{
    "data": {
        "id": 143462,
        "accession_number": "1967.36",
        "share_license_status": "CC0",
        "tombstone": "Ink Flowers (\u58a8\u82b1\u5716), 1361. Zhao Zhong (Chinese, second half of the 1300s). Handscroll; ink on paper; overall: 31.8 x 153.2 cm (12 1/2 x 60 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1967.36",
        "current_location": null,
        "title": "Ink Flowers",
        "title_in_original_language": "\u58a8\u82b1\u5716",
        "creation_date": "1361",
        "creation_date_earliest": 1361,
        "creation_date_latest": 1361,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Yuan dynasty (1271-1368)"
        ],
        "technique": "Handscroll; ink on paper",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Handscroll",
        "type": "Painting",
        "measurements": "Overall: 31.8 x 153.2 cm (12 1/2 x 60 5/16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.318,
                "width": 1.532
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u5bf6\u5e36\u540c\u5fc3\u7d50\uff0c\u9999\u7f85\u5408\u6b61\u6247\u3002/ \n\u7e61\u4f5c\u9326\u9d1b\u9d26\uff0c\u96d9\u96d9\u70ba\u541b\u737b\u3002/ \n\u8594\u8587\u9732\u7051\u718f\u7c60\u8863\uff0c\u99a8\u9999\u5949\u541b\u541b\u52ff\u9055\u3002 \n\n\u539f\u521d\u5e76\u984c\u3002 \n[\u5370] \u8d99\u8877\u539f\u521d\u756b\u8a18",
                "inscription_translation": "Artist's first poem: \n\nThe precious belt, the love knot;/ \nThe scented silk and the round fan for the happy union./ \nMandarin duck embroidery in the silk brocade,/ \nIn pairs are they dedicated to you./ \nI splash the rose dews to the incense brazier,/ \nThe fragrance of flowers, I offer you./ \nMay you not violate the vow! \n\nInscribed by Yuanchu. \nSeal: \u201cZhao Zhong Yuanchu huaji\u201d",
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "\u7fe0\u8882\u7d20\u7f85\u97c8\uff0c\u7389\u81fa\u9ec3\u91d1\u76c3\u3002\u6d69\u6b4c\u6e21\u5f31\u6c34\u3002\u5929\u98a8\u5377\u6d77\u4e09\u5c71\u958b\uff0c\u9ebb\u59d1\u65b9\u5e73\u70ba\u62db\u98f2\uff0c\u86df\u5bae\u737b\u821e\u9280\u6fe4\u5806\u3002 \n\n\u539f\u521d\u5e76\u984c\u3002 \n[\u5370] \u96f2\u6797\u6e05\u8da3\u3001[\u5370] \u8d99\u8877\u539f\u521d\u756b\u8a18\u3002",
                "inscription_translation": "Artist's second poem: \n\nThe green long sleeves with the white silk socks;/ \nOn the jade terrace is the golden cup./ \nSinging the grand song, she crosses the calm river./ \nThe heavenly winds blow and roll up the sea,/ \nOpening the Three Mountains./ \nMagu and Fangping summon the drinks./ \nThe Dragon Palace offers the dance,/ \nPiling up silver waves in the sea. \n\nInscribed by Yuanchu. \nTwo seals: \u201cYunlin qingqu,\u201d \u201cZhao Zhong Yuanchu huaji.\u201d",
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "\u53f3\u7528\u6e6f\u53d4\u96c5\u6176\u5143\u4e2d\u6240\u5beb\u58a8\u82b1\u6cd5\u4f5c\u6b64\u5377\uff0c\u53c8\u6548\u674e\u9577\u5409\u9ad4\u8ce6\u8a69\u4ee5\u984c\u4e4b\u3002\u8a69\u8207\u756b\u96d6\u672a\u5de5\uff0c\u8981\u7686\u51fa\u65bc\u53e4\u4eba\u4e4b\u9918\uff0c\u8b6c\u7336\u6b32\u6210\u65b9\u5713\u800c\u5fc5\u6c42\u5176\u898f\u77e9\u4e4b\u7528\u4e5f\uff0c\u8b58\u8005\u6bcb\u8a9a\u7109\uff01\u81f3\u6b63\u8f9b\u4e11\u516b\u6708\u671b\u65e5\uff0c\u6771\u5433\u91ce\u4eba\u8d99\u8877\u539f\u521d\u8b39\u8b58\u3002 \n\n[\u5370] \u8d99\u539f\u521d\u3001[\u5370] \u50b3\u4e16\u6e05\u73a9",
                "inscription_translation": "Artist's colophon:  \n\nI did this scroll, using the ink-flower method of Tang Shuya [i.e. Tang Zhengzhong \u6e6f\u6b63\u4ef2 (mid 12th\u2013early 13th century)] of the Qingyuan period. I also composed poems in the style of Li Changji [i.e. Li He \u674e\u8cc0 (790\u2013816)] and inscribed herewith. My poems and painting may not be very good; they are nonetheless derived from the heritage of the ancients. It is just as if one wants to draw a square and a circle, one must first know how to use the ruler and the compass. May the connoisseur kindly refrain from laughing at them. The fifteenth day of the eighth month in 1361. Respectfully inscribed by Dong Wu Ye Ren [a rustic of the Eastern Wu], Zhao Zhong, Yuanchu. \n\nTwo seals: \u201cZhao Yuanchu,\u201d \u201cChuanshi qingwan\u201d",
