{
    "data": {
        "id": 143206,
        "accession_number": "1967.17",
        "share_license_status": "CC0",
        "tombstone": "Portrait of Cardinal Guillaume Dubois, 1723. Hyacinthe Rigaud (French, 1659\u20131743). Oil on canvas; framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1967.17",
        "current_location": "215 French, German, and Dutch",
        "title": "Portrait of Cardinal Guillaume Dubois",
        "creation_date": "1723",
        "creation_date_earliest": 1723,
        "creation_date_latest": 1723,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France"
        ],
        "technique": "oil on canvas",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - French 18th Century",
        "type": "Painting",
        "measurements": "Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)",
        "dimensions": {
            "framed": {
                "height": 1.805,
                "height_inch": 71,
                "height_inch_fraction": 0.0625,
                "width": 1.48,
                "width_inch": 58,
                "width_inch_fraction": 0.25,
                "depth": 0.15,
                "depth_inch": 5,
                "depth_inch_fraction": 0.875
            },
            "unframed": {
                "height": 1.467,
                "height_inch": 57,
                "height_inch_fraction": 0.75,
                "width": 1.137,
                "width_inch": 44,
                "width_inch_fraction": 0.75
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "signed on base of clock:  fait par Hyacinthus Rigaud, 1723",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301129,
                    "title": "Year in Review: 1967",
                    "description": "<i>Year in Review: 1967</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).",
                    "opening_date": "1967-11-29T05:00:00"
                },
                {
                    "id": 337083,
                    "title": "The Age of Louis XV: French Painting, 1710 - 1774",
                    "description": "<i>The Age of Louis XV: French Painting, 1710 - 1774</i>. The Toledo Museum of Art (organizer) (October 26-December 7, 1975); The Art Institute of Chicago (January 10-February 22, 1976); National Gallery of Canada (March 21-May 2, 1976).",
                    "opening_date": "1975-10-26T04:00:00"
                },
                {
                    "id": 309658,
                    "title": "Portraiture: The Image of the Individual",
                    "description": "<i>Portraiture: The Image of the Individual</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).",
                    "opening_date": "1983-11-22T05:00:00"
                },
                {
                    "id": 287121,
                    "title": "Opulent Fashion in the Church",
                    "description": "<i>Opulent Fashion in the Church</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19, 2016-October 2, 2017).",
                    "opening_date": "2016-09-19T04:00:00"
                },
                {
                    "id": 376102,
                    "title": "Hyacinthe Rigaud (1659-1743) or the Sun Portrait",
                    "description": "<i>Hyacinthe Rigaud (1659-1743) or the Sun Portrait</i>. Mus\u00e9e National de Ch\u00e2teau de Versailles, 78 008 Versailles cedex, France (organizer) (May 19-June 13, 2021) http://en.chateauversailles.fr/news/exhibitions/hyacinthe-rigaud-sun-portrait.",
                    "opening_date": "2021-05-19T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>L'Exposition de la Jeunesse</em>. Place Dauphne, Paris, France (1723)",
                    "opening_date": null
                },
                {
                    "description": "Exposition d'oeuvres de l'art fran\u00e7ais au XVIIIe si\u00e8cle. Berlin, Germany (1910)",
                    "opening_date": "1910-01-01T00:00:00"
                },
                {
                    "description": "<em>The Painter as Historian. </em>Wildenstein &amp; Co., New York, NY (1962)",
                    "opening_date": "1962-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "The Cleveland Museum of Art, Cleveland, Ohio",
