id: 141708
accession number: 1965.293
share license status: CC0
url: https://clevelandart.org/art/1965.293
updated: 2023-03-10 19:43:00.483000
The Roses: Rosa Gallica Purpurea Velutina Parva, 1817–24. Langlois (French), Pierre-Joseph Redouté (French, 1759–1840), after Henry Joseph Redouté (French, 1766–1853). Color stipple engraving with watercolor added by hand; sheet: 53.5 x 33.8 cm (21 1/16 x 13 5/16 in.); platemark: 34.9 x 25.9 cm (13 3/4 x 10 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection 1965.293
title: The Roses: Rosa Gallica Purpurea Velutina Parva
title in original language:
series:
series in original language:
creation date: 1817–24
creation date earliest: 1817
creation date latest: 1824
current location:
creditline: Mr. and Mrs. Charles G. Prasse Collection
copyright:
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culture: France, 19th century
technique: color stipple engraving with watercolor added by hand
department: Prints
collection: PR - Stipple
type: Print
find spot:
catalogue raisonne: Beraldi Vol. XI. 178 ; Dunthorne 229.232
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CREATORS
* Langlois (French) - artist
* Pierre-Joseph Redouté (French, 1759–1840) - published by
* Henry Joseph Redouté (French, 1766–1853) - artist
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measurements: Sheet: 53.5 x 33.8 cm (21 1/16 x 13 5/16 in.); Platemark: 34.9 x 25.9 cm (13 3/4 x 10 3/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Mr. and Mrs. Charles G. Prasse Collection
opening date: 1968-06-11T04:00:00
Mr. and Mrs. Charles G. Prasse Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 11-October 21, 1968).
title: Inventive Impressions: 18th- and 19-Century French Prints
opening date: 2001-08-26T00:00:00
Inventive Impressions: 18th- and 19-Century French Prints. The Cleveland Museum of Art (organizer) (August 26-October 28, 2001).
title: The Flowering of the Botanical Print
opening date: 2016-03-26T00:00:00
The Flowering of the Botanical Print. The Cleveland Museum of Art (organizer) (March 26-July 3, 2016).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
The subtle tones in Redouté’s paintings nearby were faithfully captured by engravers, but the prints do not imitate the spontaneity and deftness of the master’s brushwork, which carefully described every detail. The drawings were interpreted using the most skillful and refined stipple engraving but relied on a combination of printed and hand coloring. A thin wash of watercolor that closely matches the printing ink was meticulously applied over every part of the image, with an occasional use of contrasting tints for the highlights.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1965.293/1965.293_web.jpg
print: https://openaccess-cdn.clevelandart.org/1965.293/1965.293_print.jpg
full: https://openaccess-cdn.clevelandart.org/1965.293/1965.293_full.tif