id: 144303
accession number: 1969.132
share license status: CC0
url: https://clevelandart.org/art/1969.132
updated: 2024-03-26 01:59:22.550000
Adoration of the Magi, 1642. Guido Reni (Italian, 1575–1642). Oil on canvas; framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1969.132
title: Adoration of the Magi
title in original language:
series:
series in original language:
creation date: 1642
creation date earliest: 1642
creation date latest: 1642
current location: 217 Italian Baroque
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: Italy, 17th century
technique: oil on canvas
department: European Painting and Sculpture
collection: P - Italian 16th & 17th Century
type: Painting
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CREATORS
* Guido Reni (Italian, 1575–1642) - artist
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measurements: Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)
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inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review: 1969
opening date: 1970-01-27T05:00:00
Year in Review: 1969. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970).
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LEGACY EXHIBITIONS
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PROVENANCE
The Cleveland Museum of Art, Cleveland, Ohio
date: 1969-
footnotes:
citations:
(P.&D. Colnaghi & Co., Ltd., London), sold to the Cleveland Museum of Art 1
date: by 1968-1969
footnotes:
*
1 Colnaghi’s records do not indicate the date they acquired the painting from Princess Corsini, but it was likely by December 1968, when Roderic Thesiger of Colnaghi wrote to Sherman Lee about the painting.
citations:
Corsini Collection, Florence, to Colnaghi 1
date: Probably 1880-by 1968
footnotes:
* 1 When Prince Carlo Felice Barberini-Colonna di Sciarra, Duca di Castelvecchio, died in 1880, his collection was divided between his two daughters, Anna [1840-1911], who married Prince Tommaso Corsini, and Luisa [1844-1906], who married Tommaso’s younger brother, Pietro Francesco Corsini. It was probably at this time that the paintings entered the Corsini collection in Florence.
citations:
Barberini-Colonna di Sciarra collection, Rome, by descent to the Corsini collection
date: Probably 1812-1880
footnotes:
* 1 In 1812 the Barberini collection was split between the Barberini and Colonna di Sciarra branches of the family; after the 1728 marriage of Cornelia Barberini to Giulio Cesare Colonna di Sciarra, the family was known as Barberini-Colonna, or Colonna di Sciarra. The Casa Barberini inventory of 1844 lists the painting, “Venuta dei Magi,” as by Reni (no. 464). The “F92” inscribed in the lower left corner of the painting is the fidecommesso number: These painted numbers were assigned c. 1816 upon the establishment of a fidecommesso (entailment), which meant that the Barberini inheritance could not be broken up, but had to remain intact from generation to generation.
citations:
Cardinal Francesco Barberini [1597 –1679] by inheritance within the Barberini family, Barberini Palace, Rome, by descent to the Barberini-Colonna di Sciarra collection 1
date: 1645-1812
footnotes:
* 1 A receipt dated April 21, 1645, documenting the final payment of 34 scudi to Giuseppe Reni, the artist’s heir, records the acquisition of the painting by the Barberini family: “To Giuseppe Reni thirty-four scudi are [paid] for the remaining and whole payment of the price of a painting, done by Guido Reni, which represents the representation of the Magi, delivered to our said service [?] Guardarobba…this day, April 21, 1645” (Biblioteca Vaticana, Archivio Barberini, Armadio 42, Registro di Mandati 1642-1648, Cardinal Francesco Barberini Mandato No. 2666 (new series)). Due to its unfinished state, the painting was not included in the official inventories of the Barberini collection until 1844, when it was listed as “Venuta dei Magi, Guido Reni, al. p.i 15, lar. P.i 12.”
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RELATED WORKS
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CITATIONS
Lee, Sherman E. "Guido Reni, The Adoration of the Magi." The Bulletin of The Cleveland Museum of Art LVIII no. 10 (December, 1971):278-289.
page number: Reproduced: cover; p. 278, fig. 1
url:
Emiliani, Andrea. "Un Viaggio Sconosciuto di Francesco Gessi." Arte Antica e Moderna I (1958): 53-57.
