id: 143274
accession number: 1967.211
share license status: CC0
url: https://clevelandart.org/art/1967.211
updated: 2023-04-20 11:07:11.644000
The Second Coming of the Fifth Patriarch, c. mid-1300s. Yintuoluo (Chinese, c. 1285-c. 1355). Section of a handscroll mounted as a hanging scroll, ink on paper; image: 32.7 x 44.6 cm (12 7/8 x 17 9/16 in.); overall: 245 x 62 cm (96 7/16 x 24 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1967.211
title: The Second Coming of the Fifth Patriarch
title in original language: 五祖再來圖
series:
series in original language:
creation date: c. mid-1300s
creation date earliest: 1325
creation date latest: 1375
current location:
creditline: Purchase from the J. H. Wade Fund
copyright:
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culture: China, Yuan dynasty (1271-1368)
technique: section of a handscroll mounted as a hanging scroll, ink on paper
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Yintuoluo (Chinese, c. 1285-c. 1355) - artist
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measurements: Image: 32.7 x 44.6 cm (12 7/8 x 17 9/16 in.); Overall: 245 x 62 cm (96 7/16 x 24 7/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: [印] 人言洞裡桃花源,未必人間有此枝
translation:
remark:
inscription: 此子無爺只有娘,禪師莫問幾時生。
青松未老黃梅飄,兩世都如夢一場。
[印] 楚石
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1968
opening date: 1969-01-29T05:00:00
Year in Review: 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).
title: The Colors of Ink
opening date: 1974-01-10T04:00:00
The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).
title: Eight Dynasties of Chinese Painting
opening date: 1981-02-11T05:00:00
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
title: Asian Autumn: Masterpieces from the Collection
opening date: 1991-09-17T04:00:00
Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).
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LEGACY EXHIBITIONS
* Daibi: 50th anniversary of Osaka Art and Music Club, 70th anniversary of the Osaka Shosei Association. Osaka Art Club, Osaka, Japan (1960).
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PROVENANCE
Masuda Takashi 益田孝 [1848–1938], Tokyo, Japan, by bequest to his son Masuda Taro
date: ?–1938
footnotes:
citations:
Masuda Taro 益田太郎 [1875–1953], Tokyo, Japan
date:
footnotes:
citations:
(Setsu Gatodo Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)
date: ?–1967
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1967–
footnotes:
citations:
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fun fact:
This painting is just a section of a handscroll that has been remounted as a hanging scroll.
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Inoue, Shōzō. Daibi: Ōsaka Bijutsu Kurabu 50-shūnen, Ōsaka Shōsei Kumiai 70-shūnen kinen [大美 : 大阪美術俱楽部五十周年, 大阪商盛組合七十周年記念 = Special exhibition in commemoration of the 50th anniversary of the Osaka Art Club and the 75th anniversary of the Osaka Art Dealers Association]. Ōsaka: Ōsaka Bijutsu Kurabu, 1960.
page number: cat. no. 6
url:
Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. Cleveland, OH: The Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.
page number: cat. no. 208
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 261
url: https://archive.org/details/CMAHandbook1969/page/n285
Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.
page number: cat. no. 18.
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 345
url: https://archive.org/details/CMAHandbook1978/page/n365
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: cat. no. 98, p. 123
url:
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.
page number: Reproduced: pp. 139-141
url:
Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America. Oakland, California: University of California Press, 2018.
page number: Reproduced: p. 146, fig. 81
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1967.211/1967.211_web.jpg
print: https://openaccess-cdn.clevelandart.org/1967.211/1967.211_print.jpg
full: https://openaccess-cdn.clevelandart.org/1967.211/1967.211_full.tif