id: 144286 accession number: 1969.123 share license status: CC0 url: https://clevelandart.org/art/1969.123 updated: 2025-03-18 11:06:33.197000 Landscape in the Style of Dong Yuan and Juran, c. 1650. Gong Xian (Chinese, 1599–1689). Hanging scroll, ink with white pigment on silk; image: 216.6 x 57.3 cm (85 1/4 x 22 9/16 in.); overall: 285.8 x 75.5 cm (112 1/2 x 29 3/4 in.); with knobs: 258.8 x 90.1 cm (101 7/8 x 35 1/2 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1969.123 title: Landscape in the Style of Dong Yuan and Juran title in original language: 仿董巨山水圖 series: series in original language: creation date: c. 1650 creation date earliest: 1645 creation date latest: 1655 current location: creditline: Andrew R. and Martha Holden Jennings Fund copyright: --- culture: China, Qing dynasty (1644-1911) technique: hanging scroll, ink with white pigment on silk department: Chinese Art collection: ASIAN - Hanging scroll type: Painting find spot: catalogue raisonne: --- CREATORS * Gong Xian (Chinese, 1599–1689) - artist --- measurements: Image: 216.6 x 57.3 cm (85 1/4 x 22 9/16 in.); Overall: 285.8 x 75.5 cm (112 1/2 x 29 3/4 in.); with knobs: 258.8 x 90.1 cm (101 7/8 x 35 1/2 in.) state of the work: edition of the work: support materials: inscriptions: inscription: 畫家董巨，實開南宗。既無剛根之氣，復無刻畫之跡。後之作者或以才見，或以法稱。唯董巨則幾乎道矣。然逞才則離法，泥法則叛道。至道無可道。說者謂即歛才就法之謂道。問之董巨，而董巨不知，忽乎微矣。此幅余二十年前舊作。藏之新安吳氏。吳君晉明寶之若家珍。後携之金陵。命余題識。余因與晉明論畫及此，并紀之。非敢曰此效法董巨而有得焉者也。 庚戌冬杪半畝居人龔賢。 [印]龔半千; 野遺賢; [左下]龔賢; [上]可能另有龔賢一印。 translation: remark: inscription: 2 additional seals of Cheng Qi 程琦 (1911–1988) translation: remark: --- CURRENT EXHIBITIONS title: Year in Review: 1969 opening date: 1970-01-27T05:00:00 Year in Review: 1969. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970). title: The Colors of Ink opening date: 1974-01-10T04:00:00 The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). title: Visions of Landscape: East and West opening date: 1982-02-17T05:00:00 Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). title: Mountains, Rocks, and Water: Landscape Painting in Asia opening date: 1987-10-02T04:00:00 Mountains, Rocks, and Water: Landscape Painting in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-December 13, 1987). --- LEGACY EXHIBITIONS * {'description': 'Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).', 'opening_date': '1980-11-07T05:00:00Z'} * {'description': 'Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003).', 'opening_date': '2003-07-16T04:00:00Z'} * {'description': 'Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).', 'opening_date': '2014-11-21T05:00:00Z'} --- PROVENANCE Wu Jinming 吳晉明 [17th century], Xin’an date: c. 1650–at least c. 1670 footnotes: citations: Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen date: footnotes: citations: (Stephen O. K. Chen [20th century], New York, NY, sold to the Cleveland Museum of Art) date: ?–1969 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1969– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Cahill, James. "The Early Styles of Kung Hsien." Oriental Art XVI, no. 1 (Spring 1970), pp. 51-71. page number: Reproduced: p. 61, fig. 17 url: Cheng, Qi 程琦. Xuanhuitang shuhua lu [萱暉堂書畫錄 = Paintings and calligraphy in the collection of Hsüan-hui-tʻang]. Hong Kong: Xuanhuitang, 1972. page number: pp. 138(a)-138(b) url: Lee, Sherman. “To See Big within Small: Hsiao-Chung-Chien-Ta.” The Burlington Magazine, vol. 114, no. 830, 1972, pp. 314–312. page number: Reproduced: p. 322, fig. 66 url: https://www.jstor.org/stable/876940 Suzuki, Kei 鈴木敬, and Terukazu Akiyama 秋山光和. Chūgoku bijutsu [中国美術. 卷1, 卷2, 絵画 = Chinese art in western collections. v. 1-2]. Tokyo: Kōdansha, 1973. page number: Reproduced: II, pt. 2, p. 233, color pl. 43 url: Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974. page number: cat. no. 40 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 357 url: https://archive.org/details/CMAHandbook1978/page/n377 Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. page number: Mentioned: cat. no. 213, pp. 278-279 url: Shi, Shouqian 石守謙. Cong feng ge dao hua yi: fan si Zhongguo mei shu shi 從風格到畫意: 反思中國美術史. Taibei: Shi tou chu ban, 2010. page number: p. 316, fig. 204 url: Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Reproduced: pp. 366-373, and fig. 1 (detail) url: Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Mentioned: pp. 366, 368 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1969.123/1969.123_web.jpg print: https://openaccess-cdn.clevelandart.org/1969.123/1969.123_print.jpg full: https://openaccess-cdn.clevelandart.org/1969.123/1969.123_full.tif