{
    "data": {
        "id": 141728,
        "accession_number": "1965.310",
        "share_license_status": "CC0",
        "tombstone": "Sketch for \"The Revolt at Cairo\", c. 1809. Anne-Louis Girodet de Roucy-Trioson (French, 1767\u20131824). Oil on paper, mounted on paper and canvas; framed: 25 x 33 x 6.5 cm (9 13/16 x 13 x 2 9/16 in.); unframed: 15.2 x 23.3 cm (6 x 9 3/16 in.). The Cleveland Museum of Art, Gift of Eugene Victor Thaw, 1965.310",
        "current_location": null,
        "title": "Sketch for \"The Revolt at Cairo\"",
        "creation_date": "c. 1809",
        "creation_date_earliest": 1804,
        "creation_date_latest": 1814,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "oil on paper, mounted on paper and canvas",
        "support_materials": [],
        "department": "Modern European Painting and Sculpture",
        "collection": "Mod Euro - Painting 1800-1960",
        "type": "Painting",
        "measurements": "Framed: 25 x 33 x 6.5 cm (9 13/16 x 13 x 2 9/16 in.); Unframed: 15.2 x 23.3 cm (6 x 9 3/16 in.)",
        "dimensions": {
            "framed": {
                "height": 0.25,
                "height_inch": 9,
                "height_inch_fraction": 0.8125,
                "width": 0.33,
                "width_inch": 13,
                "width_inch_fraction": 0.0,
                "depth": 0.065,
                "depth_inch": 2,
                "depth_inch_fraction": 0.5625
            },
            "unframed": {
                "height": 0.152,
                "height_inch": 6,
                "height_inch_fraction": 0.0,
                "width": 0.233,
                "width_inch": 9,
                "width_inch_fraction": 0.1875
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 300794,
                    "title": "Year in Review: 1965",
                    "description": "<i>Year in Review: 1965</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 27-November 14, 1965).",
                    "opening_date": "1965-10-27T04:00:00"
                },
                {
                    "id": 443185,
                    "title": "French Nineteenth Century Oil Sketches: David to Degas",
                    "description": "<i>French Nineteenth Century Oil Sketches: David to Degas</i>. Ackland Art Museum, University of North Carolina, Chapel Hill, NC, Chapel Hill, NC (organizer) (March 5-April 30, 1978).",
                    "opening_date": "1978-03-05T05:00:00"
                },
                {
                    "id": 304414,
                    "title": "Idea to Image: Preparatory Studies from the Renaissance to Impressionism",
                    "description": "<i>Idea to Image: Preparatory Studies from the Renaissance to Impressionism</i>. The Cleveland Museum of Art (organizer) (February 19-March 23, 1980).",
                    "opening_date": "1980-02-19T05:00:00"
                },
                {
                    "id": 442363,
                    "title": "Goya: das Zeitalter der Revolutionen, 1789-1830 (Goya: The Age of Revolutions, 1789-1830)",
                    "description": "<i>Goya: das Zeitalter der Revolutionen, 1789-1830 (Goya: The Age of Revolutions, 1789-1830)</i>. Hamburger Kunsthalle, Hamburg, Germany (organizer) (October 16, 1980-January 4, 1981).",
                    "opening_date": "1980-10-16T04:00:00"
                },
                {
                    "id": 441965,
                    "title": "Triumph und Tod des Helden (Triumph and Death of the Hero): European History Painting from Rubens to Manet",
                    "description": "<i>Triumph und Tod des Helden (Triumph and Death of the Hero): European History Painting from Rubens to Manet</i>. Wallraf-Richartz Museum, 50667 Cologne, Germany (organizer) (October 30, 1987-January 10, 1988); Kunsthaus Z\u00fcrich, CH-8024 Z\u00fcrich, Switzerland (March 3-April 24, 1988); Mus\u00e9e des Beaux-Arts de Lyon, 69001 Lyon, France (May 19-July 17, 1988).",
                    "opening_date": "1987-10-30T05:00:00"
                },
                {
                    "id": 311635,
                    "title": "French Drawings from the Collection",
                    "description": "<i>French Drawings from the Collection</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 13, 1994-March 12, 1995).",
                    "opening_date": "1994-12-13T05:00:00"
