{
    "data": {
        "id": 141220,
        "accession_number": "1964.454",
        "share_license_status": "CC0",
        "tombstone": "Calvary with a Carthusian Monk, 1389\u201395. Jean de Beaumetz (French, c. 1335\u20131396). Oil on oak panel; framed: 63.5 x 52.5 x 6.7 cm (25 x 20 11/16 x 2 5/8 in.); unframed: 56.6 x 45.7 cm (22 5/16 x 18 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.454",
        "current_location": null,
        "title": "Calvary with a Carthusian Monk",
        "creation_date": "1389\u201395",
        "creation_date_earliest": 1389,
        "creation_date_latest": 1395,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France"
        ],
        "technique": "oil on oak panel",
        "support_materials": [],
        "department": "Medieval Art",
        "collection": "MED - Medieval Art",
        "type": "Painting",
        "measurements": "Framed: 63.5 x 52.5 x 6.7 cm (25 x 20 11/16 x 2 5/8 in.); Unframed: 56.6 x 45.7 cm (22 5/16 x 18 in.)",
        "dimensions": {
            "framed": {
                "height": 0.635,
                "height_inch": 25,
                "height_inch_fraction": 0.0,
                "width": 0.525,
                "width_inch": 20,
                "width_inch_fraction": 0.6875,
                "depth": 0.067,
                "depth_inch": 2,
                "depth_inch_fraction": 0.625
            },
            "unframed": {
                "height": 0.566,
                "height_inch": 22,
                "height_inch_fraction": 0.3125,
                "width": 0.457,
                "width_inch": 18,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 300917,
                    "title": "Golden Anniversary of Acquisitions",
                    "description": "<i>Golden Anniversary of Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966).",
                    "opening_date": "1966-09-10T04:00:00"
                },
                {
                    "id": 300926,
                    "title": "Treasures of Medieval France",
                    "description": "<i>Treasures of Medieval France</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 16, 1966-January 29, 1967).",
                    "opening_date": "1966-11-16T05:00:00"
                },
                {
                    "id": 186370,
                    "title": "Dukes and Angels: Art from the Court of Burgundy (1364-1419)",
                    "description": "<i>Dukes and Angels: Art from the Court of Burgundy (1364-1419)</i>. Mus\u00e9e des Beaux-Arts, Dijon, Dijon, France (May 27-September 15, 2004); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24, 2004-January 9, 2005).",
                    "opening_date": "2004-05-27T00:00:00"
                },
                {
                    "id": 180667,
                    "title": "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art",
                    "description": "<i>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art</i>. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum, Los Angeles, CA (October 30, 2007-January 20, 2008); Frist Art Museum, Nashville, TN (February 13-June 7, 2009).",
                    "opening_date": "2007-05-10T00:00:00"
                },
                {
                    "id": 296969,
                    "title": "Johan Maelwael from Guelders",
                    "description": "<i>Johan Maelwael from Guelders</i>. Rijksmuseum, Amsterdam, Netherlands (organizer) (October 6, 2017-January 7, 2018).",
                    "opening_date": "2017-10-06T04:00:00"
                },
                {
                    "id": 310374,
                    "title": "Turn of Eras: Hildesheim as a European Center around 1400",
                    "description": "<i>Turn of Eras: Hildesheim as a European Center around 1400</i>. Dom-Museum Hildesheim, Hildesheim, Germany (organizer) (September 26, 2019-February 2, 2020).",
                    "opening_date": "2019-09-26T04:00:00"
                },
                {
                    "id": 681998,
                    "title": "Spectrum of Desire: Love Sex and Gender in the Middle Ages",
                    "description": "<i>Spectrum of Desire: Love Sex and Gender in the Middle Ages</i>. The Metropolitan Museum of Art, New York, NY (organizer) (October 16, 2025-March 29, 2026) https://www.metmuseum.org/exhibitions/spectrum-of-desire-love-sex-and-gender-in-the-middle-ages.",
                    "opening_date": "2025-10-16T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Palais des Ducs de Bourgogne, La Chartreuse de Champmol, </em>Musee de Dijon, France (1960).",
                    "opening_date": "1960-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Private collection, France",
                "citations": [],
