{
"data": {
"id": 142298,
"accession_number": "1966.13",
"share_license_status": "CC0",
"tombstone": "Antiochus and Stratonice, c. 1838. Jean-Auguste-Dominique Ingres (French, 1780\u20131867). Oil on linen; framed: 74.5 x 91.5 x 11 cm (29 5/16 x 36 x 4 5/16 in.); unframed: 48.1 x 63.9 cm (18 15/16 x 25 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1966.13",
"current_location": "202 French Neoclassical Decorative Arts",
"title": "Antiochus and Stratonice",
"creation_date": "c. 1838",
"creation_date_earliest": 1833,
"creation_date_latest": 1843,
"artists_tags": [
"male"
],
"culture": [
"France, 19th century"
],
"technique": "oil on linen",
"support_materials": [],
"department": "Modern European Painting and Sculpture",
"collection": "Mod Euro - Painting 1800-1960",
"type": "Painting",
"measurements": "Framed: 74.5 x 91.5 x 11 cm (29 5/16 x 36 x 4 5/16 in.); Unframed: 48.1 x 63.9 cm (18 15/16 x 25 3/16 in.)",
"dimensions": {
"framed": {
"height": 0.745,
"height_inch": 29,
"height_inch_fraction": 0.3125,
"width": 0.915,
"width_inch": 36,
"width_inch_fraction": 0.0,
"depth": 0.11,
"depth_inch": 4,
"depth_inch_fraction": 0.3125
},
"unframed": {
"height": 0.481,
"height_inch": 18,
"height_inch_fraction": 0.9375,
"width": 0.639,
"width_inch": 25,
"width_inch_fraction": 0.1875
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 300917,
"title": "Golden Anniversary of Acquisitions",
"description": "Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966).",
"opening_date": "1966-09-10T04:00:00"
},
{
"id": 361190,
"title": "Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections",
"description": "Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections. Fogg Art Museum/Harvard University, Cambridge, MA (organizer) (February 12-April 9, 1967).",
"opening_date": "1967-02-12T05:00:00"
},
{
"id": 198256,
"title": "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection",
"description": "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection. Getty Villa, Pacific Palisades, CA (September 12, 2012-January 7, 2013); The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-July 7, 2013).",
"opening_date": "2012-09-03T00:00:00"
}
],
"legacy": [
{
"description": "London, New Burlington Galleries. Exhibition of Masters of French 19th Century Painting (1936), no. 1, lent by Alphonse Kann.",
"opening_date": "1936-01-01T00:00:00"
},
{
"description": "Cambridge, Mass., Fogg Art Museum. Ingres Centennial Exhibition 1867-1967 (1967), no. 78, 79 (repr.).",
"opening_date": "1967-01-01T00:00:00"
},
{
"description": "New York, Frick Collection. Ingres and the Comtesse d'Haussonville (1985-86), no. 55, 72-76 (repr.).",
"opening_date": "1985-01-01T00:00:00"
},
{
"description": "Getty Villa (9/12/2012 - 1/7/2013), The Cleveland Museum fo Art (2/24/2013 - 5/19/2013), Mus\u00e9e des Beaux-Arts, Qu\u00e9bec (6/13/2013 - 9/8/2013): \"The Last Days of Pompeii: Decadence, Apocalypse, Resurrection\"",
"opening_date": "2012-09-12T00:00:00"
},
{
"description": "The Cleveland Museum of Art (09/ 12/2012 - 01/07/2013 Getty Villa Malibu, CA; 02/24/2013 - 07/07/2013 Cleveland Museum of Art); \"The Last Days of Pompeii: Decadence, Apocalypse, Resurrection\"",
"opening_date": "2013-01-07T00:00:00"
}
]
},
"provenance": [
{
"description": "Ingres estate sale, Paris, Drouot, 27 April 1867 (lot 6), Stratonice, R\u00e9p\u00e9tition presque termin\u00e9e du m\u00eame sujet [Stratonice], 1834, ff 4,220. Mme Ingres. Louis Bazille, Montpellier (1870). Pierre Leenhardt, Paris sale, Georges Petit, 4 May 1922 (lot 29, repr.), Stratonice, ou la maladie d'Antiochus. Alphonse Kann, Paris. Seized by the Germans in 1941. Recovered after WWII. Sold by Kann's heirs. Anonymous sale, Paris, Galerie Charpentier, 12 May 1950 (lot 30, repr.), Stratonice, ou la maladie d'Antiochus. Jacques Seligmann, New York. Purchased by the cma on 3 January 1966.",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": null
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": null,
"early_education_description": null,
"artlens_description": null,
"description": "Struck by a mysterious illness, Antiochus lies in bed near death. His grieving father, who has recently taken Stratonice as his wife, summons a doctor. Noticing that the sight of the young woman quickens Antiochus\u2019s pulse and that passion causes his sickness, the doctor describes the youth\u2019s predicament to his father, who selflessly offers Stratonice to his son. The subject, both a love story and an example of parental devotion, enjoyed considerable popularity well into the 1800s.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60469545"
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"citations": [
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 165",