                },
                {
                    "id": 219170,
                    "title": "Girodet: Romantic Rebel",
                    "description": "<i>Girodet: Romantic Rebel</i>. The Art Institute of Chicago, Chicago, IL (February 11-April 30, 2006); The Metropolitan Museum of Art, New York, NY (May 22-August 27, 2006); Montr\u00e9al Museum of Fine Arts, Montreal, Quebec, Canada (October 12, 2006-January 21, 2007).",
                    "opening_date": "2005-09-19T00:00:00"
                },
                {
                    "id": 521173,
                    "title": "Egyptomania: Fashion\u2019s Conflicted Obsession",
                    "description": "<i>Egyptomania: Fashion\u2019s Conflicted Obsession</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 1, 2023-January 28, 2024).",
                    "opening_date": "2023-04-01T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Kansas City, Nelson Atkins Museum. The Taste of Napoleon (1969), no. 35.",
                    "opening_date": "1969-01-01T00:00:00"
                },
                {
                    "description": "Chapel Hill, William Hayes Ackland Memorial Art Center, University of North Carolina. French Nineteenth Century Oil Sketches: David to Degas (1978), no. 39, fig. 39.",
                    "opening_date": "1978-01-01T00:00:00"
                },
                {
                    "description": "cma; Brooklyn Museum; Saint Louis Art Museum; Glasgow Art Gallery and Museum. The Realist Tradition: French Painting and Drawing 1830-1900 (1980-82), 72-73 (repr.). Text by Gabriel P. Weisberg.",
                    "opening_date": "1900-01-01T00:00:00"
                },
                {
                    "description": "Kunsthalle Hamburg. Goya: Das Zeitalter der Revolutionen 1789-1830 (1981), 534, no. 393, pl. xx.",
                    "opening_date": "1981-01-01T00:00:00"
                },
                {
                    "description": "Providence, Bell Gallery, Brown University. All the Banners Wave: Art and War in the Romantic Era 1792-1851 (1982), no. 11b (repr.).",
                    "opening_date": "1982-01-01T00:00:00"
                },
                {
                    "description": "Memorial Art Gallery of the University of Rochester (N.Y.); Neuberger Museum, State University of New York at Purchase. Orientalism: The Near East in French Painting, 1800-1880 (1982), no. 45, fig. 14.",
                    "opening_date": "1982-01-01T00:00:00"
                },
                {
                    "description": "Cologne, Wallraf-Richartz-Museum; Kunsthaus Z\u00fcrich; Lyons, Mus\u00e9e des Beaux-Arts. Triumph und Tod des Helden: Europ\u00e4ische Historienmalerei von Rubens bis Manet (1987-88), no. 134 (repr.).",
                    "opening_date": "1987-01-01T00:00:00"
                },
                {
                    "description": "Art Institute of Chicago, IL (2/11/2006 - 4/30/2006), Metropolitan Museum of Art, NYC (5/22/2006 - 8/27/2006) and the Mus\u00e9e des Beaux Arts, Montr\u00e9al (10/12/2006 - 1/21/2007): \"Girodet: Romantic Rebel\" (Paris: Mus\u00e9e du Louvre \u00cadition \u00a92005), ex. cat. 56, p. 317.",
                    "opening_date": "2006-02-11T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Paris sale, Drouot, collection Coutan-Hauguet, 16-17 December 1889 (lot 16), \"G\u00e9ricault [annotation gives: Girodet]: R\u00e9volte du Caire, 21 Octobre 1798, premi\u00e8re pens\u00e9e: esquisse,\" 15 x 24 cm, for ff 309 to Guillon [annotated]. Eugene Victor Thaw, New York. Given to the CMA in 1965.",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "Throughout the 1800s and into the 1900s, prints, paintings, and photographs, like Louis Haghe\u2019s <em>Egypt and Nubia</em> series, brought back by artists who voyaged to Egypt, inspired American and European artists, architects, and designers to emulate ancient Egyptian motifs and styles. Egyptomania blossomed through the 1800s and can be seen in architecture around cities like Washington, DC, and in the interiors of aristocratic homes, as well as in funerary monuments, such as in Lake View Cemetery in Cleveland, Ohio. Looking back at these creations provides an interesting historical groundwork for debating who has the right to interpret Egyptian motifs and styles.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60469487"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1965.310-sketch-for-the-revol"