                "citations": [],
                "footnotes": [],
                "date": "1967-",
                "sortorder": 1
            },
            {
                "description": "(Wildenstein & Co., New York, NY, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": [],
                "date": "1956-1957",
                "sortorder": 2
            },
            {
                "description": "(H\u00f4tel Drouot, sale, Dec. 10, 1956, lot Q, sold to Wildenstein & Co.)1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1In addition to the Rigaud painting, Wildenstein also purchased Aved's <em>Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna</em> (CMA 1964.89) at this sale.&nbsp; Prior to this auction, the Rigaud, like the Aved, may have been in the Delaney collection.&nbsp; The Aved painting, as well as Tiepolo painting currently in the Samuel Kress Collection at the National Gallery (1952.5.78), were both owned by Edouard Kann and then by \u201cMme. Delaney,\u201d who may or may not have been the consignor to the 1956 Drouot sale.&nbsp; Because both the Rigaud and Aved were owned by Edouard Kann and were later sold in the 1956 sale, it is likely that the intervening owner(s) were also the same.&nbsp; The exact path that the Rigaud and Aved took after Kann is unknown; the Tiepolo was sold at the Galerie Charpentier in 1933, but neither the Rigaud nor the Aved appears in that sale.</div>"
                ],
                "date": "1956",
                "sortorder": 3
            },
            {
                "description": "Edouard Kann, Berlin1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1 The Duveen Brothers stock book indicates, through a \"K\" in the \"remarks\" column, that on August 4, 1907, Edouard Kann, Rodolphe's son, purchased the Rigaud and other works from his father's collection</div>"
                ],
                "date": "1907",
                "sortorder": 4
            },
            {
                "description": "(Duveen Brothers, Paris, sold to Edouard Kann)1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1 In 1905, shortly after Rodolphe Kann's death, Duveen announced its purchase of Kann's entire collection, which would be sold from the firm's new office in Paris (Catherine Scallen, <em>Rembrandt, Reputation, and the Practice of Connoisseurship</em>).&nbsp; Because Kann had left no will, problems ensued and it took over two years for the transaction to be officially completed; on August 7, 1907 the completion of the sale was published (James Henry Duveen, <em>The Rise of the House of Duveen</em>).&nbsp; The Rigaud appears under stock no. 156 in the Duveen stock book that inventories the Rodolphe Kann collection.&nbsp;</div>"
                ],
                "date": "1905-1907",
                "sortorder": 5
            },
            {
                "description": "Rodolphe Kann, Paris, collection purchased by the Duveen Brothers",
                "citations": [],
                "footnotes": [],
                "date": "By 1900-1907",
                "sortorder": 6
            },
            {
                "description": "(Possibly P. & D. Colnaghi, London) 1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1According to the Frick Art Reference Library's annotated copy of the 1892 Christie's sale catalogue, the painting was purchased by Colnaghi.&nbsp; Unfortunately, Colnaghi's stock books do not go back as far as 1892 and thus this purchase cannot be confirmed.&nbsp; Furthermore, there are no published versions of the painting's provenance that include Colnaghi.</div>"
                ],
                "date": null,
                "sortorder": 7
            },
            {
                "description": "(Sale, Christie, Manson & Woods, London, May 21, 1892, no. 68, possibly sold to P. & D. Colnaghi)1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1 The sale does include the collection of the 4th Earl of Egremont, but the whereabouts of the painting from his death in 1845 until the sale in 1892 are unknown.</div>"
                ],
                "date": "1892",
                "sortorder": 8
