id: 143747
accession number: 1968.190
share license status: CC0
url: https://clevelandart.org/art/1968.190
updated: 2019-11-18 11:16:04.088000
Miniature from a Latin Bible: St. Luke, c. 1100. France, Burgundy, Abbey of Cluny, early 12th Century. Ink, tempera, and gold on vellum; sheet: 17.3 x 16.1 cm (6 13/16 x 6 5/16 in.); framed: 44.5 x 34.3 cm (17 1/2 x 13 1/2 in.); matted: 40.6 x 30.5 cm (16 x 12 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1968.190
title: Miniature from a Latin Bible: St. Luke
title in original language:
series:
series in original language:
creation date: c. 1100
creation date earliest: 1095
creation date latest: 1105
current location:
creditline: Purchase from the J. H. Wade Fund
copyright:
---
culture: France, Burgundy, Abbey of Cluny, early 12th Century
technique: ink, tempera, and gold on vellum
department: Medieval Art
collection: MED - Manuscript Illuminations
type: Manuscript
find spot:
catalogue raisonne:
---
CREATORS
---
measurements: Sheet: 17.3 x 16.1 cm (6 13/16 x 6 5/16 in.); Framed: 44.5 x 34.3 cm (17 1/2 x 13 1/2 in.); Matted: 40.6 x 30.5 cm (16 x 12 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
---
CURRENT EXHIBITIONS
title: Year in Review: 1968
opening date: 1969-01-29T05:00:00
Year in Review: 1968. The Cleveland Museum of Art (January 29-March 9, 1969).
title: Scriptorium: The Illuminated Book in Medieval Art
opening date: 1991-11-05T05:00:00
Scriptorium: The Illuminated Book in Medieval Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5, 1991-February 2, 1992).
title: The Glory of Byzantium
opening date: 1997-03-03T00:00:00
The Glory of Byzantium. The Metropolitan Museum of Art (organizer) (March 3-July 6, 1997).
title: Illuminated Manuscripts
opening date: 2004-10-10T00:00:00
Illuminated Manuscripts. The Cleveland Museum of Art (organizer) (October 10, 2004-October 2, 2005).
title: Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art
opening date: 2007-05-10T00:00:00
Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art. National Museum of Bavaria, Munich, Germany (May 10-September 16, 2007); J. Paul Getty Museum (October 30, 2007-January 20, 2008); Frist Center for the Visual Arts (February 13-June 7, 2009).
title: The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection
opening date: 2010-11-06T00:00:00
The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection. The Cleveland Museum of Art (organizer) (November 6, 2010-April 17, 2011).
title: Devotion and Leaning in the Middle Ages- Gallery 115 Rotation – December 2017
opening date: 2017-12-04T05:00:00
Devotion and Leaning in the Middle Ages- Gallery 115 Rotation – December 2017. The Cleveland Museum of Art (organizer).
---
LEGACY EXHIBITIONS
* The Metropolitan Museum of Art, " The Glory of Byzantium: Art and culture of the Middle Byzantine Era A.D. 843-1261" cat. no. 311, p. 473.
The Cleveland Museum of Art, "Scriptorium: The Illuminated Book in Medieval Art" November 5, 1991-January 12, 1992.
The Cleveland Museum of Art (10/10/2004 - 10/02/2005); "Illuminated Manuscripts"
Bavarian Nationalmuseum, Munich (5/10/2007 - 9/16/2007), the J. Paul Getty Musuem, Los Angeles (10/30/2007 - 1/20/2008) and Frist Center for the Visual Arts, Nashville, TN (2/13/2009 - 6/7/2009): "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art"
Cleveland Museum of Art, (11/06/2010 - 04/17/2011); "The Glory Of the Painted Page: Manuscript Illuminations from the Permanent Collections"
---
PROVENANCE
---
fun fact:
digital description:
wall description:
Inspired by Byzantine painting, this rare miniature represents the last surviving fragment of a once magnificent bible. The fundamental text of every medieval monastery was the Latin Bible. Monastic bibles at this time were usually large, cumbersome books (commonly in two or three volumes) designed to be recited from a lectern-rather than for private study. This exquisite miniature was excised from such a bible and introduces the beginning of the Gospel of St. Luke. Undoubtedly copied and painted in the scriptorium at Cluny, the bible may have been influenced by a manuscript carried to Cluny from Byzantium, or else may represent the work of an Italian artist working at Cluny but acquainted with Byzantine modes of painting. A large monastery such as Cluny probably had up to a dozen copyists continuously producing such manuscripts. A surviving 12th-century booklist records that Cluny possessed some 570 volumes, a large number for the time.
---
RELATED WORKS
---
CITATIONS
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 47
url: https://archive.org/details/CMAHandbook1969/page/n69
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 52
url: https://archive.org/details/CMAHandbook1978/page/n72
---
IMAGES
web: https://openaccess-cdn.clevelandart.org/1968.190/1968.190_web.jpg
print: https://openaccess-cdn.clevelandart.org/1968.190/1968.190_print.jpg
full: https://openaccess-cdn.clevelandart.org/1968.190/1968.190_full.tif