                "footnotes": [],
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Wildenstein & Co., New York, NY, sold to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": null,
                "date": "-1964",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1964-",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Records exist detailing the delivery of the this panel and 25 others to the monastery Chartreuse de Champmol, for use in the monks' cells.",
        "description": "Jean de Beaumetz became the official court painter to the Burgundian duke, Philip the Bold, in 1376. Between 1389 and 1395 he created devotional paintings for the monks\u2019 cells at the Chartreuse de Champmol, the monastery founded by Philip and his wife Margaret to house the ducal tombs. This panel, originally one of 26, is only one of two that have survived; the second is preserved in the Louvre in Paris. The Carthusians were intensely devoted to the Passion of Christ; particularly bloody images of the Crucifixion often decorated their cells. Isolated from one another, the monks contemplated the sacrifice of Christ (emphasized here by the presence of a Carthusian monk at the foot of the cross) creating an empathetic connection with the suffering of the Virgin who faints in the arms of the two Marys. Saint John the Evangelist, on the right, bows his head in sorrow. The punched decoration in the gold background represents the Trees of Life and Knowledge, emphasizing the biblical connection between Adam and Christ.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q9191532"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1964.454-calvary-with-a-carth"
            ]
        },
        "citations": [
            {
                "citation": "Dehaisnes, Chre\u0301tien. <em>Documents et extraits divers concernant l'histoire de l'art dans la Flandre, l'Artois et le Hainaut avant le XVe sie\u0300cle.</em> 1. 627-1373. - 1886. - XXIII, 520 S. 1. 627-1373. - 1886. - XXIII, 520 S. Lille: Danel, 1886.",
                "page_number": "676, fol. 295v (for B. 116741 of Archives d\u00e9partementales de la C\u00f4te-d'Or), 728-729, fol. 147 (for B. 11672)",
                "url": ""
            },
            {
                "citation": "Prost, Bernard, and Henri Prost. <em>Inventaires mobiliers et extraits des Comptes des ducs de Bourgogne de la maison de Valois: (1363-1477)</em>. Tome Ier, Tome Ier. Paris: E. Leroux, 1902.",
                "page_number": "p. 638, no. 3743; p. 645, no. 3776; p. 645-646, nos. 3778 and 3779",
                "url": ""
            },
            {
                "citation": "Sterling, Charles, \"Oeuvres retrouv\u00e9es de Jean de Beaumetz peintre de Philippe le Hardi,\" <em>Mus\u00e9es Royaux des Beaux-Arts Bulletin</em> IV (Brussels, 1955).",
                "page_number": "pp. 59-62, 68, 71, 72, 74, 78, 80, illus, p. 59",
                "url": ""
            },
            {
                "citation": "\"Jean de Beaumetz,\" <em>Stele Arte Anno</em> IV, no. 21 (Nov-Dec. 1955).",
                "page_number": "p. 45",
                "url": ""
            },
            {
                "citation": "Muse\u0301e des beaux-arts de Dijon, and Pierre Quarre\u0301.<em> La Chartreuse de Champmol, foyer d'art au temps des ducs Valois. [Exposition] Muse\u0301e de Dijon, Palais des ducs de Bourgogne</em>. 1960.",
                "page_number": "pl. xx",
                "url": ""
            },
            {
                "citation": "Meiss, Millard and Colin Eisler, \"A New French Primitive\" <em>Burlington Magazine</em> CII (Jan-Dec. 1960).",
                "page_number": "495, 234, 236",
                "url": ""
            },
            {
                "citation": "Laclotte, Michael \"Coming and Forthcoming Exhibitions,\" <em>Art de France</em> no. (1961).",
                "page_number": "p. 289, note 4",
                "url": ""
            },
            {
                "citation": "Cha\u0302telet, Albert, and Jacques Thuillier. <em>French Painting: From Fouquet to Poussin.</em> Geneva: Skira, 1963.",
                "page_number": "p. 15",
                "url": ""
            },
            {
                "citation": "Guilly, Ren\u00e9, \"Jean de Beaumetz\" <em>Kindlers Malerei-Lexikon </em>I (Zurich, 1964).",
                "page_number": "pp. 256-7",
                "url": ""
            },
            {
                "citation": "Wixom, William D. \u201cThe Hours of Charles the Noble.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 52, no. 3 (1965).",
                "page_number": "p. 83, no. 58",
                "url": "https://www.jstor.org/stable/25152039"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 62",
                "url": "https://archive.org/details/CMAHandbook1966/page/n86"