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301129,
                    "title": "Year in Review: 1967",
                    "description": "<i>Year in Review: 1967</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 29-December 31, 1967).",
                    "opening_date": "1967-11-29T05:00:00"
                },
                {
                    "id": 301272,
                    "title": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)",
                    "description": "<i>Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968).",
                    "opening_date": "1968-10-02T04:00:00"
                },
                {
                    "id": 301895,
                    "title": "The Colors of Ink",
                    "description": "<i>The Colors of Ink</i>. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
                    "opening_date": "1974-01-10T04:00:00"
                },
                {
                    "id": 304517,
                    "title": "Eight Dynasties of Chinese Painting",
                    "description": "<i>Eight Dynasties of Chinese Painting</i>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
                    "opening_date": "1981-02-11T05:00:00"
                },
                {
                    "id": 231365,
                    "title": "Masterpieces of Early Chinese Painting and Calligraphy in American Collections",
                    "description": "<i>Masterpieces of Early Chinese Painting and Calligraphy in American Collections</i>. Shanghai Museum, Shanghai, China (organizer) (November 1, 2012-January 3, 2013).",
                    "opening_date": "2012-11-01T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>To-So-Gen-Min, II</em>. Tokyo Imperial Museum, Tokyo, Japan (November 24-December 16, 1928).",
                    "opening_date": "1928-11-24T00:00:00"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 120)</em>. The Cleveland Museum of Art, Cleveland, OH (March 11, 2003-July 13, 2004).",
                    "opening_date": "2003-03-11T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Li Guochao \u674e\u570b\u8d85 [20th century]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Cheng Qi \u7a0b\u7426  [1911\u20131988], to his son, Stephen O. K. Chen",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "(Stephen O. K. Chen [20th century], New York, NY, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131967",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1967\u2013",
                "sortorder": 4
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This handscroll is a very rare example of ink flowers in the linear <em>baimiao</em> style of the fourteenth century.",
        "description": "Zhao Zhong's flowers, each paired with a poem, echo the fine-style colored flowers of the academic tradition, but instead he used only ink. Fine lines define the contours of each plant, as well as the veins within each petal and leaf. Careful ink washes give subtle modeling to the forms. <br><br>The combination of lily, narcissus, and peony is unusual as the three belong to no known seasonal or symbolic system popular in the fourteenth century. Zhao\u2019s medical training may have influenced the selection. Powdered lilies, for example, were prescribed to dispel grief, while the bark of tree peony roots was used as a treatment for various blood disorders.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60469875"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1967.36-ink-flowers"
