{
"data": {
"id": 141727,
"accession_number": "1965.31",
"share_license_status": "CC0",
"tombstone": "Portrait of Duli Xingyi (\u72ec\u7acb\u6027\u6613\u50cf), 1671. Kita Genki (Japanese, active c. 1664\u201398), inscribed by Duli Xingyi (Chinese, 1596\u20131672). Hanging scroll; ink and color on paper; painting: 111.4 x 50.1 cm (43 7/8 x 19 3/4 in.); mounted: 211.8 x 63.8 cm (83 3/8 x 25 1/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1965.31",
"current_location": null,
"title": "Portrait of Duli Xingyi",
"title_in_original_language": "\u72ec\u7acb\u6027\u6613\u50cf",
"creation_date": "1671",
"creation_date_earliest": 1671,
"creation_date_latest": 1671,
"artists_tags": [
"male"
],
"culture": [
"Japan, Edo period (1615\u20131868)"
],
"technique": "hanging scroll; ink and color on paper",
"support_materials": [],
"department": "Japanese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Painting: 111.4 x 50.1 cm (43 7/8 x 19 3/4 in.); Mounted: 211.8 x 63.8 cm (83 3/8 x 25 1/8 in.)",
"dimensions": {
"diameter": {
"width": 0.029
},
"overall": {
"width": 0.699
},
"painting": {
"height": 1.114,
"width": 0.501
},
"mounted": {
"height": 2.118,
"width": 0.638
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "1671 inscription at top of scroll by Duli Xingyi with three seals, \u6771\u77e3\u4aa9 (prefatory), \u907a\u4e16\u7368\u7acb (top) , \u5929\u5916\u4e00\u9592\u4eba (bottom); seal of Genki at lower left of painting \u5143\u898f .",
"inscription_translation": "Contemplative emptiness: the moon suspended over the village at midnight. Suddenly my soul is startled by the howl of an ape-- Who could know that it would arouse me beyond my senses, and bring me an inner vision from Mount Sumeru. (translated by Stephen Addiss and Kwan S. Wong, 1978)",
"inscription_remark": null,
"sortorder": null
}
],
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"current": [
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"id": 300794,
"title": "Year in Review: 1965",
"description": "Year in Review: 1965. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27-November 14, 1965).",
"opening_date": "1965-10-27T04:00:00"
},
{
"id": 443163,
"title": "Obaku: Zen Painting and Calligraphy",
"description": "Obaku: Zen Painting and Calligraphy. Helen Foresman Spencer Museum of Art, Lawrence, KS (organizer) (April 8-May 31, 1978); New Orleans Museum of Art, New Orleans, LA (June 15-August 6, 1978).",
"opening_date": "1978-04-08T05:00:00"
},
{
"id": 442415,
"title": "Journey of the Three Jewels: Japanese Buddhist Paintings in Western Collections",
"description": "Journey of the Three Jewels: Japanese Buddhist Paintings in Western Collections. Asia House Galleries, New York City, NY (organizer) (October 11-December 9, 1979); Denver Art Museum, Denver, CO (March 27-May 11, 1980).",
"opening_date": "1979-10-11T04:00:00"
},
{
"id": 442377,
"title": "\u65e5\u672c\u306e\u4ecf\u6559\u3092\u7bc9\u3044\u305f\u4eba\u3073\u3068: \u305d\u306e\u8096\u50cf\u3068\u66f8 (Those Who Built Japanese Buddhism: Portraits and Calligraphy)",
"description": "\u65e5\u672c\u306e\u4ecf\u6559\u3092\u7bc9\u3044\u305f\u4eba\u3073\u3068: \u305d\u306e\u8096\u50cf\u3068\u66f8 (Those Who Built Japanese Buddhism: Portraits and Calligraphy). Nara National Museum, Nara 630, Japan (organizer) (April 29-June 7, 1981).",
"opening_date": "1981-04-29T04:00:00"
},
{
"id": 309646,
"title": "Reflections of Reality in Japanese Art",
"description": "Reflections of Reality in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-May 1, 1983).",
"opening_date": "1983-03-16T04:00:00"
},
{
"id": 309658,
"title": "Portraiture: The Image of the Individual",
"description": "Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).",
"opening_date": "1983-11-22T05:00:00"
},
{
"id": 399380,
"title": "The Art of Obaku",
"description": "The Art of Obaku. Kyoto National Museum (organizer) (October 5-November 7, 1993).",
"opening_date": "1993-10-05T04:00:00"
},
{
"id": 202129,
"title": "Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art",
"description": "Admired from Afar: Masterworks of Japanese Painting from the Cleveland Museum of Art. Tokyo National Museum, Tokyo, Japan (January 15-February 23, 2014); Kyushu National Museum, Fukuoka, Japan (July 8-August 31, 2014).",
"opening_date": "2014-01-15T00:00:00"
}
],
"legacy": [
{
"description": "Main Asian Rotation (Gallery 121). The Cleveland Museum of Art, Cleveland, OH (March 10\u2013July 16, 2003).",
"opening_date": "2003-07-16T00:00:00"
}
]
},
"provenance": [
{
"description": "(N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131965",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1965\u2013",
"sortorder": 3
}
],
"find_spot": null,
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"description": "In this portrait, the \u014cbaku school Buddhist monk Duli Xingyi (born Tai Li, 1596\u20131672), whose name is pronounced Dokury\u016b Sh\u014deki in Japanese, sits upon a woven mat holding a ceremonial scepter known as a ruyi, or nyoi in Japanese. Above his head is an insciption he added to the painting in 1671, the year before his death. It may be translated to read:
Contemplative emptiness: the moon suspended over the village at midnight. Suddenly my soul is startled by the howl of an ape. Who could know that it would arouse me beyond my senses, and bring me an inner vision from Mt. Sumeru.
