{
"data": {
"id": 143644,
"accession_number": "1968.100",
"share_license_status": "CC0",
"tombstone": "Adoration of the Shepherds, c. 1650. Bernardo Cavallino (Italian, 1616\u20131656). Oil on canvas; framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in.); unframed: 126.8 x 148.3 cm (49 15/16 x 58 3/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1968.100",
"current_location": null,
"title": "Adoration of the Shepherds",
"creation_date": "c. 1650",
"creation_date_earliest": 1645,
"creation_date_latest": 1655,
"artists_tags": [
"male"
],
"culture": [
"Italy, 17th century"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - Italian 16th & 17th Century",
"type": "Painting",
"measurements": "Framed: 151 x 172 x 7 cm (59 7/16 x 67 11/16 x 2 3/4 in.); Unframed: 126.8 x 148.3 cm (49 15/16 x 58 3/8 in.)",
"dimensions": {
"framed": {
"height": 1.51,
"width": 1.72,
"depth": 0.07
},
"unframed": {
"height": 1.268,
"width": 1.483
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed left on ox: \"BC [monogram]\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 301285,
"title": "Year in Review for 1968",
"description": "Year in Review for 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).",
"opening_date": "1969-01-29T05:00:00"
},
{
"id": 304558,
"title": "When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story",
"description": "When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 1, 1981-January 17, 1982).",
"opening_date": "1981-12-01T05:00:00"
},
{
"id": 442218,
"title": "Painting in Naples from Caravaggio to Giordano",
"description": "Painting in Naples from Caravaggio to Giordano. Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (organizer) (October 2-December 12, 1982).",
"opening_date": "1982-10-02T04:00:00"
},
{
"id": 309863,
"title": "Bernardo Cavallino of Naples, 1616-1656",
"description": "Bernardo Cavallino of Naples, 1616-1656. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14-December 30, 1984); Kimbell Art Museum, Fort Worth, TX (January 26-March 24, 1985); Museo Pignatelli Cortes, Napoli, Italy (April 24-June 26, 1985).",
"opening_date": "1984-11-14T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Marquis de Villette, Ch\u00e2teau de Villette, Oise",
"citations": [],
"footnotes": null,
"date": "",
"sortorder": null
},
{
"description": "Jean Baptiste Angiot, Paris (sale: Hotel Drouot, Paris, March 1-2, 1875, cat. no. 41, as Benedetto Castiglione)",
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"footnotes": null,
"date": "-1875",
"sortorder": null
},
{
"description": "Private Collection, Buenos Aires",
"citations": [],
"footnotes": null,
"date": "1875-1968",
"sortorder": null
},
{
"description": "[Frederick Mont, New York], sold to the Cleveland Museum of Art, 1968",
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"footnotes": null,
"date": "1968",
"sortorder": null
},
{
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"date": "1968-",
"sortorder": 5
}
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"former_accession_numbers": [],
"did_you_know": "The artist signed this painting with his monogram \u201cBC\u201d on the rump of the ox.",
"description": "Cavallino worked in Naples where he was not well known during his lifetime, but was alert to the work of contemporaries whose innovations he transformed with extraordinary delicacy and charm. The adoration of the shepherds is a traditional subject, but here Cavallino shows it in a new light. The focus is on Mary, indicating that she alone is aware of the angels who flutter above with ribbons proclaiming Gloria in Excelsis Deo (Glory to God in the highest). Joseph and the shepherds stolidly regard the child, but the sweetness of Mary's expression simultaneously reveals her love, pride, and humility.",
"external_resources": {
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{
"citation": "Chez Didot. Catalogue de tableaux de differens bons mai\u0302tres des trois e\u0301coles, de figures de bronze, de bustes de marbre, d'estampes monte\u0301es sous verre, & d'estampes en feuilles, apre\u0300s le de\u0301ce\u0300s de M. le Marquis de Villette, Pere. Apr. 8, 1765. Chez Didot: Paris, 1766. Lot 8.",
"page_number": "",
"url": "https://catalog.hathitrust.org/Record/100237666"
},
