{
"data": {
"id": 141613,
"accession_number": "1965.21",
"share_license_status": "CC0",
"tombstone": "Wild Man, late 1400s. Germany, Nuremberg(?). Copper alloy; overall: 13.4 cm (5 1/4 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, and James Parmelee Fund, 1965.21",
"current_location": null,
"title": "Wild Man",
"creation_date": "late 1400s",
"creation_date_earliest": 1450,
"creation_date_latest": 1500,
"artists_tags": [],
"culture": [
"Germany, Nuremberg(?)"
],
"technique": "copper alloy",
"support_materials": [],
"department": "Medieval Art",
"collection": "MED - Gothic",
"type": "Sculpture",
"measurements": "Overall: 13.4 cm (5 1/4 in.)",
"dimensions": {
"overall": {
"height": 0.134,
"height_inch": 5,
"height_inch_fraction": 0.25
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 300794,
"title": "Year in Review: 1965",
"description": "Year in Review: 1965. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27-November 14, 1965).",
"opening_date": "1965-10-27T04:00:00"
},
{
"id": 442642,
"title": "Wild Folk: Medieval Myth and Symbolism",
"description": "Wild Folk: Medieval Myth and Symbolism. The Metropolitan Museum of Art, New York, NY (organizer) (October 15, 1980-January 12, 1981).",
"opening_date": "1980-10-15T04:00:00"
},
{
"id": 309634,
"title": "Medieval Monsters: Terrors, Aliens, Wonders",
"description": "Medieval Monsters: Terrors, Aliens, Wonders. The Cleveland Museum of Art, Cleveland, OH (July 7-October 6, 2019).",
"opening_date": "2019-07-07T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Dr. Albert Figdor, Vienna, (sale: Paul Cassirer, Berlin, 1930, V, lot 481); Mathias Komor, New York).",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 1
}
],
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"former_accession_numbers": [],
"did_you_know": "The wild man is derived from the Greek satyr who lived in the woods.",
"early_education_description": null,
"artlens_description": null,
"description": "Common in medieval art, the wild man is humanlike in appearance with long shaggy hair over his entire body and typically carries a club. Living at the fringe of society in woodland areas, wild men symbolized man in his natural, uncivilized state. Perhaps derived from the part-man part-beast satyr of antiquity, the wild man symbolized lust and aggression in contrast to the spiritual love embodied in medieval chivalry. This bearded version is shown kneeling while raising his right arm holding a club. He wears a twisted cloth circlet on his head and a similar belt at the waist. It has been suggested that this sculpture originally formed part of a suspended candelabra. It may also have served as support for large metal vessels.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80041164"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1965.21-wild-man"
]
},
"citations": [
{
"citation": "Wixom, William D. \u201cFour Late Gothic Additions to the Medieval Treasury.\u201d The Bulletin of the Cleveland Museum of Art 56, no. 9 (November 1969): 320\u2013331.",
"page_number": "Mentioned and reproduced: p. 328-329, figs. 12-14",
"url": "http://www.jstor.org/stable/25152294"
}
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"creditline": "Norman O. Stone and Ella A. Stone Memorial Fund, and James Parmelee Fund",
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"sketchfab_id": null,
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"legal_status": "accessioned",
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"date_text": "late 1400s",
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"updated_at": "2026-05-29 07:16:29.750000"
}
}