{
"data": {
"id": 140338,
"accession_number": "1964.289",
"share_license_status": "CC0",
"tombstone": "Sunset on the River Oise, 1866. Charles Fran\u00e7ois Daubigny (French, 1817\u20131878). Oil on wood panel; framed: 56.2 x 85.1 x 9 cm (22 1/8 x 33 1/2 x 3 9/16 in.); unframed: 40.1 x 69.1 cm (15 13/16 x 27 3/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection, 1964.289",
"current_location": null,
"title": "Sunset on the River Oise",
"creation_date": "1866",
"creation_date_earliest": 1866,
"creation_date_latest": 1866,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "oil on wood panel",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 56.2 x 85.1 x 9 cm (22 1/8 x 33 1/2 x 3 9/16 in.); Unframed: 40.1 x 69.1 cm (15 13/16 x 27 3/16 in.)",
"dimensions": {
"framed": {
"height": 0.562,
"height_inch": 22,
"height_inch_fraction": 0.125,
"width": 0.851,
"width_inch": 33,
"width_inch_fraction": 0.5,
"depth": 0.09,
"depth_inch": 3,
"depth_inch_fraction": 0.5625
},
"unframed": {
"height": 0.401,
"height_inch": 15,
"height_inch_fraction": 0.8125,
"width": 0.691,
"width_inch": 27,
"width_inch_fraction": 0.1875
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed in lower right: Daubigny 1866. \r\n\r\n",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 310300,
"title": "The Severance and Greta Millikin Collection",
"description": "The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990).",
"opening_date": "1990-07-05T04:00:00"
},
{
"id": 224393,
"title": "La nascita dell'impressionismo",
"description": "La nascita dell'impressionismo. Casa dei Carraresi, 31100 Treviso, Italy (September 9, 2000-January 14, 2001).",
"opening_date": "2000-09-09T00:00:00"
}
],
"legacy": [
{
"description": "London, Couper Gallery. Some Aspects of the 19th Century: De G\u00e9ricault \u00e0 Daubigny (1962-63), no. 12 (repr.).",
"opening_date": "1962-01-01T00:00:00"
},
{
"description": "cma. Catalogue of the Severance and Greta Millikin Collection (1990), 94, no. 212.",
"opening_date": "1990-01-01T00:00:00"
},
{
"description": "Treviso, Italy: Casa Dei Carreresi (organized by Linea d'ombra srl in Conegliano, Italy) (9/9/00-1/14/01) \"La nascita dell'impressionismo\" exh. cat. no. 81, p. 186.",
"opening_date": "2000-09-09T00:00:00"
}
]
},
"provenance": [
{
"description": "Irene [1868-1954] and Solomon R. Guggenheim [1861-1949], London",
"citations": [],
"footnotes": null,
"date": "Until 1962",
"sortorder": 1
},
{
"description": "(Guggenheim sale, Sotheby's, London, November 7, 1962 (lot 92), probably sold to the Couper Gallery)",
"citations": [],
"footnotes": [
"The painting's title in the sale catalogue is \"La Seine, pr\u00e8s de Bonni\u00e8res, coucher de soleil.\"
"
],
"date": "1962",
"sortorder": 2
},
{
"description": "(Couper Gallery, London)",
"citations": [],
"footnotes": [
"The price list accompanying the Guggenheim sale catalogue indicates that the buyer of the Daubigny was \u201cJ.G. Cooper.\u201d In 1963, the painting appears in the Couper Gallery exhibition Some Aspects of the 19th Century: de G\u00e9ricault \u00e0 Daubigny (no. 12); therefore, \u201cJ.G. Cooper\u201d is likely an as yet unidentified individual connected to the Couper Gallery whose surname was misspelled in the price list.
