{
"data": {
"id": 143274,
"accession_number": "1967.211",
"share_license_status": "CC0",
"tombstone": "The Second Coming of the Fifth Patriarch (\u4e94\u7956\u518d\u4f86\u5716), c. mid-1300s. Yintuoluo (Chinese, c. 1285-c. 1355). Section of a handscroll mounted as a hanging scroll, ink on paper; image: 32.7 x 44.6 cm (12 7/8 x 17 9/16 in.); overall: 245 x 62 cm (96 7/16 x 24 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1967.211",
"current_location": null,
"title": "The Second Coming of the Fifth Patriarch",
"title_in_original_language": "\u4e94\u7956\u518d\u4f86\u5716",
"creation_date": "c. mid-1300s",
"creation_date_earliest": 1325,
"creation_date_latest": 1375,
"artists_tags": [
"male"
],
"culture": [
"China, Yuan dynasty (1271-1368)"
],
"technique": "section of a handscroll mounted as a hanging scroll, ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Image: 32.7 x 44.6 cm (12 7/8 x 17 9/16 in.); Overall: 245 x 62 cm (96 7/16 x 24 7/16 in.)",
"dimensions": {
"image": {
"height": 0.327,
"height_inch": 12,
"height_inch_fraction": 0.875,
"width": 0.446,
"width_inch": 17,
"width_inch_fraction": 0.5625
},
"overall": {
"height": 2.45,
"height_inch": 96,
"height_inch_fraction": 0.4375,
"width": 0.62,
"width_inch": 24,
"width_inch_fraction": 0.4375
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "[\u5370] \u4eba\u8a00\u6d1e\u88e1\u6843\u82b1\u6e90\uff0c\u672a\u5fc5\u4eba\u9593\u6709\u6b64\u679d",
"inscription_translation": "Artist's seal: People allude to the Grotto of the Peach Blossoms; it is not likely that such a flowering branch would exist in our world.",
"inscription_remark": "Yintuoluo's seal has been trimmed away with only a trace surviving. Wai-kam Ho, CMA's Senior Research Curator of Oriental and Chinese Art from 1959-1983, believed that this was the same seal that has shown up on a number of surviving fragments.",
"sortorder": 1
},
{
"inscription": "\u6b64\u5b50\u7121\u723a\u53ea\u6709\u5a18\uff0c\u79aa\u5e2b\u83ab\u554f\u5e7e\u6642\u751f\u3002\n\u9752\u677e\u672a\u8001\u9ec3\u6885\u98c4\uff0c\u5169\u4e16\u90fd\u5982\u5922\u4e00\u5834\u3002\n[\u5370] \u695a\u77f3",
"inscription_translation": "1 inscription and 1 additional seal of Chushi Fanqi \u695a\u77f3\u68b5\u7426 (1296\u20131370).\n \nPoem:\n \nThis child has no father, only a mother.\nYou, the Chan master, don\u2019t need to ask when he was born.\nThe green pine is not yet old and the rain comes during yellow plum season.\nTwice reincarnated, all just seems to be but a dream.\n[seal] Chu shi",
"inscription_remark": null,
"sortorder": 2
}
],
"exhibitions": {
"current": [
{
"id": 301285,
"title": "Year in Review for 1968",
"description": "Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).",
"opening_date": "1969-01-29T05:00:00"
},
{
"id": 301895,
"title": "The Colors of Ink",
"description": "The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
"opening_date": "1974-01-10T04:00:00"
},
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 311446,
"title": "Asian Autumn: Masterpieces from the Collection",
"description": "Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
"opening_date": "1991-09-17T04:00:00"
}
],
"legacy": [
{
"description": "Daibi: 50th anniversary of Osaka Art and Music Club, 70th anniversary of the Osaka Shosei Association. Osaka Art Club, Osaka, Japan (1960).",
"opening_date": "1960-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "Masuda Takashi \u76ca\u7530\u5b5d [1848\u20131938], Tokyo, Japan, by bequest to his son Masuda Taro",
"citations": [],
"footnotes": [],
"date": "?\u20131938",
"sortorder": 1
},
{
"description": "Masuda Taro \u76ca\u7530\u592a\u90ce [1875\u20131953], Tokyo, Japan",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 2
},
{
"description": "(Setsu Gatodo Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131967",
"sortorder": 3
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1967\u2013",
"sortorder": 4
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "This painting is just a section of a handscroll that has been remounted as a hanging scroll.",
"early_education_description": null,
"artlens_description": null,
"description": "A small boy, accompanied by his mother, is closing his hands in greeting to an old monk who has a young attendant standing behind him. Scholars believe the scene is a meeting between the fourth patriarch of Chan Buddhism, Daoxin \u9053\u4fe1, and the little boy, who was the reincarnation of an old monk named Zaisong daozhe \u683d\u677e\u9053\u8005 (Pine Planter). They had encountered before, during which Daoxin advised the Pine Planter to endure a reincarnation as he was too old to reach enlightenment. This painting is done by Yintuoluo, an artist renowned for his simple and unadorned style.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60469853"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1967.211-the-second-coming-of"
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"citations": [
{
"citation": "Inoue, Sho\u0304zo\u0304. Daibi: O\u0304saka Bijutsu Kurabu 50-shu\u0304nen, O\u0304saka Sho\u0304sei Kumiai 70-shu\u0304nen kinen [\u5927\u7f8e : \u5927\u962a\u7f8e\u8853\u4ff1\u697d\u90e8\u4e94\u5341\u5468\u5e74, \u5927\u962a\u5546\u76db\u7d44\u5408\u4e03\u5341\u5468\u5e74\u8a18\u5ff5 = Special exhibition in commemoration of the 50th anniversary of the Osaka Art Club and the 75th anniversary of the Osaka Art Dealers Association]. O\u0304saka: O\u0304saka Bijutsu Kurabu, 1960.",
"page_number": "cat. no. 6",
"url": null
},
{
"citation": "Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yu\u0308an Dynasty, 1279-1368. Cleveland, OH: The Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.",
"page_number": "cat. no. 208",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 261",
"url": "https://archive.org/details/CMAHandbook1969/page/n285"
},
{
"citation": "Lee, Sherman E. \u201cZen in Art: Art in Zen.\u201d The Bulletin of the Cleveland Museum of Art 59, no. 9 (November 1972): 239\u2013259.",
"page_number": "Mentioned and reproduced: p. 245, figs. 6, 6a",
"url": "http://www.jstor.org/stable/25152451"
},
{
"citation": "Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "cat. no. 18.",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 345",
"url": "https://archive.org/details/CMAHandbook1978/page/n365"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 98, p. 123",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 139-141",
"url": null
},
{
"citation": "Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018.",
"page_number": "Reproduced: p. 146, fig. 81",
"url": null
}
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"creditline": "Purchase from the J. H. Wade Fund",
"image_credit": null,
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"athena_id": 143274,
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"id": 368701,
"description": "Yintuoluo (Chinese, c. 1285-c. 1355)",
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"updated_at": "2026-09-04 11:08:46.217000"
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