            },
            {
                "citation": "Lee, Sherman E. \u201cGolden Anniversary Acquisitions: September 10 through October 16.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 53, no. 7 (1966).",
                "page_number": "cat. no. 55, p. 195",
                "url": "https://www.jstor.org/stable/25152110"
            },
            {
                "citation": "Francis, Henry S. \u201cJean de Beaumetz: Calvary with a Carthusian Monk.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 53, no. 9 (1966).",
                "page_number": "pp. 329-38, fig. 1",
                "url": "https://www.jstor.org/stable/25152119"
            },
            {
                "citation": "Troescher, George. <em>Burgundische Malerei.</em> Berlin: Mann, 1966.",
                "page_number": "p. 53, II, pl. 4, fig. 9",
                "url": ""
            },
            {
                "citation": "Scholtens, H.J.J., \"De Chartreuse bij Dijon en haar Kunstenaars 1379-1411,\" <em>Oud Holland </em>LXXXI (1966).",
                "page_number": "p. 130, n. 63",
                "url": ""
            },
            {
                "citation": "Wixom, William D. \u201cThree Gothic Sculptures.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 53, no. 9 (1966).",
                "page_number": "p. 349",
                "url": "https://www.jstor.org/stable/25152121"
            },
            {
                "citation": "Hoving, Thomas P. F. \"French Medieval Art at Cleveland - A Notable Exhibition,\" <em>Apollo </em>LXXXIV (November 1966).",
                "page_number": "repr. p. 361",
                "url": ""
            },
            {
                "citation": "Laclotte, Michel.<em> Primitifs franc\u0327ais</em>. [Paris]: Hachette, 1966.",
                "page_number": "p. 14",
                "url": ""
            },
            {
                "citation": "\"Accessions of American and Canadian Museums, January-March 1966\" <em>The Art Quarterly</em>, XXIX, no. 2 (1966).",
                "page_number": "p. 175, center no. 2",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art, \u201cGolden Anniversary Acquisition,\u201d 1966, Cleveland Museum of Art Archives.",
                "page_number": null,
                "url": "https://archive.org/details/cmapr1435"
            },
            {
                "citation": "Stechow, Wolfgang. \"Cleveland's Golden Anniversary Acquisitions.\" <em>Artnews</em> 65, no. 5 (September 1966): 30-64.",
                "page_number": "Reproduced: p. 36",
                "url": null
            },
            {
                "citation": "Wixom, William D. <em>Treasures from Medieval France</em>. [Cleveland]: Cleveland Museum of Art, 1967.",
                "page_number": "VI 12, pp. 238-9",
                "url": "https://archive.org/details/TreasuresMedievalFrance/page/n265"
            },
            {
                "citation": "Cleveland Museum of Art.<em> Selected Works: Cleveland Museum of Art.</em> 1967.",
                "page_number": "p. 96",
                "url": ""
            },
            {
                "citation": "\"La Chronique des Arts,\" <em>Supplement \u00e0 la Gazette des Beaux-Arts</em> no. 1176 (February 1967).",
                "page_number": "p. 64, repr. no. 240.",
                "url": ""
            },
            {
                "citation": "\"Se Le Art, Il Collezionista,\" <em>Critica D;Arte Diretta Da Carlo L. Ragghianti Vallecchi Editore Firenze</em>, Anno XIV, Nuova Serie, fasc. 88 (agosto 1967).",
                "page_number": "p. 16",
                "url": ""
            },
            {
                "citation": "Meiss, Millard, Kathleen Morand, and Edith W. Kirsch.<em> French Painting in the Time of Jean De Berry: The Boucicaut Master.</em> 1968.",
                "page_number": "I: pp. 100, 279, 280, 293; II, fig. 831",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 62",
                "url": "https://archive.org/details/CMAHandbook1969/page/n86"
            },
            {
                "citation": "Bia\u0142ostocki, Jan. <em>Spa\u0308tmittelalter und beginnende Neuzeit.</em> Berlin: Propyla\u0308en Verlag, 1972.",
                "page_number": "p. 188",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>European Paintings Before 1500. </em>Cleveland: The Museum, 1974. .",
                "page_number": "pp. 12-15, no. 5, gig. 5",
                "url": ""
            },
            {
                "citation": "De Winter, Patrick M. <em>The Patronage of Philippe Le Hardi, Duke of Burgundy, 1364-1404</em>. 1976.",
                "page_number": "p .986, no. 119.",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 71",
                "url": "https://archive.org/details/CMAHandbook1978/page/n91"
