id: 143769
accession number: 1968.207
share license status: CC0
url: https://clevelandart.org/art/1968.207
updated: 2024-03-26 01:59:20.512000
The Continence of Scipio, c. 1710. Giovanni Antonio Pellegrini (Italian, 1675–1741). Oil on canvas; framed: 155.5 x 132 x 12 cm (61 1/4 x 51 15/16 x 4 3/4 in.); unframed: 127 x 105 cm (50 x 41 5/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1968.207
title: The Continence of Scipio
title in original language:
series:
series in original language:
creation date: c. 1710
creation date earliest: 1705
creation date latest: 1715
current location: 217 Italian Baroque
creditline: Mr. and Mrs. William H. Marlatt Fund
copyright:
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culture: Italy, 18th century
technique: oil on canvas
department: European Painting and Sculpture
collection: P - Italian 18th Century
type: Painting
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catalogue raisonne:
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CREATORS
* Giovanni Antonio Pellegrini (Italian, 1675–1741) - artist
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measurements: Framed: 155.5 x 132 x 12 cm (61 1/4 x 51 15/16 x 4 3/4 in.); Unframed: 127 x 105 cm (50 x 41 5/16 in.)
state of the work:
edition of the work:
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inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review: 1968
opening date: 1969-01-29T05:00:00
Year in Review: 1968. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).
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LEGACY EXHIBITIONS
* {'description': 'The Cleveland Museum of Art, January 29 through March 9, 1969: "Year in Review for 1968", catalogue, Bulletin CMA, LVI (January 1969), p. 46, no. 68, repr. p. 17.', 'opening_date': '1969-01-29T00:00:00'}
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PROVENANCE
The Cleveland Museum of Art, Cleveland, Ohio
date: 1968-
footnotes:
citations:
(Ernest Joresco, Chicago, sold to the Cleveland Museum of Art) 1
date: Probably 1965-1968
footnotes:
*
1 There is little known about Joresco's art dealing activities, although evidence of a prominent ballroom dancing career from the early 1930s-1950s is prevalent. In the 1970s he sold 14 works of art to the Art Institute of Chicago, and he seems to have had a working relationship with the Art Institute's Curator of Earlier Painting and Sculpture at the time, J. Patrice Marandel, as demonstrated by several pieces of correspondence.
citations:
James G. McMillan [d. 1965], Chicago, probably consigned to Ernest Joresco 1
date: Probably until 1965
footnotes:
* 1 McMillan was a member of the Art Institute of Chicago and president of the Chicago-based Wander Company, the manufacturer of Ovaltine. The painting was likely consigned by McMillan's family to Ernest Joresco for sale after his death in 1965. The earlier provenance of the Pellegrini remains unknown and is complicated by the fact that there are multiple copies and replicas of the painting.
citations:
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RELATED WORKS
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CITATIONS
Antonio Morassi, “Pellegrini and Guardi,” Emporium CXXVIII (1958): 198-199.
page number:
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Eugene V. Thaw, letter to Ann Tzeutschler Lurie, March 21, 1969, in CMA curatorial file.
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Morassi, Antonio. "Pellegrini and Guardi." Emporium CXXVIII, no. 11 (1958): 195-212.
page number: Mentioned and Reproduced: P. 204-205
url:
Young, Eric. "Some Pellegrini Sketches and Their Chronology." Apollo LXXXII, no. 42 (August 1965): 104-111.
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The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Reproduced: p. 386; Mentioned: p. 385-387
url:
"La Chronique des Arts." Supplement a La Gazette des Beaux-Arts 1201 (February 1969).
page number:
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Olszewski, Edward J. “A Rediscovered Holy Family by Francesco Trevisani.” The Bulletin of the Cleveland Museum of Art 64, no. 1 (January 1977): 25–36.
page number: Mentioned and reproduced: P. 27-28, fig. 4
url: http://www.jstor.org/stable/25152673
Knox, George. Antonio Pellegrini, 1675-1741. Oxford: Clarendon Press, 1995.
page number: Mentioned: P. 229
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1968.207/1968.207_web.jpg
print: https://openaccess-cdn.clevelandart.org/1968.207/1968.207_print.jpg
full: https://openaccess-cdn.clevelandart.org/1968.207/1968.207_full.tif