4e8c\u6b21\u5168\u570b\u7f8e\u8853\u5c55\u89bd\u6703\u5c08\u96c6 = A special collection of the second National Exhibition of Chinese Art under the auspices of the Ministry of Education]. Shanghai or Nanjing?, China (April 1-23, 1937).",
"opening_date": "1937-04-01T05:00:00Z"
},
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"description": "The Colors of Ink. Asia House Gallery, New York, NY (January 10-March 3,1974).",
"opening_date": "1974-01-10T04:00:00Z"
},
{
"description": "Imperial Paintings of the Ming Dynasty: The Zhe School. The Metropolitan Museum of Art, New York, NY (February 14-April 11, 1993).",
"opening_date": "1993-02-14T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (August 28, 2014-January 7, 2015).",
"opening_date": "2014-08-28T00:00:00"
}
]
},
"provenance": [
{
"description": "Gao Jianfu \u9ad8\u528d\u7236 [1878\u20131951]",
"citations": [],
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"date": null,
"sortorder": 1
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{
"description": "(Walter Hochstadter [1914-2007], Hong Kong, sold to Mr. and Mrs. Millikin)",
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{
"description": "Severance A. [1895-1985] and Greta Millikin [1903-1989], Cleveland, OH, given to the Cleveland Museum of Art",
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"date": "?-1964",
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},
{
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"description": "The peacock, identified by the flamboyant tail, is paired with a female peahen to its right. In lowering her head, the hen seems to show respect to the male peacock.
With his articulate brushstrokes and strong contrasting tones, Lin Liang\u2019s representation in black ink appears as vivid as Yin Hong\u2019s colorful peacock (1974.31). The painter skillfully uses wet and dry ink as well as broad and thin washes to represent the plumage of the bird. The surface of the rocks, depicted in powerful sweeping strokes, recalls the landscape painting style of the Zhe School, which specialized in expressive brushwork.",
"external_resources": {
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],
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"citations": [
{
"citation": "Jiao yu bu di er ci quan guo mei shu zhan lan hui zhuan ji [\u654e\u80b2\u90e8\u7b2c\u4e8c\u6b21\u5168\u570b\u7f8e\u8853\u5c55\u89bd\u6703\u5c08\u96c6 = A special collection of the second National Exhibition of Chinese Art under the auspices of the Ministry of Education]. [Nanjing?]: Shang wu yin shu guan, 1937.",
"page_number": "no. 114",
"url": null
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: VII, Lists, 210",
"url": null
},
{
"citation": "Goepper, Roger. 1000 Jahre chinesische Malerei. Mu\u0308nchen: Haus der Kunst, 1959.",
"page_number": "Reproduced: pp. 78-79, fig. 44",
"url": null
},
{
"citation": "Goepper, Roger. Chinesische Malerei: die ju\u0308ngere Tradition. Bern: Hallwag, 1960.",
"page_number": "Reproduced: pp. 44-45",
"url": null
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: pp. 425-426, fig. 568",
"url": null
},
{
"citation": "Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "Reproduced: fig. 1",
"url": null
},
{
"citation": "Cahill, James. Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, 1368-1580. New York: Weatherhill, 1978.",
"page_number": "Mentioned: p. 55",
"url": null
},
{
"citation": "Catalogue of the Severance and Greta Millikin Collection. Cleveland, OH: Cleveland Museum of Art, 1990.",
"page_number": "Mentioned; cat. no. 150, p. 87; Reproduced: pl. 27",
"url": null
},
{
"citation": "Chen, Pao-chen \u9673\u8446\u771f. \"A Study of Lin Liang and His Paintings,\" National Palace Museum Bulletin \u6545\u5bae\u901a\u8a0a, vol. XXVII, no. 4 (September-October 1992).",
"page_number": "Reproduced: p. 15, pl. 4",
"url": null
},
{
"citation": "Barnhart, Richard M., Mary Ann Rogers, and Richard Stanley-Baker. Painters of the Great Ming: The Imperial Court and the Zhe School. Dallas, TX: Dallas Museum of Art, 1993.",
"page_number": "Reproduced: cat. no. 53, p. 201",
"url": null
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{
"citation": "Sung, Hou-Mei. \u201cThe Three Yin Masters of the Ming Court: Yin Shan, Yin Xie and Yin Hong.\u201d Artibus Asiae, vol. 58, no. 1/2, 1998, pp. 91\u2013113.",
"page_number": "Reproduced: fig. 11, p. 104",
"url": "https://www.jstor.org/stable/3249996"
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 229-232",
"url": null
}
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"A Pair of Peacocks",
"A Pair of Peafowl \u5b54\u96c0\u7af9\u77f3\u5716"
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