            ]
        },
        "citations": [
            {
                "citation": "<em>To\u0304 So\u0304 Gen Min meigaten-go\u0304 [</em>\u5510\u5b8b\u5143\u660e\u540d\u753b\u5c55\u53f7]. To\u0304kyo\u0304: To\u0304kyo\u0304 Asahi Shinbun Hakko\u0304jo, 1928.",
                "page_number": "p. 42",
                "url": null
            },
            {
                "citation": "Xie, Zhiliu \u8c22\u7a1a\u67f3. <em>Tang wu dai song yuan ming ji </em>\u5510\u4e94\u4ee3\u5b8b\u5143\u540d\u8ff9. Shanghai: Gu dian wen xue chu ban she \u53e4\u5178\u6587\u5b66\u51fa\u7248\u793e, 1957.",
                "page_number": "Reproduced: no. 35, pl. 107",
                "url": null
            },
            {
                "citation": "\u201cYear in Review.\u201d <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 54, no. 10, 1967, pp. 302\u2013346.",
                "page_number": "Mentioned: p. 346, no. 157; Reproduced: p. 334",
                "url": "https://www.jstor.org/stable/25152183"
            },
            {
                "citation": "Lee, Sherman E., and Wai-kam Ho. <em>Chinese Art Under the Mongols: The Yu\u0308an Dynasty, 1279-1368</em>. Cleveland, OH: Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.",
                "page_number": "cat. no. 183",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 262",
                "url": "https://archive.org/details/CMAHandbook1969/page/n286"
            },
            {
                "citation": "Lee, Sherman. \u201cTo See Big within Small: Hsiao-Chung-Chien-Ta.\u201d <em>The Burlington Magazine</em> 114, no. 830 (May 1972): 312+314-323.",
                "page_number": "Reproduced:  p. 318, fig. 58",
                "url": "https://www.jstor.org/stable/876940"
            },
            {
                "citation": "Lee, Sherman Emery, and James Robinson. <em>The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art</em>. New York: Asia Society; distributed by New York Graphic Society, 1974.",
                "page_number": "Reproduced: cat. no. 20, p. 113, pp. 62-63",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 346",
                "url": "https://archive.org/details/CMAHandbook1978/page/n366"
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced: cat. no. 72, pp. 91-92",
                "url": null
            },
            {
                "citation": "Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. <em>Masterworks of Asian Art</em>. Cleveland, OH: The Cleveland Museum of Art, 1998.",
                "page_number": "Reproduced: pp. 78-79",
                "url": null
            },
            {
                "citation": "Shanghai bo wu guan. <em>Han mo hui cui: xi du Meiguo cang Zhongguo Wu dai Song Yuan shu hua zhen pin</em> [\u7ff0\u58a8\u8588\u8403: \u7ec6\u8bfb\u7f8e\u56fd\u85cf\u4e2d\u56fd\u4e94\u4ee3\u5b8b\u5143\u4e66\u753b\u73cd\u54c1 = Masterpieces of early Chinese painting and calligraphy in American collections]. Beijing: Beijing da xue chu ban she, 2012.",
                "page_number": "Reproduced: cat no. 52, pp. 483-491.",
                "url": null
            },
            {
                "citation": "Chou, Ju-hsi and Anita Chung. <em>Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2015.",
                "page_number": "Mentioned and Reproduced: pp. 154\u2013156",
                "url": null
            },
            {
                "citation": "Xie, Zhiliu \u8c22\u7a1a\u67f3. <em>Tang Wu dai Song Yuan ming ji </em>\u5510\u4e94\u4ee3\u5b8b\u5143\u540d\u8ff9. Shanghai: Shanghai ren min chu ban she, 2018.",
                "page_number": "Reproduced: pp. 209\u2013211",
                "url": null
            }
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