id: 144688 accession number: 1969.307 share license status: CC0 url: https://clevelandart.org/art/1969.307 updated: 2024-03-26 01:59:24.608000 Landscape with a Milkmaid, c. 1525. Niccolo Boldrini (Italian, c. 1500–after 1566), after Titian (Italian, c. 1488–1576). Woodcut; image: 37.6 x 53 cm (14 13/16 x 20 7/8 in.); sheet: 37.6 x 53 cm (14 13/16 x 20 7/8 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection 1969.307 title: Landscape with a Milkmaid title in original language: series: series in original language: creation date: c. 1525 creation date earliest: 1520 creation date latest: 1530 current location: creditline: Mr. and Mrs. Charles G. Prasse Collection copyright: --- culture: Italy, 16th century technique: woodcut department: Prints collection: PR - Woodcut type: Print find spot: catalogue raisonne: Maroner 15 --- CREATORS * Niccolo Boldrini (Italian, c. 1500–after 1566) - artist * Titian (Italian, c. 1488–1576) Tiziano Vecellio, called Titian, was the greatest Italian painter of 16th-century Venice, known for his expressive brushwork, brilliant color, and hazy atmospheric effects. He was born in Pieve di Cadore, a small town on the Venetian side of the Alps around 1490. He moved to Venice when he was ten years old, and started his artistic training under the mosaicist Sebastiano Zuccato. He later joined Gentile's and Giovanni's Bellini workshops, and started a collaboration with the painter Giorgione on the frescoes of the Fondaco dei tedeschi in 1508. Titian's "Assumption of the Virgin" (1516-1518) for the church's high altar became the masterwork that helped establish him as one of the leading painters in the Venetian area. Over his career, Titian created paintings for prestigious commissioners, such as Pope Paul III, king Philip II of Spain, and Charles V. In his later years, Titian mainly focused on religious and mythological subjects. he died of plague on August 27, 1576 in Venice. Titian's artistic oeuvre had a great impact on later generations of painters, such as Rembrandt, Diego Velàzquez, Anton van Dyck and Peter Paul Rubens. --- measurements: Image: 37.6 x 53 cm (14 13/16 x 20 7/8 in.); Sheet: 37.6 x 53 cm (14 13/16 x 20 7/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review: 1970 opening date: 1971-02-10T05:00:00 Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971). title: Leona E. Prasse, Connoisseur and Curator opening date: 1985-05-28T04:00:00 Leona E. Prasse, Connoisseur and Curator. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 28-August 25, 1985). title: Generous Donors: A Tribute to The Print Club of Cleveland opening date: 1991-04-02T05:00:00 Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991). title: Against the Grain: Woodcuts from the Collection opening date: 2003-08-17T00:00:00 Against the Grain: Woodcuts from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 17-November 9, 2003). title: Love Gardens / Forbidden Fruit opening date: 2023-07-02T04:00:00 Love Gardens / Forbidden Fruit. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 2-October 29, 2023). --- LEGACY EXHIBITIONS --- PROVENANCE (William H. Schab Gallery, New York, NY), sold to The Cleveland Museum of Art, Cleveland, OH date: ?–1969 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: March 9, 1970– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1969.307/1969.307_web.jpg print: https://openaccess-cdn.clevelandart.org/1969.307/1969.307_print.jpg full: https://openaccess-cdn.clevelandart.org/1969.307/1969.307_full.tif