Attributed to Francesco Gessi.
page number: Mentioned: P. 57; reproduced: pl. 26b
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Reproduced: p. 394; Mentioned: p. 395-396
url:
Lee, Sherman E. "The Year in Review for 1969." The Bulletin of The Cleveland Museum of Art LVII no. 1 (January, 1970):2-51.
page number: Reproduced: p. 2, fig. 149; Mentioned: p. 49, no. 149
url:
Butler, Joseph T. "The American Way with Art." The Connoisseur 175, no. 700 (June 1970): 158-163.
page number: Mentioned: P. 161
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Garboli, Cesare, Guido Reni, and Edi Baccheschi. L'opera completa di Guido Reni. Milano, Italy: Rizzoli, 1971.
page number: Reproduced: no. 202; Mentioned: p. 114-115
url:
Sherman Lee, “Guido Reni: The Adoration of the Magi,” The Bulletin of the Cleveland Museum of Art 53, no. 10 (Dec. 1971): 278-289.
page number:
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Lavin, Marilyn Aronberg. Seventeenth-Century Barberini Documents and Inventories of Art. New York, NY: New York University Press, 1975.
page number: Mentioned: p. 32, Doc. 270, p. 511, p. 535
url:
Biblioteca apostolica vaticana, and Marilyn Aronberg Lavin. Seventeenth-Century Barberini Documents and Inventories of Art. New York: New York University Press, 1975.
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The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 137
url: https://archive.org/details/CMAHandbook1978/page/n157
Pepper, D. Stephen. "A New Late Work by Guido Reni for Edinburgh and His Late Manner Re-Evaluated." The Burlington Magazine 121, no. 916 (1979): 418-25.
page number: Mentioned: P.424, n. 30
url: http://www.jstor.org/stable/879677
Reni, Guido, and D. Stephen Pepper. Guido Reni: A Complete Catalogue of His Works with an Introductory Text. Oxford: Phaidon, 1984.
page number:
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Myers, Bernard S. Encyclopedia of World Art. New York, NY: McGraw-Hill, 1987.
page number: Reproduced: vol. XVI, pl. XL,
url:
Salvy, Gérard-Julien. Guido Reni. Paris, France: Gallimard, 2001.
page number: Reproduced: p. 158, fig. 208
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Olszewski, Edward J. The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740). New York, NY: Peter Lang, 2004.
page number: Reproduced: p. 327, fig. 43
url:
Olszewski, Edward J. Cardinal Pietro Ottoboni (1667-1740) and the Vatican Tomb of Pope Alexander VIII. Philadelphia: American Philosophical Society, 2004.
page number:
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Malvasia, Carlo Cesare, Elizabeth Cropper and.Lorenzo Pericolo. Felsina Pittrice/ Lives of the Bolognese Painters: A Critical Edition and Annotated Translation. Washington [D.C.]: Published for the Center for Advanced Study in the Visual Arts; London: Harvey Miller, 2012.
page number: Reproduced: p. 428, fig. 294
url:
Christiansen, Keith. "Le Creation tardive d'une collection de peintures baroques au Metropolitan Museum of Art." In Aux origines d'un goût: la peinture baroque aux États-Unis = Creating the taste for baroque painting in America. Anna Ottani Cavina, and Keith Christiansen, 61-73. [Paris?] : Paris Tableau, 2015.
page number: Mentioned: p. 64, 70
url:
Grassi, Marco. "The American View of the Forgotten Century of Italian Painting: Reminiscences of a Conservator and Art Dealer." In Buying Baroque: Italian Seventeenth-Century Paintings Come to America. Edited by Edgar Peters Bowron, 40-53. University Park, Pennsylvania: The Frick Collection, The Pennsylvania State University Press, 2017.
page number: Mentioned: p. 49
url:
"Accessions of American and Canadian Museums." The Art Quarterly XXXIII, no. 3 (Autumn 1970): 318-338.
page number: Reproduced: P. 328; mentioned: P. 323
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1969.132/1969.132_web.jpg
print: https://openaccess-cdn.clevelandart.org/1969.132/1969.132_print.jpg
full: https://openaccess-cdn.clevelandart.org/1969.132/1969.132_full.tif