{
"data": {
"id": 144688,
"accession_number": "1969.307",
"share_license_status": "CC0",
"tombstone": "Landscape with a Milkmaid, c. 1525. Niccolo Boldrini (Italian, c. 1500\u2013after 1566), after Titian (Italian, c. 1488\u20131576). Woodcut; image: 37.6 x 53 cm (14 13/16 x 20 7/8 in.); sheet: 37.6 x 53 cm (14 13/16 x 20 7/8 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1969.307",
"current_location": null,
"title": "Landscape with a Milkmaid",
"creation_date": "c. 1525",
"creation_date_earliest": 1520,
"creation_date_latest": 1530,
"artists_tags": [
"male"
],
"culture": [
"Italy"
],
"technique": "woodcut",
"support_materials": [],
"department": "Prints",
"collection": "PR - Woodcut",
"type": "Print",
"measurements": "Image: 37.6 x 53 cm (14 13/16 x 20 7/8 in.); Sheet: 37.6 x 53 cm (14 13/16 x 20 7/8 in.)",
"dimensions": {
"image": {
"height": 0.376,
"height_inch": 14,
"height_inch_fraction": 0.8125,
"width": 0.53,
"width_inch": 20,
"width_inch_fraction": 0.875
},
"sheet": {
"height": 0.376,
"height_inch": 14,
"height_inch_fraction": 0.8125,
"width": 0.53,
"width_inch": 20,
"width_inch_fraction": 0.875
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 301391,
"title": "Year in Review: 1970",
"description": "Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971).",
"opening_date": "1971-02-10T05:00:00"
},
{
"id": 309881,
"title": "Leona E. Prasse, Connoisseur and Curator",
"description": "Leona E. Prasse, Connoisseur and Curator. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 28-August 25, 1985).",
"opening_date": "1985-05-28T04:00:00"
},
{
"id": 311461,
"title": "Generous Donors: A Tribute to The Print Club of Cleveland",
"description": "Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991).",
"opening_date": "1991-04-02T05:00:00"
},
{
"id": 184690,
"title": "Against the Grain: Woodcuts from the Collection",
"description": "Against the Grain: Woodcuts from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003).",
"opening_date": "2003-08-17T00:00:00"
},
{
"id": 437915,
"title": "Love Gardens / Forbidden Fruit",
"description": "Love Gardens / Forbidden Fruit. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 2-October 29, 2023).",
"opening_date": "2023-07-02T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "(William H. Schab Gallery, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "?\u20131969",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "March 9, 1970\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Milkmaids and shepherds such as those appearing in this print exemplified the idea of Arcadia, an idyllic realm of unspoiled nature inspired by Roman poet Virgil (70\u201319 BCE) and a popular concept in the Renaissance.",
"early_education_description": null,
"artlens_description": null,
"description": "In the 1520s, Venetian painter Titian began to take landscape from the quiet pastorals of his predecessors to actively dramatic scenes, such as this one, in which nature seems a protagonist in a narrative. While some motifs\u2014such as the eagle\u2014suggest symbolic meaning, it is impossible to pin down a specific story. Titian worked with block cutter Niccolo Boldrini to translate his drawing into print, and the result captures the expressive vision of Titian\u2019s works, with their variety of forms and textures and emphasis on dramatic, atmospheric light.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q79922198"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1969.307-landscape-with-a-mil"
]
},
"citations": [],
"catalogue_raisonne": "Maroner 15",
"url": "https://clevelandart.org/art/1969.307",
"images": {
"annotation": null,
"web": {
"url": "https://openaccess-cdn.clevelandart.org/1969.307/1969.307_web.jpg",
"width": "900",
"height": "643",
"filesize": "393376",
"filename": "1969.307_web.jpg"
},
"print": {
"url": "https://openaccess-cdn.clevelandart.org/1969.307/1969.307_print.jpg",
"width": "3400",
"height": "2430",
"filesize": "4196374",
"filename": "1969.307_print.jpg"
},
"full": {
"url": "https://openaccess-cdn.clevelandart.org/1969.307/1969.307_full.tif",
"width": "7269",
"height": "5196",
"filesize": "113345260",
"filename": "1969.307_full.tif"
}
},
"alternate_images": [],
"creditline": "Mr. and Mrs. Charles G. Prasse Collection",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 144688,
"creators": [
{
"id": 23975,
"description": "Niccolo Boldrini (Italian, c. 1500\u2013after 1566)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": null,
"name_in_original_language": null,
"birth_year": "1500",
"death_year": "1566",
"use_in_caption": true,
"include_extent": false,
"weight": 1
},
{
"id": 2341,
"description": "Titian (Italian, c. 1488\u20131576)",
"extent": null,
"qualifier": "after",
"role": null,
"biography": "Tiziano Vecellio, called Titian, was the greatest Italian painter of 16th-century Venice, known for his expressive brushwork, brilliant color, and hazy atmospheric effects. He was born in Pieve di Cadore, a small town on the Venetian side of the Alps around 1490. He moved to Venice when he was ten years old, and started his artistic training under the mosaicist Sebastiano Zuccato. He later joined Gentile's and Giovanni's Bellini workshops, and started a collaboration with the painter Giorgione on the frescoes of the Fondaco dei tedeschi in 1508. Titian's \"Assumption of the Virgin\" (1516-1518) for the church's high altar became the masterwork that helped establish him as one of the leading painters in the Venetian area. Over his career, Titian created paintings for prestigious commissioners, such as Pope Paul III, king Philip II of Spain, and Charles V. In his later years, Titian mainly focused on religious and mythological subjects. he died of plague on August 27, 1576 in Venice. Titian's artistic oeuvre had a great impact on later generations of painters, such as Rembrandt, Diego Vel\u00e0zquez, Anton van Dyck and Peter Paul Rubens.",
"name_in_original_language": null,
"birth_year": "1488",
"death_year": "1576",
"use_in_caption": true,
"include_extent": false,
"weight": 2
}
],
"legal_status": "accessioned",
"accession_date": "1970-03-09T00:00:00",
"sortable_date": 1520,
"date_added_to_oa": null,
"date_text": "c. 1525",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-08-21 12:43:17.965000"
}
}