id: 142660
accession number: 1966.383
share license status: CC0
url: https://clevelandart.org/art/1966.383
updated:
Portrait of Prince Alexander Bezborodko, mid- to late 1700s. Pierre-Charles Cior (French, 1769–1840). Watercolor on ivory in a 19th-century gilt metal frame; diameter: 8.6 cm (3 3/8 in.); diameter of frame: 10.2 cm (4 in.). The Cleveland Museum of Art, Gift of Ellen Wade Chinn, Elizabeth Wade Sedgwick and J. H. Wade III in memory of their mother Irene Love Wade 1966.383
title: Portrait of Prince Alexander Bezborodko
title in original language:
series:
series in original language:
creation date: mid- to late 1700s
creation date earliest: 1750
creation date latest: 1799
current location:
creditline: Gift of Ellen Wade Chinn, Elizabeth Wade Sedgwick and J. H. Wade III in memory of their mother Irene Love Wade
copyright:
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culture: France, 18th century
technique: watercolor on ivory in a 19th-century gilt metal frame
department: European Painting and Sculpture
collection: P - French 18th Century
type: Portrait Miniature
find spot:
catalogue raisonne:
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CREATORS
* Pierre-Charles Cior (French, 1769–1840) - artist
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measurements: Diameter: 8.6 cm (3 3/8 in.); Diameter of frame: 10.2 cm (4 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: signed left: Cior.p.
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1967
opening date: 1967-11-29T05:00:00
Year in Review: 1967. The Cleveland Museum of Art (organizer) (November 29-December 31, 1967).
title: Intimate Images: Portrait Miniatures from Europe and America
opening date: 1993-03-26T04:00:00
Intimate Images: Portrait Miniatures from Europe and America. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-October 17, 1993).
title: Disembodied: Portrait Minatures and their Contemporary Relatives
opening date: 2013-11-10T00:00:00
Disembodied: Portrait Minatures and their Contemporary Relatives. The Cleveland Museum of Art (organizer) (November 10, 2013-February 16, 2014).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
This portrait of Alexander Bezborodko, chancellor of Russia from 1747 to 1799, was painted by Pierre-Charles Cior in the final years of the 18th century. Previously a foreign minister for Catherine the Great, the prince became grand chancellor of the Russian empire upon the 1797 accession to the throne of Catherine's son Paul I. In this position, Bezborodko reformed the post office, regulated the banking systems, and constructed roads. Here he is shown dressed in a blue uniform with the blue sash of the Order of Saint Andrew over the red and black sash of the Order of Saint Vladimir. Pinned over his left breast are stars and badges of the Order of Saint Andrew as well as the Maltese cross. Around his neck is the decoration of the Order of Saint Alexander Nevsky, which is encrusted with diamonds. Bezborodko holds a miniature of Paul I in his right hand while resting his left arm on a leopard pillow. He poses in front of a lavish green curtain and classical colonnade. Trained under the Spanish miniaturist Juan Bauzil, Cior became the official miniaturist of the king of Spain and a court painter in Russia, likely creating this portrait during his extended stay in Saint Petersburg. His depiction of Bezborodko is unusual; when compared to the rest of the prince's body, his legs appear diminutive, as if the artist failed to leave enough room for them when painting. This miniature dates from early in Cior's career, and Bezborodko's small lower body may be a result of the immature artist experimenting with composition. The tiny portrait of Paul I that Bezborodko holds in his right hand relates to a late 18th-century oil painting of the king attributed to A. F. Mitrokhin. Cior's inclusion of the miniature of Paul I demonstrates how miniatures were handled by their owners and how they could be used in portraits to lend credibility or show allegiance.
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RELATED WORKS
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CITATIONS
"Year in Review." The Bulletin of the Cleveland Museum of Art 54, no. 10 (1967): 302-46.
page number: no. 52
url: www.jstor.org/stable/25152183
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1966.383/1966.383_web.jpg
print: https://openaccess-cdn.clevelandart.org/1966.383/1966.383_print.jpg
full: https://openaccess-cdn.clevelandart.org/1966.383/1966.383_full.tif