id:			140268
accession number:	1964.243
share license status:	CC0
url:			https://clevelandart.org/art/1964.243
updated:		2020-11-17 10:00:43.326000

Screen with European Figures (obverse) and Landscape (reverse) with Stand, 1736-1795. China, Beijing palace workshops, Qing Dynasty (1644-1911), Qianlong reign (1736-1795). Painted enamel, glass painting, and cast-iron stand; painting only: 35.7 x 32.4 cm (14 1/16 x 12 3/4 in.); height with stand: 65.8 cm (25 7/8 in.); screen only: 44.3 x 47.6 x 1.5 cm (17 7/16 x 18 3/4 x 9/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection 1964.243

title:				Screen with European Figures (obverse) and Landscape (reverse) with Stand
title in original language:	
series:				
series in original language:	
creation date:			1736-1795
creation date earliest:		1736
creation date latest:		1795
current location:		240B Chinese Decorative Arts
creditline:			Severance and Greta Millikin Collection
copyright:			

---

culture:	China, Beijing palace workshops, Qing Dynasty (1644-1911), Qianlong reign (1736-1795)
technique:	painted enamel, glass painting, and cast-iron stand
department:	Chinese Art
collection:	China - Qing Dynasty
type:		Enamel
find spot:	
catalogue raisonne: 

---

CREATORS

---

measurements: Painting only: 35.7 x 32.4 cm (14 1/16 x 12 3/4 in.); height with stand: 65.8 cm (25 7/8 in.); screen only: 44.3 x 47.6 x 1.5 cm (17 7/16 x 18 3/4 x 9/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

	title:		The Severance and Greta Millikin Collection
	opening date:   1990-07-05T04:00:00
	<i>The Severance and Greta Millikin Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990).

---

LEGACY EXHIBITIONS

* Cleveland Museum of Art (7/5–9/2/1990): “The Severance and Greta Millikin Collection,” cat. #190

---

PROVENANCE

---

fun fact: 


digital description: 


wall description: 
On the obverse side of this two-sided table screen is an enamel-painted copper plaque with European
figures. The image is probably derived from prints. European enamelware was introduced to China
through missionary-artists at the Beijing court and foreign trade in Guangzhou.

On the reverse side is a glass painting of architectural landscape in the Chinese style. At the Qing court, imperial commands made possible artistic collaboration and the incorporation of different
artistic expressions in a single artwork.
---

RELATED WORKS

---

CITATIONS

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1964.243/1964.243_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1964.243/1964.243_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1964.243/1964.243_full.tif