id: 142642 accession number: 1966.367 share license status: CC0 url: https://clevelandart.org/art/1966.367 updated: 2025-02-09 03:15:24.985000 Spring Landscape, 1666. Kuncan (Chinese, 1612-c. 1673). Double album leaf mounted as a handscroll, ink and color on paper; overall: 31.8 x 64.5 cm (12 1/2 x 25 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1966.367 title: Spring Landscape title in original language: 春景圖 series: series in original language: creation date: 1666 creation date earliest: 1666 creation date latest: 1666 current location: creditline: Purchase from the J. H. Wade Fund copyright: --- culture: China, Qing dynasty (1644-1911) technique: double album leaf mounted as a handscroll, ink and color on paper department: Chinese Art collection: ASIAN - Album leaf type: Painting find spot: catalogue raisonne: --- CREATORS * Kuncan (Chinese, 1612-c. 1673) - artist Kuncan was one of the so-called Four Monks of the early Qing period. --- measurements: Overall: 31.8 x 64.5 cm (12 1/2 x 25 3/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: 遊山忘歲月，屐舄自相過。 風露寒虚意，禪機靜裡磨。 同年叩梵宇，遂此老煙蘿。 豈向人間說，林丘自在多。 畫必師古，書亦如之。觀人亦然，况六法乎。石谿殘道人 印二：石谿，白秃。另有「介丘」一印在右邊。 translation: remark: --- CURRENT EXHIBITIONS title: Fantastics and Eccentrics in Chinese Painting opening date: 1967-03-24T05:00:00 Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). title: Year in Review: 1967 opening date: 1967-11-29T05:00:00 Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967). title: Eight Dynasties of Chinese Painting opening date: 1981-02-11T05:00:00 Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). --- LEGACY EXHIBITIONS * {'description': 'Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).', 'opening_date': '1967-03-23T00:00:00'} --- PROVENANCE Gao Yong 高邕 [1850–1921] date: footnotes: citations: Xu Xiaopu 徐小圃 [1887–1961] date: footnotes: citations: Walter Hochstadter [1914–2007], New York, NY, date: footnotes: citations: (N. V. Hammer, Inc., New York, NY, sold to the Cleveland Museum of Art) date: ?-1966 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1966- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Tang Jisheng 唐吉生, and Gao Yongzhi 高邕之. Taishan can shi lou cang hua [泰山殘石樓藏畫 = Painting collection of the Taishan can shi]. Shanghai: Xi leng yin she, 1926-29. page number: Portfolio 3, vol. 4, unpaginated url: Cahill, James, and Virginia Field. Fantastics and Eccentrics in Chinese Painting. New York: Asia Society; distributed by Abrams, 1967. page number: cat. no. 20 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 268 url: https://archive.org/details/CMAHandbook1969/page/n292 Zhang, Wanli and Hu Renmu. Badashanren shu hua ji [八大山人書畫集 = Selected paintings and calligraphy of Bada Sharen]. Li da ming hua jia zuo ping xuan ji [歷代名畫家作品選集 = Selected works of famous painters in Chinese history]. Kowloon, Hong Kong: Kai fa gu fen you xian gong si, 1969. page number: Reproduced: pl. 25 url: Cahill, James. "中国絵画における奇想と幻想-中." Kokka 國華 (April 1975): pp. 5-21. page number: fig. 18 url: Fu, Shen 傅申. Ming Qing zhi ji di ke bi gou le feng shang yu Shitao di zao qi zuo pin [明清之際的渴筆勾勒風尚與石濤的早期作品 = An aspect of mid-seventeenth century Chinese painting: The "dry linear" style and the early work of Tao-chi]. Hong Kong: Xianggang Zhong wen da xue [香港中文大學 = The Chinese University of Hong Kong], 1976. page number: p. 595 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 356 url: https://archive.org/details/CMAHandbook1978/page/n376 Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. page number: Reproduced: cat. no. 233, pp. 315-316 url: Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Reproduced: p. 360-365 url: Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Mentioned: p. 365 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1966.367/1966.367_web.jpg print: https://openaccess-cdn.clevelandart.org/1966.367/1966.367_print.jpg full: https://openaccess-cdn.clevelandart.org/1966.367/1966.367_full.tif