id: 143466 accession number: 1967.4 share license status: Copyrighted url: https://clevelandart.org/art/1967.4 updated: 2022-01-04 16:38:22.213000 Tondo , No. 12, 1949. Fritz Glarner (American, 1899-1972). Oil on masonite panel; framed: 46.5 x 45.5 x 6.5 cm (18 5/16 x 17 15/16 x 2 9/16 in.); diameter: 34.3 cm (13 1/2 in.). The Cleveland Museum of Art, Contemporary Collection of The Cleveland Museum of Art 1967.4 title: Tondo , No. 12 title in original language: series: series in original language: creation date: 1949 creation date earliest: 1949 creation date latest: 1949 current location: creditline: Contemporary Collection of The Cleveland Museum of Art copyright: --- culture: America, 20th century technique: oil on masonite panel department: American Painting and Sculpture collection: American - Painting type: Painting find spot: catalogue raisonne: --- CREATORS * Fritz Glarner (American, 1899-1972) - artist --- measurements: Framed: 46.5 x 45.5 x 6.5 cm (18 5/16 x 17 15/16 x 2 9/16 in.); Diameter: 34.3 cm (13 1/2 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Signed lower right: Glarner 49 Written on back: Tondo No. 12 Paris 1949 translation: remark: --- CURRENT EXHIBITIONS title: Year in Review: 1967 opening date: 1967-11-29T05:00:00 Year in Review: 1967. The Cleveland Museum of Art (organizer) (November 29-December 31, 1967). title: Mondrian and American Abstraction opening date: 1973-03-31T05:00:00 Mondrian and American Abstraction. Museum of Contemporary Art, Chicago, Chicago, IL (organizer) (March 31-May 13, 1973). title: The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art opening date: 2006-06-09T00:00:00 The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006). --- LEGACY EXHIBITIONS * MOCA Cleveland (6/9/2006 - 8/20/2006): "The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art", no. 86, p. 121, color repr. p. 33. --- PROVENANCE G. David Thompson; (B. C. Holland Gallery, Paris) date: footnotes: citations: --- fun fact: digital description: wall description: Through his close friendship with Piet Mondrian (1872–1944), Fritz Glarner evolved an aesthetic philosophy he called "Relational Painting," expanding his colleague's pursuit of pure form, color, and dynamic equilibrium. Moving beyond the balanced vertical and horizontal compositions of Mondrian, Glarner introduced a slightly slanted line into his rectangles. The result was two forms related to but different from a rectangle, which together made a unique form. The slanted line also added a subtle feeling of motion, or dynamism, to the composition. By working in a tondo, or circular format, Glarner further unified the forms within his painting by making them all share a segment of the circle's circumference. The patterns of red, yellow, and blue that advance and recede, and the delicate gradations of gray, black, and white, set up a rhythm and add depth to the space. --- RELATED WORKS --- CITATIONS --- IMAGES