id: 140286 accession number: 1964.255 share license status: CC0 url: https://clevelandart.org/art/1964.255 updated: 2023-03-10 19:42:51.584000 Sleeping Cat, early to mid-1800s. Japan, Edo period (1615-1868). Porcelain, molded and carved, with overglaze gold and enamels (Hizen ware, Ko-Imari style); overall: 9.5 x 14.6 cm (3 3/4 x 5 3/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection 1964.255 title: Sleeping Cat title in original language: series: series in original language: creation date: early to mid-1800s creation date earliest: 1800 creation date latest: 1868 current location: creditline: Severance and Greta Millikin Collection copyright: --- culture: Japan, Edo period (1615-1868) technique: porcelain, molded and carved, with overglaze gold and enamels (Hizen ware, Ko-Imari style) department: Japanese Art collection: Japanese Art type: Sculpture find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 9.5 x 14.6 cm (3 3/4 x 5 3/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Severance and Greta Millikin Collection opening date: 1990-07-05T04:00:00 The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). title: Monet & Japan opening date: 2001-03-10T00:00:00 Monet & Japan. National Gallery of Australia, Canberra ACT 2601, Australia (organizer) (March 10-June 11, 2001); Art Gallery of Western Australia, Perth (June 29-September 16, 2001). --- LEGACY EXHIBITIONS * Cleveland Museum of Art (7/5–9/2/1990): “The Severance and Greta Millikin Collection”
Canberra, Australia: National Gallery of Australia (3/10/2001 - 6/11/0201); Perth, Australia: Art Gallery of Western Australia, Perth (6/29-9/16/2001) "Monet & Japan" exh. cat. no. 129, p. 200
Main Asian Rotation (Gallery 236); April 19, 2013 - December 24, 2013 --- PROVENANCE John L. Severance, Cleveland; Severance and Greta Millikin, Cleveland. date: footnotes: citations: --- fun fact: digital description: wall description: Animal, fowl, and marine subjects became popular scenes on porcelain produced at the beginning of the 18th century from the kilns in the Imari region. Even small figures like this were labor intensive. First, the porcelain form was created and fired. Gold-brown spots of underglaze were added and then the figurine was fired at a high temperature. The final details were added in enamel, and the figure was fired at a reduced temperature. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1964.255/1964.255_web.jpg print: https://openaccess-cdn.clevelandart.org/1964.255/1964.255_print.jpg full: https://openaccess-cdn.clevelandart.org/1964.255/1964.255_full.tif