id: 142579
accession number: 1966.31.8
share license status: CC0
url: https://clevelandart.org/art/1966.31.8
updated: 2023-05-12 11:03:38.975000
Reminiscences of Qinhuai River, 1642–1707. Shitao (Chinese, 1642–1707). Album leaf, ink and color on Song paper; image: 25.5 x 20.2 cm (10 1/16 x 7 15/16 in.); overall: 33 x 24.3 cm (13 x 9 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1966.31.8
title: Reminiscences of Qinhuai River
title in original language: 秦淮憶舊圖冊
series:
series in original language:
creation date: 1642–1707
creation date earliest: 1642
creation date latest: 1707
current location:
creditline: John L. Severance Fund
copyright:
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culture: China, Qing dynasty (1644-1911)
technique: album leaf, ink and color on Song paper
department: Chinese Art
collection: ASIAN - Album leaf
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Shitao (Chinese, 1642–1707) - artist
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measurements: Image: 25.5 x 20.2 cm (10 1/16 x 7 15/16 in.); Overall: 33 x 24.3 cm (13 x 9 9/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: 沿溪四十九迴折，搜盡秦淮六代奇。/
雪霽東山誰着屐，風高西壑自成詩。/
應憐孤冷長無伴，其剩槎牙只幾枝。/
滿地落花春未了，酸心如豆耐人思。/
仲賓先生以宋紙十幅寄余真州命畫。因憶昔時秦淮探梅聚首之地，寫此就教。清湘石濤濟道人。[印]原濟; 石濤.
translation:
remark:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
* The Painting of Tao-Chi, 1641-Ca. 1720. University of Michigan Museum of Art, Ann Arbor, MI (August 13-September 17, 1967).
* Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
* Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (July 23-October 27, 2003).
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PROVENANCE
Qin Tongli 秦通理 [early 20th century]
date:
footnotes:
citations:
C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art
date: ?-1966
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1966-
footnotes:
citations:
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fun fact:
The figure in the boat scans the cliff seeking a glimpse of a final plum blossom of the season.
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Contag, Victoria. Die beiden Steine: Beitrag zum Verständnis des Wesens Chinesischer Landschaftsmalerei. Braunschweig: H. Klemm, 1950.
page number: Reproduced: pl. 8
url:
Contag, Victoria. Zwei Meister chinesischer Landschaftsmalerei, Shih-t'ao und Shih-ch'i; ein Beitrag zum Verständnis des Wesens chinesischer Landschaftsmalerei. Baden-Baden: W. Klein, 1955.
page number: pls. 5-8
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 268
url: https://archive.org/details/CMAHandbook1966/page/n292
Edwards, Richard. The Painting of Tao-Chi: Postscript to an Exhibition. [Richmond, Surrey]: [Oriental Art Magazine Ltd.], 1968.
page number: Mentioned and Reproduced: p. 5, fig. 7
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 269
url: https://archive.org/details/CMAHandbook1969/page/n293
Lee, Sherman E. "The Water and the Moon in Chinese and Modern Painting." Art international, vol. 14 (1970), no. 1, pp. 47-59.
page number: Mentioned and Reproduced: fig. 35
url:
Hironobu Kohara 古原宏伸, Shen Fu 傅申, and Ichisada Miyazaki 宮崎市定. Sekitō 石濤. Tōkyō: Chūō Kōronsha, 1976.
page number: Reproduced: pls. 36-39
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 357
url: https://archive.org/details/CMAHandbook1978/page/n377
Capon, Edmund. Chinese Painting: 64 Reproductions. Oxford, England: Phaidon, 1979.
page number: Mentioned and Reproduced: p. 59
url:
Williams, Marjorie. Chinese Painting--an Escape from the "Dusty" World. Cleveland, OH: The Cleveland Museum of Art, 1981.
page number: Mentioned and Reproduced: fig. 12, p. 25
url:
Yang, Kathleen 楊凱琳, and Chi-chʻien Wang 王季遷. Through a Chinese connoisseur's eye: private notes of C.C. Wang 王季遷讀書筆記. Beijing: Zhong hua shu ju, 2010.
page number: Mentioned: p. 312, no. 34
url:
Chung, Anita, Julia Frances Andrews, Kuiyi Shen, Tamaki Maeda, and Aida Yuen Wong. Chinese art in an age of revolution: Fu Baoshi (1904-1965). Cleveland, OH: The Cleveland Museum of Art, 2011.
page number: Reproduced: p. 114, fig. 45
url:
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 400-407
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1966.31.8/1966.31.8_web.jpg
print: https://openaccess-cdn.clevelandart.org/1966.31.8/1966.31.8_print.jpg
full: https://openaccess-cdn.clevelandart.org/1966.31.8/1966.31.8_full.tif