            },
            {
                "citation": "Belting, Hans. <em>Das Bild und sein Publikum im Mittelalter: Form und Funktion fru\u0308her Bildtafeln der Passion</em>. Berlin: Mann, 1981.",
                "page_number": "p. 98, repr. abb. 28, p. 97",
                "url": ""
            },
            {
                "citation": "Penny Howell Jolly, \"Rogier van der Weyden's Escorial and Philadelphia Crucifixions and their relation to Fra Angelico at San Marco,\" <em>Oud Holland</em> 95 (1981).",
                "page_number": "no. 3, p. 125, footnote 34",
                "url": ""
            },
            {
                "citation": "Veca, Alberto.<em> Para\u0301deisos: dall'universo del fiore</em>. Bergamo: Galleria Lorenzelli, 1982.",
                "page_number": "pl. 34, p. 39.",
                "url": ""
            },
            {
                "citation": "Eo\u0308rsi, Anna. <em>International Gothic Style in Painting</em>. Budapest: Corvina Kiado\u0301, 1984.",
                "page_number": "pl. 1",
                "url": ""
            },
            {
                "citation": "Snyder, James. <em>Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575</em>. New York: Abrams, 1985.",
                "page_number": "p. 69, repr. fig. 65",
                "url": ""
            },
            {
                "citation": "Carl Brandon Strehlke, \"Three Notes on the Sienese Quattrocento, <em>Gazette des Beaux-Arts</em>, (December 1989).",
                "page_number": "p. 277.",
                "url": ""
            },
            {
                "citation": "Belting, Hans. <em>The image and its public in the Middle Ages: form and function of early paintings of the Passion. </em>New Rochelle, N.Y.: A.D. Caratzas, 1990.",
                "page_number": "p. 59, fig. 28",
                "url": ""
            },
            {
                "citation": "Ridderbos, Bernhard. <em>De melancholie van de kunstenaar: Hugo van der Goes en de oudnederlandse schilderkunst. 's</em>-Gravenhage: Sdu, 1991.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Kimura, Shigenobu, Shu\u0304ji Takashina, Ko\u0304ichi Kabayama, Yoshiko Takano, Tatsushi Takahashi, and Yu\u0304ko Takahashi. <em>Bi wa Arupusu o koete = Imagination and fantasies.</em> To\u0304kyo\u0304: Ko\u0304dansha, 1992.",
                "page_number": "p. 44, fig. 2-20",
                "url": ""
            },
            {
                "citation": "Hood, William. <em>Fra Angelico at San Marco.</em> New Haven: Yale University Press, 1993.",
                "page_number": "p. 196, fig. 188",
                "url": ""
            },
            {
                "citation": "Ousterhout, Robert G., and Leslie Brubaker. <em>The Sacred Image East and West.</em> Urbana: University of Illinois Press, 1995.",
                "page_number": "fig. 102, p. 301",
                "url": ""
            },
            {
                "citation": "Baumstark, Reinhold, and Renate Eikelmann.<em> Das Goldene Roessl: ein Meisterwerk der Pariser Hofkunst um 1400.</em> Mu\u0308nchen: Hirmer, 1995.",
                "page_number": "p. 138, no. 75",
                "url": ""
            },
            {
                "citation": "Kenyon, Kathleen Louise. <em>Portrait Painting in the Time of Philip the Good, Duke of Burgundy, 1419-1467</em>. 1996.",
                "page_number": "pl. 14, p. 90",
                "url": ""
            },
            {
                "citation": "Bergognone, and Gianni Carlo Sciolla. <em>Ambrogio da Fossano detto il Bergognone: un pittore per la Certosa.</em> Milano: Skira, 1998.",
                "page_number": "p. 33 fig. 2",
                "url": ""
            },
            {
                "citation": "Prochno, Renate.<em> Die Kartause von Champmol: Grablege der burgundischen Herzo\u0308ge 1364-1477.</em> Berlin: Akademie Verlag, 2002.",
                "page_number": "p. 462, no 103",
                "url": ""
            },
            {
                "citation": "Fliegel, Stephen N., Sophie Jugie, and Virginie Barthe\u0301le\u0301my. <em>Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419 : Muse\u0301e Des Beaux-Arts De Dijon, May 28-September 15, 2004, the Cleveland Museum of Art, October 24, 2004-January 9, 2005.</em> [Dijon]: Muse\u0301e des beaux-arts, 2004.",
                "page_number": "exh.cat.no. 71, p.202, repr.p.200",
                "url": ""
            },
            {
                "citation": "Fliegel, Stephen. \"Patronage and the Burgundian Court, 1364-1419\" <em>The Magazine Antiques</em> (October 2004).",
                "page_number": "p. 142-151, repr. p. 147, pl. VII",
                "url": ""
            },
            {
