id: 140344
accession number: 1964.294
share license status: CC0
url: https://clevelandart.org/art/1964.294
updated: 2025-02-09 03:00:15.141000
Hunters Near Ruins, 1648. Jan Baptist Weenix (Dutch, 1621–1660). Oil on canvas; framed: 123.5 x 154 x 11.5 cm (48 5/8 x 60 5/8 x 4 1/2 in.); unframed: 98.8 x 129.2 cm (38 7/8 x 50 7/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Collection 1964.294
title: Hunters Near Ruins
title in original language:
series:
series in original language:
creation date: 1648
creation date earliest: 1648
creation date latest: 1648
current location:
creditline: Severance and Greta Millikin Collection
copyright:
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culture: Netherlands
technique: oil on canvas
department: European Painting and Sculpture
collection: P - Netherlandish-Dutch
type: Painting
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catalogue raisonne:
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CREATORS
* Jan Baptist Weenix (Dutch, 1621–1660) - artist
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measurements: Framed: 123.5 x 154 x 11.5 cm (48 5/8 x 60 5/8 x 4 1/2 in.); Unframed: 98.8 x 129.2 cm (38 7/8 x 50 7/8 in.)
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inscriptions:
inscription: Signed lower right: Gio. Batta. Weenix: 1648"
translation:
remark:
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CURRENT EXHIBITIONS
title: Dutch Italianate Landscapes Painters from the 17th Century
opening date: 1965-03-09T05:00:00
Dutch Italianate Landscapes Painters from the 17th Century. Centraal Museum, Utrecht, The Netherlands (organizer) (March 9-May 30, 1965).
title: Italian Recollections: Dutch Painters of the Golden Age
opening date: 1990-06-08T04:00:00
Italian Recollections: Dutch Painters of the Golden Age. Montréal Museum of Fine Arts (organizer) (June 8-July 22, 1990).
title: The Severance and Greta Millikin Collection
opening date: 1990-07-05T04:00:00
The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990).
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LEGACY EXHIBITIONS
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PROVENANCE
Duc de Choiseul-Praslin, Paris (sale: Paillet, Paris, February 18-25, 1793, no. 102);
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Marquis of Montcalm, Montpellier (sale: Laneuville, Paris, March 25, 1850, no. 28);
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Pierard collection, Paris (sale: Laneuville, Paris, March 20-21, 1860, no. 95);
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Bourlon de Sarty collection, Paris (sale: Hotel Drouot, Paris, March 9-11, 1868, no. 20);
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(sale: Hotel Drouot, Paris, February 2, 1883, no. 25);
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[Galerie Heim, Paris];
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Mr. and Mrs. Severance Millikin, Cleveland, 1964, by gift to the Cleveland Museum of Art, 1964.
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Reproduced: p. 287; Mentioned: p. 286
url:
Centraal Museum (Utrecht, Netherlands). Nederlandse 17e eeuwse Italianiserende landschapschilders. 1965.
page number: Referenced: cat. no. 97, p. 177, Reproduced: pl. 100
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Haverkamp Begemann, Egbert. Wadsworth Atheneum Paintings: Catalogue. Hartford: [publisher not identified], 1978.
page number: Mentioned: p. 202, Weenix n. 3
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Schloss, Christine Skeeles. Travel, Trade, and Temptation: The Dutch Italianate Harbor Scene, 1640-1680. Ann Arbor, MI: UMI Research Press, 1982.
page number: Reproduced: p. 89, plate 2
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Duparc, Frederik J., and Linda L. Graif. Italian Recollections: Dutch Painters of the Golden Age. Montreal, ONT: Montreal Museum of Fine Arts, 1990.
page number: Reproduced: p. 36, fig. 18
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Wagenberg-ter Hoeven, Anke A. van, Father and Son Weenix. Zwolle: Waanders Uitgevers, 2018.
page number: Reproduced: p. 32, fig. 16; Mentioned: pp. 94-95, cat. 13
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1964.294/1964.294_web.jpg
print: https://openaccess-cdn.clevelandart.org/1964.294/1964.294_print.jpg
full: https://openaccess-cdn.clevelandart.org/1964.294/1964.294_full.tif