id: 141490 accession number: 1964.99 share license status: CC0 url: https://clevelandart.org/art/1964.99 updated: 2022-01-04 16:33:08.525000 Man in Armor beside a Chariot, c. 1550. Assistant of Francesco Salviati (Italian, 1510-1563). Pen and brown ink and brush and brown wash over black chalk, heightened with white; sheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); secondary support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); tertiary support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1964.99 title: Man in Armor beside a Chariot title in original language: series: series in original language: creation date: c. 1550 creation date earliest: 1545 creation date latest: 1555 current location: creditline: Dudley P. Allen Fund copyright: --- culture: Italy, 16th century technique: pen and brown ink and brush and brown wash over black chalk, heightened with white department: Drawings collection: DR - Italian type: Drawing find spot: catalogue raisonne: --- CREATORS * Francesco Salviati (Italian, 1510-1563) - artist --- measurements: Sheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.) state of the work: edition of the work: support materials: description: brown-green laid(?) paper, laid down on brown laid(?) paper, laid down on a tertiary support of board watermarks: inscriptions: inscription: lower right, in graphite: [illegible] / Elève de Raphael [in parentheses] ; lower right, in graphite(?): [illegible] ; VERSO OF TERTIARY SUPPORT, upper left, in blue crayon: WCA 2302 ; center, in graphite: Maturino / Elève de Raphael [underlined, in parentheses) ; center right, in graphite: Ecole de Rome [in parentheses] translation: remark: --- CURRENT EXHIBITIONS title: Year in Review (1964) opening date: 1965-01-01T05:00:00 Year in Review (1964). The Cleveland Museum of Art (organizer) (January 1-31, 1965). title: Prints and Drawings from the Cleveland Museum of Art Collection opening date: 1965-05-06T04:00:00 Prints and Drawings from the Cleveland Museum of Art Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-September 9, 1965). title: Old Master Prints and Drawings opening date: 1966-07-29T04:00:00 Old Master Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 29, 1966-April 1, 1967). title: The Draftsman's Eye: Late Italian Renaissance Schools and Styles opening date: 1979-03-06T05:00:00 The Draftsman's Eye: Late Italian Renaissance Schools and Styles. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 6-April 22, 1979). title: French Prints and Drawings in the Age of the Bourbons, 1589-1792 opening date: 1982-01-25T05:00:00 French Prints and Drawings in the Age of the Bourbons, 1589-1792. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 16, 1982). title: Italian Drawings from the Permanent Collection opening date: 1986-12-15T05:00:00 Italian Drawings from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 15, 1986-March 1, 1987). title: Concept, Dogma and Feeling: Italian Drawings 1550-1650 opening date: 1991-08-27T04:00:00 Concept, Dogma and Feeling: Italian Drawings 1550-1650. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 20, 1991). title: Gods and Heroes: Ancient Legends in Renaissance Art opening date: 2017-08-26T04:00:00 Gods and Heroes: Ancient Legends in Renaissance Art. The Cleveland Museum of Art (organizer) (August 26-December 31, 2017). --- LEGACY EXHIBITIONS * CMA, "Drawings from the Collection" (Dec. 1, 1970-Jan. 31, 1971; Mar. 16, 1971- (Gallery F remained open)).

Main Gallery Rotation (gallery 117): February 7, 2013 - June 3, 2013. --- PROVENANCE Giuseppe Vallardi (Lugt 1223, stamped, lower left, in blue ink) date: footnotes: citations: Maurice Marignane (Lugt 1872, stamped, lower right, in blue ink) date: footnotes: citations: --- fun fact: digital description: wall description: This drawing of a young soldier setting fire to a cart of war trophies may represent a rarely depicted legend about the Macedonian king Alexander the Great (356–323 BC), who built one of the largest empires of the ancient world by the time he was 30 years old. Because the heavy spoils of war were slowing down his troops, Alexander set fire to his own cart of goods to encourage his soldiers to do the same. Renaissance princes revered him as a brilliant military strategist. Emperor Maximilian I (reigned 1486–1519), pictured in the equestrian portrait and in the great triumphal car nearby, considered Alexander a distant ancestor. --- RELATED WORKS --- CITATIONS Olszewski, Edward J., and Jane Glaubinger. The Draftsman's Eye: Late Italian Renaissance Schools and Styles. Cleveland: Published by the Cleveland Museum of Art in cooperation with the Indiana University Press, 1981. page number: no. 28, illus. url: "Year in Review for 1964." The Bulletin of the Cleveland Museum of Art 51, no. 10 (1964): 236-66. page number: p. 266 no. 139, illus. p. 242 url: www.jstor.org/stable/25152021 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1964.99/1964.99_web.jpg print: https://openaccess-cdn.clevelandart.org/1964.99/1964.99_print.jpg full: https://openaccess-cdn.clevelandart.org/1964.99/1964.99_full.tif