{
    "data": {
        "id": 142360,
        "accession_number": "1966.179.b",
        "share_license_status": "CC0",
        "tombstone": "Sketches of Various Figures (verso), 1850\u201375. Honor\u00e9 Daumier (French, 1808\u20131879). Pen and black ink, black chalk, black crayon and brush and black and brown wash; sheet: 6.5 x 29.8 cm (2 9/16 x 11 3/4 in.). The Cleveland Museum of Art, Fiftieth anniversary gift of Mr. and Mrs. Eugene Victor Thaw, 1966.179.b",
        "current_location": null,
        "title": "Sketches of Various Figures (verso)",
        "creation_date": "1850\u201375",
        "creation_date_earliest": 1850,
        "creation_date_latest": 1879,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "pen and black ink, black chalk, black crayon and brush and black and brown wash",
        "support_materials": [
            {
                "description": "cream(1) laid paper",
                "watermarks": []
            }
        ],
        "department": "Drawings",
        "collection": "DR - French",
        "type": "Drawing",
        "measurements": "Sheet: 6.5 x 29.8 cm (2 9/16 x 11 3/4 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.065,
                "height_inch": 2,
                "height_inch_fraction": 0.5625,
                "width": 0.298,
                "width_inch": 11,
                "width_inch_fraction": 0.75
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 300917,
                    "title": "Golden Anniversary of Acquisitions",
                    "description": "<i>Golden Anniversary of Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966).",
                    "opening_date": "1966-09-10T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "for recto:",
                    "opening_date": null
                },
                {
                    "description": "CMA, French Drawings from the Collection (Dec. 13, 1994-Mar. 12, 1995).",
                    "opening_date": "1994-12-13T00:00:00"
                },
                {
                    "description": "CMA, Rococo, Revolution, Restoration (July 11-Sep. 24, 1989).",
                    "opening_date": "1989-07-11T00:00:00"
                },
                {
                    "description": "CMA, \"Gallery List of Drawings\" (opened Dec. 1, 1970).",
                    "opening_date": "1970-12-01T00:00:00"
                },
                {
                    "description": "CMA, Golden Anniversary Acquisitions (Sep. 10-Oct. 16, 1966), cma Bulletin 53 (1966), pp. 281-2 no. 85, illus. p. 238.",
                    "opening_date": "1966-09-10T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "all according to Maison 1968, vol. 2, p. 260, cat. no. 797: Roger Marx, Paris (Lugt 2229, not stamped); by decent to his son Claude Roger-Marx, Paris (Lugt Suppl. 1800b, not stamped).  [Carstairs].  Richard S. Davis, Minneapolis (not stamped, not in Lugt).  [New Gallery].  E. Powis Jones, New York (not stamped, not in Lugt).",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": null,
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q80042089"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1966.179.b-sketches-of-various"
            ]
        },
        "citations": [],
        "url": "https://clevelandart.org/art/1966.179.b",
        "images": {
            "annotation": null,
            "web": {
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                "width": "1263",
                "height": "299",
                "filesize": "268110",
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            "print": {
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        },
        "alternate_images": [],
        "creditline": "Fiftieth anniversary gift of Mr. and Mrs. Eugene Victor Thaw",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 142360,
        "creators": [
            {
                "id": 1638,
                "description": "Honor\u00e9 Daumier (French, 1808\u20131879)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Honor\u00e9 Daumier was eight years old when his father, a glazier and frame maker who had decided to pursue his poetic talents in Paris, sent for the wife and three sons he lad left behind in Marseilles. In Paris Daumier studied drawing with Alexandre Lenoir (1761-1839) and at the Acad\u00e9mie Suisse. Around 1825 he began a five-year apprenticeship with the publisher and lithographer Z\u00e9pherin Belliard (1798-?). The July revolution of 1830, which established Louis-Philippe as the constitutional monarch in France, coincided with Daumier's creation of satirical lithographs aimed at this new government. That same year he joined La Caricature, a political journal founded by the republican artist-publisher, Charles Philipon (1802-1862). Daumier's antimonarchist and liberal subjects that were printed in this paper eventually cost the journal censorship and the artist six months in jail (31 August 1832 to 14 February 1833) plus a 300-franc fine. His prison sentence did not deter him from producing political statements and, in fact, only fueled his rage. The subjects of his lithographs became much more aggressive. In 1835 he worked for Philipon's second publication, Le Charivari, a humorous political newspaper that published Daumier's satirical caricature until it, too, suffered censorship under the new government. Although Daumier may be best known for his graphic art, he was also a sculptor and a prolific painter. Sculpture became another medium to produce his infamous caricatures. His friend, Honor\u00e9 de Balzac, French novelist and editor of La Caricature, saw in these works the force of Michelangelo. In 1834 Daumier began experimenting with painting, both in oil and watercolor. Apart from his Salon entries of 1849 and 1850, his paintings, which totaled over three hundred, were painted primarily for his own pleasure and virtually unknown to the public until after his death in 1879.",
                "name_in_original_language": null,
                "birth_year": "1808",
                "death_year": "1879",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1966-05-25T00:00:00",
        "sortable_date": 1850,
        "date_added_to_oa": null,
        "date_text": "1850\u201375",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "part",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": "1966.179",
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-08-03 14:17:33.372000"
    }
}