id: 142744
accession number: 1966.450
share license status: CC0
url: https://clevelandart.org/art/1966.450
updated: 2023-08-24 11:35:34.388000
Bulldog, c. 1895–1915. House of Fabergé (Russian, 1842–1918). Amethystine quartz, diamonds; overall: 4.4 x 5.1 x 3.5 cm (1 3/4 x 2 x 1 3/8 in.). The Cleveland Museum of Art, The India Early Minshall Collection 1966.450
title: Bulldog
title in original language:
series:
series in original language:
creation date: c. 1895–1915
creation date earliest: 1895
creation date latest: 1915
current location: 211 Fabergé
creditline: The India Early Minshall Collection
copyright:
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culture: Russia, St. Petersburg, late 19th-early 20th Century
technique: amethystine quartz, diamonds
department: Decorative Art and Design
collection: Decorative Arts
type: Miscellaneous
find spot:
catalogue raisonne:
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CREATORS
* House of Fabergé (Russian, 1842–1918) - maker
Peter Carl Faberge (1846-1920) took over the House of Faberge in 1870 from his father Carl Gustav Faberge who had founded the firm in 1842. Until 1881, the firm manufactured primarily jewelry for Saint Petersburg's aristocrats and wealthy elite. In 1885 the firm was awarded the coveted imperial warrant as goldsmith to the tsar and began to produce elaborate presentation Easter eggs as a gift for the tsarina from her husband every year. They also produced luxurious accessories, jewelry, and hardstone sculptures. At one point, Faberge employed over 300 workers including 22 workmasters who oversaw the production of the firm's jewelry and precious objects. A branch of the firm opened in Moscow in 1887, specializing in neo-Russian and pan-Slavic motifs in jewelry, silver, and enamel. Other branches followed in Kiev, London, and Odessa as well as new premises in Saint Petersburg. At the onset of the Russian Revolution, Peter Carl Faberge fled the country to Paris then Switzerland, where he died in 1920. His firm was nationalized by the Bolsheviks in 1918.
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measurements: Overall: 4.4 x 5.1 x 3.5 cm (1 3/4 x 2 x 1 3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The India Early Minshall Collection: Faberge and his Contemporaries
opening date: 1967-03-15T05:00:00
The India Early Minshall Collection: Faberge and his Contemporaries. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 1967-January 21, 1968).
title: Year in Review: 1967
opening date: 1967-11-29T05:00:00
Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).
title: Fabergé's Menagerie: The Animal Creations of the Fabergé Workshop
opening date: 2003-02-14T00:00:00
Fabergé's Menagerie: The Animal Creations of the Fabergé Workshop. The Walters Art Museum, Baltimore, MD (organizer) (February 14-July 27, 2003); Columbus Museum of Art, Columbus, OH (October 12, 2003-January 4, 2004); Portland Art Museum, Portland, OR (February 8-May 2, 2004).
title: Artistic Luxury: Fabergé Tiffany Lalique
opening date: 2008-10-19T04:00:00
Artistic Luxury: Fabergé Tiffany Lalique . The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19, 2008-January 18, 2009); Fine Arts Museums of San Francisco, San Francisco, CA (February 7-May 31, 2009).
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LEGACY EXHIBITIONS
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PROVENANCE
India Early Minshall [1885–1965], Cleveland, OH, bequest to the Cleveland Museum of Art
date: ?-1966
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1966-
footnotes:
citations:
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fun fact:
Fabergé's lapidaries carefully chose the stones to resemble the color and texture of the figure they were sculpting. The smoky quartz used for this bulldog was polished to resemble his dark shiny coat.
digital description:
In creating luxurious accessories for a desk or tabletop, the House of Fabergé often used native hardstones such as multicolored agate and jasper, green nephrite, pink rhodonite, quartz, and rock crystal found in the Ural Mountains of western Russia. By paying careful attention to the unique colors and textures of the stones, Fabergé and his craftsmen brought them to life, turning smoky quartz into this figure of a seated bulldog, for example. The use of native materials also promoted Russian nationalism, which appealed greatly to the tsar and his family.
wall description:
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RELATED WORKS
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CITATIONS
Hawley, Henry H. Fabergé and His Contemporaries: The India Early Minshall Collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1967.
page number: Mentioned and reproduced: pp. 68-9, cat 30.
url: https://ingallslibrary.on.worldcat.org/oclc/836254532
Fabergé, Peter Carl, and Deborah E. Horowitz. The Fabergé Menagerie. London: Philip Wilson Pub, 2003.
page number: Mentioned and reproduced: p. 121, cat. 55.
url: https://ingallslibrary.on.worldcat.org/oclc/196795062
Harrison, Stephen, Emmanuel Ducamp, and Jeannine J. Falino. Artistic Luxury: Fabergé Tiffany Lalique. Cleveland, OH: Cleveland Museum of Art in association with New Haven, CT: Yale University Press, 2008.
page number: Mentioned and reproduced: p. 184, cat. 33.
url: https://ingallslibrary.on.worldcat.org/oclc/230187932
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1966.450/1966.450_web.jpg
print: https://openaccess-cdn.clevelandart.org/1966.450/1966.450_print.jpg
full: https://openaccess-cdn.clevelandart.org/1966.450/1966.450_full.tif