            },
            {
                "description": "George Francis Wyndham, 4th Earl of Egremont [1786 \u2013 1845]",
                "citations": [],
                "footnotes": null,
                "date": "-1845",
                "sortorder": 9
            },
            {
                "description": "Mlle. Violat (heiress of Cardinal Dubois), Chateau de Villemenon, near Brie-Comte-Robert 1",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->1The<em> Archives de l'art franc\u0327ais; recueil de documents ine\u0301dits publie\u0301 par la Socie\u0301te\u0301 de l'histoire de l'art franc\u0327ais</em>, vol. 19, pp. 312-315 contains the correspondence between Charles-Nicolas Cochin and the Marquis de Marigny that refer to Violat's possession of the painting.</div>"
                ],
                "date": "by 1764",
                "sortorder": 10
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "With his luxurious, flamboyant dress\u2014a voluminous wrap of scarlet silk topped by a short fur cape\u2014the subject of Hyacinthe Rigaud\u2019s portrait was clearly a man of consequence. Guillaume Dubois gained the favor of Louis XIV as tutor to his nephew, Philippe Charles, Duke of Orl\u00e9ans, and served as chief minister under Louis\u2019s successors, the regent Duke of Orl\u00e9ans and Louis\u2019s great-grandson, Louis XV. Dubois was appointed a Cardinal in the Catholic Church in 1721, a lofty aspiration at least partly motivated by political ambition: the title gave him the ability to remove political adversaries with impunity. Dubois holds a letter with the words <em>Au Roy</em> (to the king); this portrait was painted in the same year the young Louis XV ascended to the throne.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60469754"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1967.17-portrait-of-cardinal"
            ]
        },
        "citations": [
            {
                "citation": "Perreau, Ste\u0301phan.  <em>Hyacinthe Rigaud (1659-1743): catalogue concis de l'oeuvre</em>. Se\u0300te, France: Nouvelles Presses de Languedoc, 2013.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Ho\u0302tel Drouot. <em>Tableaux anciens\u2026Par ou attribu\u00e9s \u00e0: J. Aved \u2013 Moreau L\u2019Ain\u00e9 \u2013 A. van der Neer \u2013 H. Rigaud et des \u00e9coles anglaise, fran\u00e7aise et hollandaise appartenant \u00e0 divers amateurs. </em>Dec. 10, 1956.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Alison Cathie, letter to Ann Tzeutschler Lurie, Feb. 22, 1972, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Mrs. C.A. [Hannelore] Osborne, letter to Martine Delbecq, Nov. 7, 1973, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Duveen Brothers records, 1876-1981 (bulk 1909-1964), Series 1. Business records, 1876-1964, box 115, reel 38, Stock book 1: Rodolfe Kann Collection, 1907, page 12.  Digitized. Getty Research Institute.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Perreau, Ste\u0301phan.  <em>Hyacinthe Rigaud (1659-1743): catalogue concis de l'oeuvre</em>. Se\u0300te, France: Nouvelles Presses de Languedoc, 2013.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Duveen Brothers records, 1876-1981 (bulk 1909-1964), Series 1. Business records, 1876-1964, box 115, reel 38, Stock book 1: Rodolfe Kann Collection, 1907, page 12.  Digitized. Getty Research Institute.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "<em>Catalogue of the Rodolphe Kann Collection: Pictures</em>. Paris: C. Sedelmeyer, 1907.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Alison Cathie, letter to Ann Tzeutschler Lurie, Feb. 22, 1972, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Mrs. C.A. [Hannelore] Osborne, letter to Martine Delbecq, Nov. 7, 1973, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Christie, Manson &amp; Woods. <em>Fifty Capital Pictures by Ancient and Modern Masters</em>. 1892.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Perreau, Ste\u0301phan.  <em>Hyacinthe Rigaud (1659-1743): catalogue concis de l'oeuvre</em>. Se\u0300te, France: Nouvelles Presses de Languedoc, 2013.