                "citation": "Snyder, James, Larry Silver, and Henry Luttikhuizen.<em> Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575.</em> Upper Saddle River, NJ: Prentice Hall, 2005.",
                "page_number": "p. 50, no 2.47",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art, and Holger A. Klein.<em> Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. <em>The Cleveland Museum of Art: Meisterwerke von 300 bis 1550.</em> Mu\u0308nchen: Hirmer, 2007.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Brantley, Jessica. <em>Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England.</em> Chicago: University of Chicago Press, 2007.",
                "page_number": "p.66, fig. 2.10",
                "url": ""
            },
            {
                "citation": "Lindquist, Sherry C. M. Agency,<em> Visuality and Society at the Chartreuse De Champmol.</em> Aldershot, England: Ashgate, 2008.",
                "page_number": "pl. X",
                "url": ""
            },
            {
                "citation": "Jugie, Sophie, and Mark Polizzotti. <em>The Mourners: Tomb Sculptures from the Court of Burgundy.</em> Dallas [Tex.]: FRAME/French/Regional/American Museum Exchange, 2010.",
                "page_number": "",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art, David Franklin, and C. Griffith Mann.<em> Treasures from the Cleveland Museum of Art.</em> Cleveland, OH: Cleveland Museum of Art, 2012.",
                "page_number": "pp. 126-7",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 271",
                "url": ""
            },
            {
                "citation": "Kemperdick, Stephan. \"Letters: Johan Maelwael.\" The Burlington Magazine 160, no. 1381 (Apr. 2018).",
                "page_number": "Reproduced: p. 276, fig. 2",
                "url": null
            },
            {
                "citation": "Decu Teodorescu, Carmen, and Fre\u0301de\u0301ric Elsig. Les Changenet. 2020, 28.",
                "page_number": "Mentioned: p. 28 and 37.",
                "url": ""
            },
            {
                "citation": "Guilloue\u0308t, Jean Marie. L'art du XVe sie\u0300cle. 2021, 319-320.",
                "page_number": "Mentioned: pp. 319-320",
                "url": ""
            },
            {
                "citation": "Maratsos, Jessica A., <em>Pontormo and the Art of Devotion in Renaissance Italy</em>. 2021. Cambridge; New York: Cambridge University Press, 2021.",
                "page_number": "Mentioned and reproduced: p. 49",
                "url": ""
            },
            {
                "citation": "Holcomb, Melanie, and Nancy Thebaut. \"A Queer Middle Ages.\" In <em>Spectrum of Desire: Love, Sex, and Gender in the Middle Ages, </em>edited by Melanie Holcomb and Nancy Thebaut<em>, </em>13-26.New York: The Metropolitan Museum of Art, 2025.",
                "page_number": "Mentioned and reproduced: p. 20-21, pl. 4",
                "url": ""
            },
            {
                "citation": "Verdon, Timothy. <em>Reading Christian Art and Architecture: Scriptural, Theological, Liturgical, Devotional and Cultural Background. </em>Turnhout, Belgium: Brepols Publishers, 2025.",
                "page_number": "Mentioned and reproduced: p. 58-59, fig. 11-10",
                "url": ""
            },
            {
                "citation": "Yukimatsu, Hinako. \u201cJean de Baume\u2019s \u2018The Crucifixion and the Carthusian Monk\u2019 from the Abbey of Champmol: from the Perspective of Prayer in the Meditation Room.\u201d <em>Bijutsushi kenkyu\u0304</em>, n. 63 (2025): 93-102.",
                "page_number": "Mentioned: p. 93, 95; Reproduced: p. 93, fig. 1 and p. 95, fig. 3",
                "url": ""
            },
            {
                "citation": "Martens, Didier and Alexandre Dimov. \u201cJacob Cornelisz. van Oostsanen, le <em>Stabat Mater</em> en moyen n\u00e9erlandais et le type figur\u00e9 de la <em>Crucifixion au Chartreux</em>.\u201d <em>Annales d'Histoire de l'Art et d'Arch</em>\u00e9<em>ologie 47</em>,<em> </em>(2025): 69-106.",
                "page_number": "Mentioned: p. 93-96; Reproduced: p. 93",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/1964.454",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_web.jpg",
                "width": "717",
                "height": "893",
                "filesize": "636202",
                "filename": "1964.454_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_print.jpg",
                "width": "2728",
                "height": "3400",
                "filesize": "7808930",
                "filename": "1964.454_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_full.tif",
                "width": "3532",
                "height": "4402",
                "filesize": "46680244",