"url": "https://archive.org/details/CMAHandbook1966/page/n189"
},
{
"citation": "Cleveland Museum of Art, \u201cGolden Anniversary Acquisition,\u201d 1966, Cleveland Museum of Art Archives.",
"page_number": null,
"url": "https://archive.org/details/cmapr1434"
},
{
"citation": "Stechow, Wolfgang. \"Cleveland's Golden Anniversary Acquisitions.\" Artnews 65, no. 5 (September 1966): 30-64.",
"page_number": "Reproduced: p. 41; Mentioned p. 62-63",
"url": null
},
{
"citation": "Lee, Sherman E. \u201cGolden Anniversary Acquisitions: September 10 through October 16.\u201d The Bulletin of the Cleveland Museum of Art 53, no. 7 (September 1966): 181\u2013284.",
"page_number": "Reproduced: p. 233; Mentioned: p. 280, no. 62",
"url": "http://www.jstor.org/stable/25152110"
},
{
"citation": "Francis, Henry S. \u201cJean Auguste Dominique Ingres: Antiochus and Stratonice.\u201d The Bulletin of the Cleveland Museum of Art 55, no. 4 (April 1968): 103\u2013112.",
"page_number": "Reproduced: Cover; Mentioned: p. 103-106",
"url": "http://www.jstor.org/stable/25152209"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 165",
"url": "https://archive.org/details/CMAHandbook1969/page/n189"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 204",
"url": "https://archive.org/details/CMAHandbook1978/page/n224"
},
{
"citation": "Real, William A. \u201cExploring New Applications for Infrared Reflectography.\u201d The Bulletin of the Cleveland Museum of Art 72, no. 8 (December 1985): 390\u2013412.",
"page_number": "Mentioned and reproduced: p. 404-406, figs. 16-18b",
"url": "http://www.jstor.org/stable/25159923"
},
{
"citation": "Argencourt, Louise d', and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.",
"page_number": "Mentioned and reproduced: P. 364-369, Vol. II, no. 128",
"url": ""
},
{
"citation": "Vigne, Georges. \"Stratonice, Le Belle Silencieuse d'Ingres.\" In Ingres: l'Artiste et Ses Princes edited by Mathieu Deldicque and Nicole Garnier-Pelle, 108-133. Exh. cat. Paris: In Fine, 2023.",
"page_number": "Reproduced: p. 122, fig. 7.",
"url": ""
}
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"creditline": "Mr. and Mrs. William H. Marlatt Fund",
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"gallery_donor_text": "M. Roger and Anne Clapp Gallery",
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"description": "Jean-Auguste-Dominique Ingres (French, 1780\u20131867)",
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"biography": "A leading exponent of French neoclassicism and the academic tradition, Jean-Auguste-Dominique Ingres was born in Montauban in 1780. At the age of ten he began studying art and music in Toulouse. In 1797 he entered the Paris studio of David (q.v.), where he became a favorite pupil and assistant. Barely a year later a dispute prompted Ingres to leave the studio and enroll in the \u00c9cole des Beaux-Arts. In 1801 he won the Prix de Rome, but lack of funds prevented him from departing for Italy until 1806. During fourteen years in Rome and four in Florence, Ingres painted romantic troubadour themes and became an admirer of Raphael. In 1824 he returned to Paris and exhibited at the Salon, where a fierce debate erupted between his supporters and those of Delacroix (q.v.). The controversial Salon of 1824 signaled Ingres's emergence as the leader of the neoclassical movement in France. At that point he effectively assumed the role of his former teacher David, now in exile. In 1833 the French government appointed Ingres vice president of the \u00c9cole des Beaux-Arts and president the following year. In 1834 he accepted the directorship of the French Academy in Rome and spent the next seven years painting and studying antique art in Italy. In 1841 he returned to Paris, where his paintings were greeted with thunderous critical acclaim. A major retrospective at the Exposition Universelle of 1855 confirmed his reputation but also aroused the hostility of young artists opposed to academic rules and conventions. During his later years Ingres continued his bitter rivalry with Delacroix, successfully blocking the latter's admission to the academy until 1857. Ingres died in 1867, leaving behind a circle of followers and a remarkable drawing style that was to inspire later artists, including Degas (q.v.) and Pablo Picasso (1881-1973).",
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"sortable_date": 1833,
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"date_text": "c. 1838",
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"alternate_titles": [
"Antiochus and Stratonice (The Sickness of Antiochus)"
],
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"updated_at": "2026-07-04 11:16:28.855000"
}
}