{
    "data": {
        "id": 144032,
        "accession_number": "1968.38",
        "share_license_status": "CC0",
        "tombstone": "New Suite of Portfolios of Flowers Ideal to Use for Designing and Painting: Floral Fantasies, c. 1796. Anne Allen (British), after Jean Baptiste Pillement (French, 1728\u20131808). Color etching; platemark: 19.4 x 13.9 cm (7 5/8 x 5 1/2 in.). The Cleveland Museum of Art, James Parmelee Fund, 1968.38",
        "current_location": null,
        "title": "New Suite of Portfolios of Flowers Ideal to Use for Designing and Painting: Floral Fantasies",
        "creation_date": "c. 1796",
        "creation_date_earliest": 1791,
        "creation_date_latest": 1801,
        "artists_tags": [
            "female",
            "male"
        ],
        "culture": [
            "England, 18th century"
        ],
        "technique": "color etching",
        "support_materials": [],
        "department": "Prints",
        "collection": "PR - Etching",
        "type": "Print",
        "measurements": "Platemark: 19.4 x 13.9 cm (7 5/8 x 5 1/2 in.)",
        "dimensions": {
            "platemark": {
                "height": 0.194,
                "width": 0.139
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 301285,
                    "title": "Year in Review for 1968",
                    "description": "<i>Year in Review for 1968</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 29-March 9, 1969).",
                    "opening_date": "1969-01-29T05:00:00"
                },
                {
                    "id": 309656,
                    "title": "Highlights of the Rococo: Norweb Ceramics and Related Arts",
                    "description": "<i>Highlights of the Rococo: Norweb Ceramics and Related Arts</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 8, 1983-June 3, 1984).",
                    "opening_date": "1983-11-08T05:00:00"
                },
                {
                    "id": 187619,
                    "title": "Inventive Impressions:  18th- and 19-Century French Prints",
                    "description": "<i>Inventive Impressions:  18th- and 19-Century French Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-October 28, 2001).",
                    "opening_date": "2001-08-26T00:00:00"
                },
                {
                    "id": 203083,
                    "title": "The Flowering of the Botanical Print",
                    "description": "<i>The Flowering of the Botanical Print</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 26-July 3, 2016).",
                    "opening_date": "2016-03-26T00:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": "As a painter and decorative artist,Jean Baptiste Pillement ornamented a broad range of objects including ceramics, textiles, and other household objects. He employed several printmakers to copy his designs that were then disseminated throughout Europe. The best of the printmakers, Anne Allen, colored the etched plate <em>\u00e0 la poup\u00e9e.</em> Instead of making a plate for each color, a single plate is selectively inked in different colors using stumps of rags, known as dolls (<em>poup\u00e9e </em>in French), so that the complete design is printed at one time.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q80044682"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1968.38-new-suite-of-portfol"
            ]
        },
        "citations": [],
        "catalogue_raisonne": "Roux: Inventaire du Fonds Fran\u00e7ais; graveurs du XVIIIe siecle, Vol. I, p. 152, 2",
        "url": "https://clevelandart.org/art/1968.38",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1968.38/1968.38_web.jpg",
                "width": "653",
                "height": "893",
                "filesize": "425034",
                "filename": "1968.38_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1968.38/1968.38_print.jpg",
                "width": "2487",
                "height": "3400",
                "filesize": "4557734",
                "filename": "1968.38_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1968.38/1968.38_full.tif",
                "width": "2534",
                "height": "3464",
                "filesize": "26364756",
                "filename": "1968.38_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "James Parmelee Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 144032,
        "creators": [
            {
                "id": 40988,
                "description": "Anne Allen (British)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            },
            {
                "id": 13742,
                "description": "Jean Baptiste Pillement (French, 1728\u20131808)",
                "extent": null,
                "qualifier": "after",
                "role": "artist",
                "biography": "In the early part of his career, he worked as a textile designer at the Gobelins factory, and as a decorative painter in Spain and Portugal. He eventually moved to London, where in 1755 he published the first of many books of Chinoiserie designs. However, he was most well-known for his prints of flowers. His popularity waned significantly when Rococo design fell out of fashion at the end of the century.",
                "name_in_original_language": null,
                "birth_year": "1728",
                "death_year": "1808",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 2
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1968-03-09T00:00:00",
        "sortable_date": 1791,
        "date_added_to_oa": null,
        "date_text": "c. 1796",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:07:16.481000"
    }
}