id: 140441
accession number: 1964.371.1
share license status: CC0
url: https://clevelandart.org/art/1964.371.1
updated:
Twelve Views of Tiger Hill, Suzhou: Distant View of Tiger Hill from the Canal Mooring, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf, ink on paper or ink and slight color on paper; image: 31.5 x 40.6 cm (12 3/8 x 16 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1964.371.1
title: Twelve Views of Tiger Hill, Suzhou: Distant View of Tiger Hill from the Canal Mooring
title in original language:
series:
series in original language: 虎丘十二景圖
creation date: after 1490
creation date earliest: 1491
creation date latest: 1509
current location:
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: China, Ming dynasty (1368–1644)
technique: album leaf, ink on paper or ink and slight color on paper
department: Chinese Art
collection: ASIAN - Album leaf
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Shen Zhou (Chinese, 1427–1509) - artist
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measurements: Image: 31.5 x 40.6 cm (12 3/8 x 16 in.); Overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: [印] 启南
translation:
remark:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
* Cleveland Museum of Art, 1954: Lee, Chinese Landscape Painting, cat. no. 51: 1-4 (B, E, F, J).
Asia House Gallery, 1974: Lee, Colors of Ink, cat. nos. 26 (B), 27 (E).
Cleveland Museum of Art, 1981: Eight Dynasties of Chinese Painting, cat. no. 155, p. 187-190.
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PROVENANCE
Hu Zhishou 胡之壽 [late 18th–mid 19th century)]
date:
footnotes:
citations:
Binliang 斌良 [1784–1847]
date:
footnotes:
citations:
Hou Shigong 侯士恭 [late 19th–early 20th century]
date:
footnotes:
citations:
(Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art)
date: ?-1964
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1964-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 263
url: https://archive.org/details/CMAHandbook1966/page/n287
Lee, Sherman E. “Literati and Professionals: Four Ming Painters.” The Bulletin of the Cleveland Museum of Art, vol. 53, no. 1, 1966, pp. 2–25.
page number: Reproduced: fig. 4
url: www.jstor.org/stable/25152081
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 263
url: https://archive.org/details/CMAHandbook1969/page/n287
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 349
url: https://archive.org/details/CMAHandbook1978/page/n369
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 245-251
url:
Karlsson,Kim. "Wanderlust: Painting "Famous Mountains and Unexcelled Places." In Longing for Nature: Reading Landscapes in Chinese Art. Kim Karlsson, and Alexandra von Przychowski, 146-203. Zürich: Museum Rietberg; Berlin: Hatje Cantz Verlag, 2020.
page number: Mentioned and reproduced: P. 151
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_web.jpg
print: https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_print.jpg
full: https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_full.tif