id: 142633 accession number: 1966.359 share license status: CC0 url: https://clevelandart.org/art/1966.359 updated: 2024-08-08 15:15:25.600000 Young Woman Standing, c. early 1800s. Horace Vernet (French, 1789–1863). Lithograph; The Cleveland Museum of Art, L. E. Holden Fund 1966.359 title: Young Woman Standing title in original language: series: series in original language: creation date: c. early 1800s creation date earliest: 1809 creation date latest: 1863 current location: creditline: L. E. Holden Fund copyright: --- culture: France, 19th century technique: lithograph department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Beraldi Vol. XII.222.229 --- CREATORS * Horace Vernet (French, 1789–1863) - artist Born into a family of artists, Horace Vernet's profession seems to have been inevitable. His father, Carle Vernet (1758-1836), was a painter and lithographer; his grandfathers were Joseph Vernet (1714-1789) and Jean-Michel Moreau the younger (1741-1814), and his uncle the architect Jean-François Chalgrin (1739-1811). While his earliest lessons were given by his father, Vernet also worked in the studio of François-André Vincent (1746-1814) until 1810. The following year Vernet created caricatures for the Journal des dames et des modes, an activity he would continue until 1815. He was first accepted at the Salon in 1812, and his talent so impressed Jérôme Bonaparte that he commissioned an equestrian portrait from Vernet. Throughout his life, he would receive many official commissions for contemporary history paintings. Vernet kept a busy studio that, during the first years of the Restoration, was used as a meeting place for liberals. When some of his paintings were rejected from the 1822 Salon because of their supposed antiroyalist subject matter, Vernet displayed them at his studio, attracting large crowds. Despite the Salon rejection, Vernet was elected to the Institut de France in 1826 and became the director of the Académie de France in Rome two years later, a position he would occupy until 1835. After his return to Paris, Vernet became a professor at the École des Beaux-Arts. --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1966.359/1966.359_web.jpg print: https://openaccess-cdn.clevelandart.org/1966.359/1966.359_print.jpg full: https://openaccess-cdn.clevelandart.org/1966.359/1966.359_full.tif