id: 144558 accession number: 1969.22 share license status: Copyrighted url: https://clevelandart.org/art/1969.22 updated: 2019-06-27 08:10:00.744000 Fan, Salt Box, Melon, 1909. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 100.3 x 83.5 x 7.3 cm (39 1/2 x 32 7/8 x 2 7/8 in.); unframed: 81.3 x 64.2 cm (32 x 25 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1969.22 © Estate of Pablo Picasso / Artists Rights Society (ARS), New York title: Fan, Salt Box, Melon title in original language: series: series in original language: creation date: 1909 creation date earliest: 1909 creation date latest: 1909 current location: 223 20th Century Avant-Garde creditline: Leonard C. Hanna, Jr. Fund copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York --- culture: Spain, 20th century technique: oil on canvas department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Pablo Picasso (Spanish, 1881-1973) - artist Pablo Ruiz Picasso (1881-1973), the most prolific and influential artist of the 20th century, shifted the emphasis of art from its traditional concern with beauty toward radical innovation. The son of an art teacher, Picasso demonstrated remarkable talents as a child and entered the royal art academy in Madrid at age sixteen. Less than a year later, he abandoned his studies and soon joined several avant-garde artist and anarchist groups in Barcelona and Paris. After passing through a succession of stylistic periods, most notably the Blue (1901-1904) and Rose (1904-1906) Periods, he collaborated with Georges Braque (1882-1963) in 1908 to invent Cubism, a revolutionary method of restructuring pictorial space. Picasso remained active until his death in 1973. Although his art still appears radical, many of his works are over one hundred years old. Cubism and Its Influence Cubism, perhaps the most important development in 20th-century art, was invented around 1908 by Pablo Picasso (1881-1973) and Georges Braque (1882-1963). The most revolutionary aspect of the style was not its obvious emphasis on geometric form; rather, it was the introduction of a radically new approach to configuring pictorial space. Since the Renaissance, artists had used various methods to create the illusion of distant space receding behind the canvas surface. The Cubists rejected that idea and collapsed space by compressing foreground, middle ground, and background into a continuous web of overlapping, intersecting planes. During the 1910s, other painters and sculptors embraced or adapted Cubism to their own ends. This revolutionary approach inspired a host of related movements and continues to influence the visual language of artists, architects, and designers throughout the world. --- measurements: Framed: 100.3 x 83.5 x 7.3 cm (39 1/2 x 32 7/8 x 2 7/8 in.); Unframed: 81.3 x 64.2 cm (32 x 25 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review: 1969 opening date: 1970-01-27T05:00:00 Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). title: Creativity in Art and Science, 1860-1960 opening date: 1987-09-16T04:00:00 Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum, China (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery (June 9-September 16, 2007); The Cleveland Museum of Art (organizer) (October 21, 2007-January 13, 2008); Frist Center for the Visual Arts (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts (October 12, 2008-January 18, 2009). title: Picasso and Paper opening date: 2020-01-25T05:00:00 Picasso and Paper. Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (organizer) (co-organizer) (January 25-April 13, 2020). --- LEGACY EXHIBITIONS * CMA (organizer). Beijing World Art Museum, China, May 26 - Aug. 27, 2006; Mori Arts Center, Tokyo, Japan: Sept. 9 - Nov. 26, 2006; Seoul Arts Center, Seoul, Korea: Dec. 18, 2006 - March 31, 2007; Seoul Olympic Museum of Art, Seoul, Korea: Apr. 7 - May 20, 2007; Vancouver Art Gallery, Vancouver, British Columbia, Canada: June 9 - Sept. 16, 2007; Cleveland Museum of Art, Oct. 21, 2007- January 13, 2008; Frist Center for the Visual Arts, Nashville, TN, Feb. 21-June 1, 2008; Utah Museum of Fine Arts, Salt Lake City, UT, June 22 - September 21, 2008; and the Detroit Institute of Arts, MI, October 12, 2008 - January 18, 2009: "Modern Masters from the Cleveland Museum of Art" --- PROVENANCE G. F. Reber, Lausanne (1928); A. von Saher, Amsterdam; Hyde coll., Glens Falls, N.Y. (1948); Hirschl & Adler, New York) date: footnotes: citations: --- fun fact: digital description: wall description: One of Picasso's earliest Cubist paintings, this still life depicts a group of objects on a table. A lady's green fan is opened and propped against the wall, where it dissolves into faceted, geometric planes. A wooden salt box, a sliced melon in a crystal bowl, and a rumpled cloth also rest on the table. While some objects are depicted from a frontal view, the table is tilted upright, as if seen from the ceiling. --- RELATED WORKS --- CITATIONS The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 196 url: https://archive.org/details/CMAHandbook1969/page/n220 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 242 url: https://archive.org/details/CMAHandbook1978/page/n262 --- IMAGES