id: 142860
accession number: 1966.533
share license status: Copyrighted
url: https://clevelandart.org/art/1966.533
updated: 2024-08-08 15:15:26.859000
Viaduct at Sunset, c. 1914. William Sommer (American, 1867–1949). Watercolor and gouache with graphite; sheet: 28.3 x 36.4 cm (11 1/8 x 14 5/16 in.). The Cleveland Museum of Art, Gift of Dr. and Mrs. Theodor W. Braasch 1966.533
title: Viaduct at Sunset
title in original language:
series:
series in original language:
creation date: c. 1914
creation date earliest: 1909
creation date latest: 1919
current location:
creditline: Gift of Dr. and Mrs. Theodor W. Braasch
copyright:
---
culture: America, Ohio, Cleveland
technique: watercolor and gouache with graphite
department: Drawings
collection: DR - American - Cleveland School
type: Drawing
find spot:
catalogue raisonne:
---
CREATORS
* William Sommer (American, 1867–1949) - artist
Born in Detroit to a family of German immigrants, Sommer first studied drawing at the age of 11 with Julius Gari Melchers. Pursuing a career in commercial lithography, Sommer apprenticed at Calvert Lithography in Detroit, 1881–88, and subsequently worked at various lithography shops in Boston, New York, and England. In 1890 he went abroad for a year of study at the Kunstakademie in Munich. In 1891 he returned to New York and spent the next 16 years working as a commercial lithographer. In 1907 he moved to Cleveland to work for the Otis Lithograph Company, where he became friendly with William Zorach. Around 1910, and under the influence of Abel Warshawsky, Sommer began to experiment with impressionist colors; subsequently he experimented with a fauvist palette. He exhibited with the Cleveland “secessionists” at the Rorimer-Brooks Studios in early 1911 and cofounded the Kokoon Klub that summer. Around 1914 he moved to Brandywine, a rural valley about 20 miles south of Cleveland, where he converted an abandoned schoolhouse into a studio that became an important meeting place for modern artists, poets, and musicians. In May 1918 Sommer designed stage sets and programs for a production of Everyman by the Cleveland Play House. He exhibited in the annual May Shows at the Cleveland Museum of Art (1922–50). In the 1930s and 1940s he exhibited on a regular basis in Cleveland, Chicago, and New York. During the Depression he was employed by various New Deal art programs to paint murals for Cleveland Public Hall (1933), Cleveland Public Library (1934), the post office in Geneva, Ohio (1938), and the Akron Board of Education (1941). After the death of his wife in 1945, he was struck by chronic bouts of depression and alcoholism. Sommer died in Brandywine.
"Transformations in Cleveland Art" (CMA, 1996), p. 238
---
measurements: Sheet: 28.3 x 36.4 cm (11 1/8 x 14 5/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
---
CURRENT EXHIBITIONS
title: Year in Review: 1967
opening date: 1967-11-29T05:00:00
Year in Review: 1967. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).
title: Cleveland Art Comes of Age: 1919-1940
opening date: 1989-06-28T04:00:00
Cleveland Art Comes of Age: 1919-1940. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 28-September 10, 1989).
title: Transformations in Cleveland Art, 1796-1946
opening date: 1996-05-19T04:00:00
Transformations in Cleveland Art, 1796-1946. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 19-July 21, 1996).
title: Burchfield to Schreckengost: Cleveland Art of the Jazz Age
opening date: 2004-03-28T00:00:00
Burchfield to Schreckengost: Cleveland Art of the Jazz Age. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 28-July 18, 2004).
---
LEGACY EXHIBITIONS
---
PROVENANCE
Dr. and Mrs. Theodor W. Braasch, Cleveland Heights, OH
date: ?-1966
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: November 5, 1966
footnotes:
citations:
---
fun fact:
digital description:
wall description:
---
RELATED WORKS
---
CITATIONS
Robinson, William H., et. al. Transformations in Cleveland Art, 1796-1946: Community and Diversity in Early Modern America. Cleveland, Ohio: Cleveland Museum of Art, 1996.
page number: Reproduced: p. 84; Mentioned: p. 85, 250
url:
Weekly, Nancy and Audrey Lewis. Exalted Nature: The Real and Fantastic World of Charles E. Burchfield. Buffalo, NY: Burchfield Penney Art Center, SUNY Buffalo State, 2014.
page number: Reproduced: p. 19, fig. 4; Mentioned: p. 128
url:
---
IMAGES