id:			140441
accession number:	1964.371.1
share license status:	CC0
url:			https://clevelandart.org/art/1964.371.1
updated:		

Twelve Views of Tiger Hill, Suzhou: Distant View of Tiger Hill from the Canal Mooring, after 1490. Shen Zhou (Chinese, 1427–1509). Album leaf, ink on paper or ink and slight color on paper; image: 31.5 x 40.6 cm (12 3/8 x 16 in.); overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1964.371.1

title:				Twelve Views of Tiger Hill, Suzhou: Distant View of Tiger Hill from the Canal Mooring
title in original language:	
series:				
series in original language:	虎丘十二景圖
creation date:			after 1490
creation date earliest:		1491
creation date latest:		1509
current location:		
creditline:			Leonard C. Hanna, Jr. Fund
copyright:			

---

culture:	China, Ming dynasty (1368–1644)
technique:	album leaf, ink on paper or ink and slight color on paper
department:	Chinese Art
collection:	ASIAN - Album leaf
type:		Painting
find spot:	
catalogue raisonne: 

---

CREATORS

* Shen Zhou (Chinese, 1427–1509)  - artist

---

measurements: Image: 31.5 x 40.6 cm (12 3/8 x 16 in.); Overall: 36.5 x 49.9 cm (14 3/8 x 19 5/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	[印] 启南
	translation:	
	remark:		

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

* Cleveland Museum of Art, 1954: Lee, Chinese Landscape Painting, cat. no. 51: 1-4 (B, E, F, J).<br>Asia House Gallery, 1974: Lee, Colors of Ink, cat. nos. 26 (B), 27 (E).<br>Cleveland Museum of Art, 1981: Eight Dynasties of Chinese Painting, cat. no. 155, p. 187-190.

---

PROVENANCE

	Hu Zhishou 胡之壽 [late 18th–mid 19th century)]
	date: 
	footnotes: 	
	citations: 	


	Binliang 斌良 [1784–1847]
	date: 
	footnotes: 	
	citations: 	


	Hou Shigong 侯士恭 [late 19th–early 20th century]
	date: 
	footnotes: 	
	citations: 	


	(Walter Hochstadter [1914–2007], New York, NY, sold to the Cleveland Museum of Art)
	date: ?-1964
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 1964-
	footnotes: 	
	citations: 	


---

fun fact:


digital description:


wall description:

---

RELATED WORKS

---

CITATIONS

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.
	page number: 	Reproduced: p. 263
	url:		https://archive.org/details/CMAHandbook1966/page/n287

	Lee, Sherman E. “Literati and Professionals: Four Ming Painters.” <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 53, no. 1, 1966, pp. 2–25.
	page number: 	Reproduced: fig. 4
	url:		www.jstor.org/stable/25152081

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
	page number: 	Reproduced: p. 263
	url:		https://archive.org/details/CMAHandbook1969/page/n287

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
	page number: 	Reproduced: p. 349
	url:		https://archive.org/details/CMAHandbook1978/page/n369

	Chou, Ju-hsi and Anita Chung. <em>Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2015.
	page number: 	Reproduced: pp. 245-251
	url:		

	Karlsson,Kim. "Wanderlust: Painting "Famous Mountains and Unexcelled Places." In <em>Longing for Nature: Reading Landscapes in Chinese Art. </em>Kim Karlsson, and Alexandra von Przychowski, 146-203. Zürich: Museum Rietberg; Berlin: Hatje Cantz Verlag, 2020.
	page number: 	Mentioned and reproduced: P. 151
	url:		

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1964.371.1/1964.371.1_full.tif