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Mrs. C.A. [Hannelore] Osborne, letter to Martine Delbecq, Nov. 7, 1973, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Alison Cathie, letter to Ann Tzeutschler Lurie, Feb. 22, 1972, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Mrs. C.A. [Hannelore] Osborne, letter to Martine Delbecq, Nov. 7, 1973, in CMA curatorial file.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "<em>Catalogue of the Rodolphe Kann Collection: Pictures</em>. Paris: C. Sedelmeyer, 1907.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "De la Chavignerie, Emile Bellier. \"Notes pour Servir a L'Histoire de L'Exposition de la Jeunesse.\" <em>Revue Universelle des Arts</em> XIX (1864): 58-67.",
                "page_number": "Mentioned: p. 61",
                "url": null
            },
            {
                "citation": "Carriera, Rosalba, Giovanni Vianelli, and Alfred Sensier. <em>Journal de Rosalba Carriera pendant son se\u0301jour a\u0300 Paris en 1720 et 1721</em>. Paris: J. Techener, 1865.",
                "page_number": "Mentioned: p. 268",
                "url": null
            },
            {
                "citation": "Bode, Wilhelm von. <em>Gema\u0308ldesammlung des Herrn Rudolf Kann in Paris: 100 photogravuren mit text.</em> Wien: Gesellschaft fu\u0308r vervielfa\u0308ltigende Kunst, 1900.",
                "page_number": "Mentioned and reproduced: no. 88, pl.88",
                "url": null
            },
            {
                "citation": "Michel, Emile. \"La galerie de M. Rodolphe Kann.\" <em>Gazette des Beaux-Arts</em> XXV (March 1901): 493-507.",
                "page_number": "Mentioned: p. 503",
                "url": null
            },
            {
                "citation": "Marguillier, Auguste. \"La Collection de M. Rodolphe Kann.\" <em>Les Arts</em> II, no. 15 (March 1903): 2.",
                "page_number": "Reproduced: p. 2",
                "url": null
            },
            {
                "citation": "Furcy-Raynaud, Marc. \"Correspondance de M. de Marigny.\" <em>Nouvelles Archives de l'Art Fran\u00e7ais, third series </em>XIX (Paris, 1904): 312-15.",
                "page_number": "Mentioned: p. 312-315",
                "url": null
            },
            {
                "citation": "Dorbec, Prosper. \"L'Exposition de la Jeunesse au XVIIIe Si\u00e8cle.\" <em>Gazette des Beaux-Arts</em> XXXIII (1905): 456-470.",
                "page_number": "Mentioned: p. 460",
                "url": null
            },
            {
                "citation": "Kann, Rodolphe, Jules Mannheim, and Edouard Rahir. <em>Catalogue of the Rodolphe Kann Collection: Objets D'art</em>. Paris, France: [publisher not identified], 1907.",
                "page_number": "Reproduced: p. 66, pl. 156; vol. 2",
                "url": null
            },
            {
                "citation": "\"Esposizione di opere d'arte francese del settecento a Berlino,\" <em>Rassegna d'Arte</em> X, no. 4 (April 1910): 59-65.",
                "page_number": "Mentioned. p. 59",
                "url": null
            },
            {
                "citation": "Roman, J. <em>Le livre de raison du peintre Hyacinthe Rigaud</em>. Paris, France: Laurens, 1919.",
                "page_number": "Reproduced: p. 195",
                "url": null
            },
            {
                "citation": "Lurie, Anne Tzeutchier. \"Hyacinthe Rigaud Portrait of Cardinal Dubois.\" <em>The</em> <em>Bulletin of The Cleveland Museum of Art LIIII,</em> no 10 (October, 1967): 230-239.",
                "page_number": "Reproduced: fig. 1,2,8 and cover",
                "url": null
            },
            {
                "citation": "\"Accessions to American and Canadian Museums.\" <em>The Art Quarterly </em>XXX, no. 2 (Summer 1967): 153-176.",
                "page_number": "Reproduced: p. 159; mentioned: p. 161",
                "url": null
            },
            {
                "citation": "\"Year in Review.\" <em>The Bulletin of the Cleveland Museum of Art</em> 54, no. 10 (1967): 302-46.",
                "page_number": "Referenced: no. 64, p. 343",
                "url": "http://www.jstor.org/stable/25152183."