            ]
        },
        "citations": [
            {
                "citation": "\u201cAnnual Report for 1965.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 53, no. 6 (June 1966): 137\u2013171.",
                "page_number": "Mentioned: p. 140, 141",
                "url": "http://www.jstor.org/stable/25152106"
            },
            {
                "citation": "Argencourt, Louise d', and Roger Diederen. <em>Catalogue of Paintings</em>. <em>Pt. 4. European Paintings of the 19th Century</em>. Cleveland: Cleveland Museum of Art, 1974.",
                "page_number": "Mentioned and reproduced: P. 298-300, Vol. I, no. 107",
                "url": ""
            },
            {
                "citation": "Bellenger, Sylvain, ed.<em> Girodet, 1767-1824</em>. [Paris, France]: Gallimard, 2006.",
                "page_number": "Mentioned and reproduced: pp. 316-319, cat. 56",
                "url": null
            },
            {
                "citation": "Lisby, Darnell-Jamal. \u201cEgyptomania: Engaging the conflicted obsession.\"<em> Cleveland Museum of Art Members Magazine </em>vol. 63, no. 1 (2023): 12-15.",
                "page_number": "Reproduced: P. 12",
                "url": "https://archive.org/details/CMAMM2023-01/page/n11/mode/2up"
            }
        ],
        "url": "https://clevelandart.org/art/1965.310",
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                "date_created": "2013-09-23T15:34:44",
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        "creditline": "Gift of Eugene Victor Thaw",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 141728,
        "creators": [
            {
                "id": 1697,
                "description": "Anne-Louis Girodet de Roucy-Trioson (French, 1767\u20131824)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "On the advice of his architecture instructor \u00c9tienne-Louis Boull\u00e9e (1728-1799), Girodet enrolled in the atelier of David (q.v.) in 1783 to study painting, working alongside other young artists like Gros (q.v.) and Jean-Baptiste-Joseph Wicar (1762-1834) who were also taught in David's neoclassical style. Girodet's early works display the influence of David in the linear and sculptural quality of his figures. After three consecutive years of competing for the Prix de Rome, he finally won at his fourth effort in 1789. Later that year the Revolution broke out in France and Girodet made numerous drawings of the fall of the Bastille. In 1790 he left for Italy where he stayed for five years. During that time his style changed and softened under the influence of the works of Leonardo (1452-1519) and Correggio (1489/94-1534). Girodet strove to be unique and original in his depictions and even went to great lengths to oppose David's neoclassicism. His new interest in atmospheric and light effects differed from that of his teacher. He made a name for himself at the Salon of 1793, with his submission of Sleep of Endymion (Mus\u00e9e du Louvre, Paris). After his return to Paris from Italy, Girodet became known as a portrait painter and accepted numerous commissions, but many of them were either late in delivery or never completed. Girodet's tendency to interpret commissions to prove his own originality often offended and alienated his patrons. He did not find official success at the Salon again until 1808 and produced little after 1815.",
                "name_in_original_language": null,
                "birth_year": "1767",
                "death_year": "1824",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
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        ],
        "legal_status": "accessioned",
        "accession_date": "1965-09-11T00:00:00",
        "sortable_date": 1804,
        "date_added_to_oa": null,
        "date_text": "c. 1809",
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        "on_loan": false,
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        "record_type": "object",
        "conservation_statement": null,
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        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 07:16:55.275000"
    }
}