"
],
"date": "1962-1963",
"sortorder": 3
},
{
"description": "(Galerie Claude Aubry, sold to Severance A. and Greta Millikin)",
"citations": [],
"footnotes": null,
"date": "Until 1963",
"sortorder": 4
},
{
"description": "Severance A. [1895-1985] and Greta Millikin [1903-1989], Cleveland, OH, given to the Cleveland Museum of Art",
"citations": [],
"footnotes": null,
"date": "1963-1964",
"sortorder": 5
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1964-",
"sortorder": 6
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60469189"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1964.289-sunset-on-the-river"
]
},
"citations": [
{
"citation": "Severance Millikin, letter to Claude Aubry, July 3, 1963, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Severance Millikin, letter to Claude Aubry, July 3, 1963, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Sotheby's (Firm). Impressionist and Modern Paintings, Drawings and Sculpture. Nov. 7, 1962.",
"page_number": null,
"url": null
},
{
"citation": "Couper Gallery. Some Aspects of the 19th Century: De Ge\u0301ricault A\u0300 Daubigny. London: Couper Gallery, 1962.",
"page_number": null,
"url": null
},
{
"citation": "Sotheby's (Firm). Impressionist and Modern Paintings, Drawings and Sculpture. Nov. 7, 1962.",
"page_number": null,
"url": null
},
{
"citation": "Hellebranth, Robert. Charles-Franc\u0327ois Daubigny: 1817-1878. Morges: Matute, 1976.",
"page_number": null,
"url": null
},
{
"citation": "Hellebranth, Robert. Charles-Franc\u0327ois Daubigny: 1817-1878. Morges: Matute, 1976.",
"page_number": null,
"url": null
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 182-183, Vol. I, no. 68",
"url": ""
}
],
"url": "https://clevelandart.org/art/1964.289",
"images": {
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"creditline": "Severance and Greta Millikin Collection",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 140338,
"creators": [
{
"id": 1626,
"description": "Charles Fran\u00e7ois Daubigny (French, 1817\u20131878)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "The son of a painter, Charles Fran\u00e7ois Daubigny received his initial training from his father, Edmond Fran\u00e7ois Daubigny (1789-1843), a student of Bertin (q.v.). Daubigny's uncle, Pierre, and his uncle's wife were also painters. In order to finance a trip to Italy, Daubigny began painting decorative panels for the Mus\u00e9e de Versailles. By 1835 he had earned enough money for the excursion and, accompanied by Henri Mignon, traveled through Rome, Florence, Pisa, and Genoa, studying the Italian country-side. Upon his return to Paris in 1836 Daubigny began working for Granet (q.v.) in the paintings restoration depart-ment of the Louvre. He made his Salon debut two years later and would regularly show there until 1868. During this time he also learned etching, and it became a good source of income while still allowing him time to paint. Daubigny began to travel often, to Normandy in 1842, to the forest of Fontainebleau and on to Burgundy in 1843. He became friends with Corot (q.v.), and the two artists painted together in Switzerland and the Dauphin\u00e9. In 1857 Daubigny bought a boat that he converted into a studio and used to explore the Oise, Marne, and Seine rivers. The boat allowed him freedom to choose the best viewpoints for his landscapes, an idea that Monet (q.v.) would adopt years later. Daubigny achieved some financial success, received the Legion of Honor in 1859, and a year later built a home and studio in Auvers. In 1861, however, he was criticized because his works were becoming darker and sketchier. He was, in fact, one of the earliest artists to become interested in capturing the changing quality of nature by using light, rapid brush strokes.\r\nWhile experimenting with painting, Daubigny continued his interest in printmaking. In 1862 he participated in an exhibit funded by Cadart, a print publisher and dealer. The exhibition concerned artists who considered printmaking a legitimate art in itself, not a medium for simple reproduction. Cadart became Daubigny's exclusive publisher. Along with Corot, Daubigny also experimented with the clich\u00e9 verre technique. He continued to travel, in Brittany in 1867 and Spain in 1868-69. He was also supportive of other artists. As a member of the Salon jury of 1868, he was instrumental in having the works of Degas (q.v.), Morisot (q.v.), Pissarro (q.v.), Renoir (q.v.), Sisley (q.v.), Monet, and Fr\u00e9d\u00e9ric Bazille (1841-1870) accepted. Daubigny moved to London in 1870 to escape the Franco-Prussian War. There he introduced Pissarro and Monet to Paul Durand-Ruel, his art dealer, who had opened a gallery in London. Daubigny returned to Paris after the war, traveling around the French countryside until the end of his life.",
"name_in_original_language": null,
"birth_year": "1817",
"death_year": "1878",
"use_in_caption": true,
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"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1964-06-09T00:00:00",
"sortable_date": 1866,
"date_added_to_oa": null,
"date_text": "1866",
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"record_type": "object",
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"cover_accession_number": null,
"is_nazi_era_provenance": true,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 07:12:29.352000"
}
}