{
"citation": "H\u00f4tel Drouot. Catalogue de tableaux anciens et modernes, \u00e9maux de limoges, porcelaines de la chine et du japon, objets d'art formant la collection de feu M. Auguiot . Mar. 1\u20132, 1875. H\u00f4tel Drouot: Paris, 1875. p. v.",
"page_number": "",
"url": ""
},
{
"citation": "Galleria d'Arte al Corso. Mostra di Pittura Antica. Trieste: January 1943. no. 30.",
"page_number": "",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 117",
"url": "https://archive.org/details/CMAHandbook1969/page/n141"
},
{
"citation": "Lurie, Ann Tzeutschler. \"Bernardo Cavallino: Adoration of the Shepherds.\" The Bulletin of the Cleveland Museum of Art 56, no. 4 (April 1969): 136-50.",
"page_number": "Reproduced: P. 138, fig. 4; p. 142, fig. 10; p. 143, fig. 12b, p. 148-149; Mentioned: P. 136-150",
"url": "http://www.jstor.org/stable/25152269"
},
{
"citation": "Levey, Michael. The Seventeenth and Eighteenth Century Italian Schools. London: National Gallery, 1971. p. 85.",
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"url": ""
},
{
"citation": "Causa, Raffaello. La pittura del Seicento a Napoli dal naturalismo al barocco ; La natura morta a Napoli nel Sei e nel Settecento. [Napoli]: Societa\u0300 editrice storia di Napoli, 1972.",
"page_number": "944",
"url": ""
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{
"citation": "Acquisizioni 1960-1975. [Napoli]: Societa\u0300 editrice napoletana, 1975.",
"page_number": "256",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 137",
"url": "https://archive.org/details/CMAHandbook1978/page/n157"
},
{
"citation": "Ebbinge Wubben, J. C., and Benedict Nicolson. Le choix d'un amateur e\u0301claire\u0301: oeuvres de la collection Vitale Bloch provenant du Muse\u0301e Boymans-van Beuningen avec quelques apports de la Fondation Custodia: [exposition] Institut Ne\u0301erlandais, Paris, 10 octobre-25 novembre 1979. Paris: L'Institut, 1979.",
"page_number": "p. 34",
"url": ""
},
{
"citation": "Gregori, Mina. La Fondazione Roberto Longhi a Firenze. Milano: Electa, 1980.",
"page_number": "298",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
"page_number": "Reproduced; p. 328; Mentioned: p. 329",
"url": null
},
{
"citation": "Schloder, John E. Baroque Imagery. [Cleveland]: Cleveland Museum of Art, 1984.",
"page_number": "15-17, 34",
"url": ""
},
{
"citation": "Spinosa, Nicola. La Pittura napoletana del '600. Milano: Longanesi, 1984.",
"page_number": "157",
"url": ""
},
{
"citation": "Lurie, Ann Tzeutschler, Grace G Fowler, Ann Percy. Bernardo Cavallino of Naples, 1616-1656. Cleveland, Ohio: Cleveland Museum of Art, 1984.",
"page_number": "cat. no. 79, repr. [Italian edition, cat. no. 45, repr.]",
"url": ""
},
{
"citation": "Dempsey, James H. \u201cThe Annual Report for 1984.\u201d The Bulletin of the Cleveland Museum of Art 72, No. 4 (July, 1985): 16\u201318.",
"page_number": "",
"url": "https://www.jstor.org/stable/25159905?seq=1"
},
{
"citation": "Herzog Anton-Ulrich-Museum Braunschweig. Europa\u0308ische Malerei des Barock: aus dem Nationalmuseum in Warschau. Braunschweig: Herzog Anton Ulrich-Museum, 1988.",
"page_number": "50, 51 n.12",
"url": ""
},
{
"citation": "La Pittura in Italia: Il Seicento. Milano: Electa, 1988.",
"page_number": "486, 517 n.32",
"url": ""
},
{
"citation": "Cleveland Museum of Art. Handbook of the Cleveland Museum of Art. Cleveland, Ohio: The Museum, 1991.",
"page_number": "93",
"url": ""
},
{
"citation": "Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.",
"page_number": "32",
"url": ""
},
{
"citation": "Marshall, Christopher R. \u201cAn early inventory reference and new technical information for Bernardo Cavallino's 'Trumph of Galatea.'\u201d The Burlington Magazine 147, No. 1222 (Jan. 2005): p. 42, fig. 37.",
"page_number": "",
"url": "https://www.jstor.org/stable/20073815?seq=1"
},
{
"citation": "Forgione, Gianluca. \u201cPer una rilettura di Bernardo Cavallino.\u201d Paragone 64, No. 108 (Mar. 2013): p. 60, fig. 46.",
"page_number": "",
"url": ""
},
{
"citation": "Spinosa, Nicola. \u201cGracia, elegancia y teatralidad en la pintura de Bernardo Cavallino.\u201d Ars Magazine 6, No. 20 (Oct.\u2013Dec. 2013): 98, 101.",
"page_number": "",
"url": ""
}
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