            },
            {
                "citation": "\"Chronique des Arts.\" <em>Gazette des Beaux-Arts Supplement </em>(February 1968): 1-140.",
                "page_number": "Reproduced: p. 64, fig. 246",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 132",
                "url": "https://archive.org/details/CMAHandbook1969/page/n156"
            },
            {
                "citation": "Largillierre, and William S. Talbot. \u201cComte de Richebourgle Toureil.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 58, no. 1 (January 1971): 2\u20139.",
                "page_number": "Mentioned and reproduced: p. 2-3, fig. 2",
                "url": "http://www.jstor.org/stable/25152356"
            },
            {
                "citation": "Lurie, Ann Tzeutschler. \"Rigaud's Portrait of Cardinal Dubois.\" <em>The Burlington Magazine</em> 116, no. 860 (November 1974): 667-69.",
                "page_number": "Mentioned: p. 667-668; reproduced: p. 669",
                "url": null
            },
            {
                "citation": "Rosenberg, Pierre. <em>The Age of Louis XV: French Painting 1710-1774 : [Exhibition] 1975-1976, the Toledo Museum of Art, October 26-December 7, the Art Institute of Chicago, January 10-February 22, the National Gallery of Canada, March 21-May 2</em>. [Toledo, Ohio]: Toledo Museum of Art, 1975.",
                "page_number": "Referenced: cat. no. 86, p. 71-72, Reproduced: pl. 26",
                "url": null
            },
            {
                "citation": "Lurie, Anne Tzeutchier. \"A Note on Rigaud's Portrait of Cardinal Dubois.\" <em>The</em> <em>Bulletin of The Cleveland Museum of Art LXII,</em> no 11 (November,1975): 276-279.",
                "page_number": "Reproduced: p. 276",
                "url": null
            },
            {
                "citation": "\"Ottawa, Le Siecle de Louis XV.\" <em>Vie des Arts</em> XX (Spring, 1976): 70.",
                "page_number": "Reproduced: p. 70, fig. 11",
                "url": null
            },
            {
                "citation": "Johnson, Mark M. \"Portrait Painting-An Image of Man.\" <em>Arts and Activities </em>(September 1977): 33-38.",
                "page_number": "Reproduced: p. 35",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 175",
                "url": "https://archive.org/details/CMAHandbook1978/page/n195"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries</em>. Cleveland, OH: The Cleveland Museum of Art, 1982.",
                "page_number": "Mentioned: p. 125-128; Reproduced: p. 126",
                "url": null
            },
            {
                "citation": "Berger, Robert W. <em>Public Access to Art in Paris: A Documentary History from the Middle Ages to 1800</em>. University Park, PA: Pennsylvania State University Press, 1999.",
                "page_number": "Reproduced: p. 153, fig. 42",
                "url": null
            },
            {
                "citation": "Jamin, Pierre-Andre\u0301. <em>Guillaume Dubois, cardinal libertin de Que la fe\u0302te commence</em>. Paris, France: Artena, 2009.",
                "page_number": "Reproduced: cover page",
                "url": null
            },
            {
                "citation": "Walczak, Gerrit. \"Unter Freiem Himmel: Die Pariser Kunstausstellungen Auf Der Place Dauphine.\" <em>Zeitschrift F\u00fcr Kunstgeschichte</em> 74, no. 1 (2011): 77-98.",
                "page_number": "Reproduced: p. 86",
                "url": null
            },
            {
                "citation": "Perreau, Ste\u0301phan. <em>Hyacinthe Rigaud (1659-1743): catalogue concis de l'oeuvre</em>. Languedoc,France: Nouvelles presses du Languedoc, 2013.",
                "page_number": "Reproduced: p. 267, pl. 1309",
                "url": null
            },
            {
                "citation": "James-Sarazin, Ariane and Jean-Yves Sarazin. <em>Hyacinthe Rigaud: 1659-1743. </em>Dijon: E\u0301ditions Faton, 2016.",
                "page_number": "Reproduced: v. 1: p. 195, pl. 139; Mentioned: p. 188, 208, 310, 331, 347, 358, 410, 424, 498, 545, 551, 554, 556, 585, 586; Reproduced: v. 2: p. 474-475, pl. 1390",
                "url": null
            },
            {
                "citation": "Rigaud, Hyacinthe, Ariane James-Sarazin, and Hyacinthe Rigaud. Hyacinthe Rigau, ou, le portrait soleil. 2020.",
                "page_number": "Reproduced and mentioned; pp. 310-310, no. 106",
                "url": ""
            },
            {
                "citation": "Watrelot, Michaela. <em>Wilhelm von Bode and the American Art Market : The Rudolphe Kann Collection</em>. New York: Routledge, Taylor &amp; Francis Group, 2024.",
                "page_number": "Mentioned and reproduced: pp. 76-77, fig. 3.33",
                "url": ""
            }
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