                "filename": "1964.454_full.tif"
            }
        },
        "alternate_images": [
            {
                "web": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt0_web.jpg",
                    "width": "1032",
                    "height": "893",
                    "filesize": "907755"
                },
                "print": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt0_print.jpg",
                    "width": "3400",
                    "height": "2943",
                    "filesize": "8387863"
                },
                "full": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt0_full.tif",
                    "width": "4732",
                    "height": "4096",
                    "filesize": "58186016"
                },
                "annotation": ""
            },
            {
                "web": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt1_web.jpg",
                    "width": "1077",
                    "height": "893",
                    "filesize": "916161"
                },
                "print": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt1_print.jpg",
                    "width": "3400",
                    "height": "2819",
                    "filesize": "8012853"
                },
                "full": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt1_full.tif",
                    "width": "4940",
                    "height": "4096",
                    "filesize": "60738588"
                },
                "annotation": ""
            },
            {
                "web": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt2_web.jpg",
                    "width": "1263",
                    "height": "842",
                    "filesize": "1034451"
                },
                "print": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt2_print.jpg",
                    "width": "3400",
                    "height": "2266",
                    "filesize": "6751868"
                },
                "full": {
                    "url": "https://openaccess-cdn.clevelandart.org/1964.454/1964.454_alt2_full.tif",
                    "width": "5000",
                    "height": "3333",
                    "filesize": "50029808"
                },
                "annotation": ""
            }
        ],
        "creditline": "Leonard C. Hanna Jr. Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 141220,
        "creators": [
            {
                "id": 1879,
                "description": "Jean de Beaumetz (French, c. 1335\u20131396)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "The exact birthplace of Jean de Beaumetz is not known, but as he came from Aras, it is probable that he was born in either Beaumetz-les-Loges or Beaumetz-les-Cambrai from which he derived his name. He is recorded in Valenciennes in 0131 where he knew Andre Beauneveu; he went to Paris where on May 13, 1375, he entered the service of Philip the Bold, Duke of Burgundy, as court painter and was sent to Dijon. He worked on the vaulting of the Carthusian monastery at Champmol from 1384 to 1387. From 1388 to 1391 he executed paintings in Burgundy in the chapel of the Chateau at Argilly, in several rooms and oratory of the castle of Germolles, and worked on paintings for the Angel's Chapel and church of the Carthusian monastery, but none of these works survive. In 1393 Philip the Bold sent him with Claus Sluter to study the paintings and sculpture which Andre Beauneveu was working on for the Castle of Mehun-sur-Yevre for the Duc de Berry. He directed the execution of twenty-six votive pictures for the cells of the Carthusian monks at Champmol and in 1390 one of several altarpieces for the monks' chapel was erected. After 1377 he is referred to in the records as <em>valet de chambre</em> to the Duke.<br><br>As court painter to the Duke f Burgundy he had an active workshop with as many as nineteen assistants in 1388; two of the more important of these were Jehan Gentil (who was responsible for grinding the pigments) and Girard de la Chapelle. Many of the invoices for the building of the Chartreuse of Champmol, the original contracts and documents between Jean de Beaumetz and Duke Philip from the Archives of the Court of Burgundy are preserved.",
                "name_in_original_language": null,
                "birth_year": "1335",
                "death_year": "1396",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1964-12-19T00:00:00",
        "sortable_date": 1389,
        "date_added_to_oa": null,
        "date_text": "1389\u201395",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [
            "The Crucifixion with a Carthusian Monk"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-29 07:15:35.816000"
    }
}