(translated by Stephen Addiss and Kwan S. Wong)
Originally from what is now the city of Hangzhou in China, Duli emigrated to Japan in 1653, where he took monastic vows. His skills in calligraphy and seal carving were formidable. Painter Kita Genki combined Chinese brush styles he learned in Nagasaki with Western painting techniques to capture Duli's likeness.",
"external_resources": {
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],
"internet_archive": [
"https://archive.org/details/clevelandart-1965.31-portrait-of-the-prie",
"https://archive.org/details/clevelandart-1965.31-portrait-of-duli-xin"
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},
"citations": [
{
"citation": "Nishimura, Tei \u897f\u6751\u8c9e. O\u0304baku gazo\u0304shi \u9ec4\u6a97\u756b\u50cf\u5fd7. To\u0304kyo\u0304: Toritsugijo So\u0304gensha, 1934.",
"page_number": "",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 284",
"url": "https://archive.org/details/CMAHandbook1969/page/n308"
},
{
"citation": "Nagami, Tokutaro\u0304 \u6c38\u898b\u5fb7\u592a\u90ce. Nagasaki no bijutsushi \u9577\u5d0e\u306e\u7f8e\u8853\u53f2. Kyo\u0304to-shi: Rinsen Shoten, 1974.",
"page_number": "",
"url": ""
},
{
"citation": "Lee, Sherman E. \u201cVarieties of Portraiture in Chinese and Japanese Art.\u201d The Bulletin of the Cleveland Museum of Art 64, no. 4 (April 1977): 118\u2013136.",
"page_number": "Mentioned and Reproduced: pp. 125\u2013126, figs. 8\u20139",
"url": "http://www.jstor.org/stable/25159523"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 384",
"url": "https://archive.org/details/CMAHandbook1978/page/n404"
},
{
"citation": "Addiss, Stephen, and Kwan S. Wong. Obaku, Zen Painting and Calligraphy. Lawrence: Helen Foresman Spencer Museum of Art, 1978.",
"page_number": "cat. no. 14",
"url": ""
},
{
"citation": "Ulak, James T. \u201cKazan\u2019s Portrait of a Giant: Ozorabuzaemon.\u201d The Bulletin of the Cleveland Museum of Art 70, no. 3 (March 1983): 99\u2013111.",
"page_number": "Mentioned and Reproduced: pp. 98\u2013100, fig. 1",
"url": "http://www.jstor.org/stable/25159807"
},
{
"citation": "Sharf, Elizabeth Horton. \"\u014cbaku Zen Portrait Painting and Its Sino-Japanese Heritage.\" In Images in Asian religions: texts and contexts, pp. 294\u2013349. Phyllis Emily Granoff and Koichi Shinohara, editors. Vancouver: UBC Press, 2004.",
"page_number": "Reproduced: p. 327, Fig. 9.16 (detail)",
"url": ""
},
{
"citation": "Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. Art of Japan: Masterpieces from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2005.",
"page_number": "Mentioned and Reproduced: p. 89",
"url": null
},
{
"citation": "Ulak, James, T. \"Uncomfortable Realites: Reflecting on Sherman Lee's Hunches,\" Orientations (Jan/Feb. 2005), vol. 36, no. 1, p. 80, repr. p. 79.",
"page_number": "Mentioned: p. 80; Reproduced p. 79",
"url": null
},
{
"citation": "Admired from afar: masterworks of Japanese painting from the Cleveland Museum of Art [\u30af\u30ea\u30fc\u30d6\u30e9\u30f3\u30c9\u7f8e\u8853\u9928\u5c55: \u540d\u753b\u3067\u305f\u3069\u308b\u65e5\u672c\u306e\u7f8e = Kur\u012bburando Bijutsukan ten: meiga de tadoru Nihon no bi ]. Tokyo: T\u014dky\u014d Kokuritsu Hakubutsukan, 2014.",
"page_number": "Mentioned and Reproduced: p. 63, cat. no. 17",
"url": null
},
{
"citation": "Johnston, John. \"True Image: The Art of \u014cbaku and Legacy of Yinyuan Longqi (Ingen Ry\u016bki).\" Orientations 54, no. 5 (September/October 2023): 104\u2013115.",
"page_number": "Reproduced: p. 106 fig. 2; Mentioned: p. 107",
"url": ""
}
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