{
    "data": {
        "id": 144707,
        "accession_number": "1969.48",
        "share_license_status": "CC0",
        "tombstone": "Apollo, 1588. Hendrick Goltzius (Dutch, 1558\u20131617). Engraving; platemark: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.); sheet: 35.3 x 27.1 cm (13 7/8 x 10 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1969.48",
        "current_location": "101A Prints & Drawings",
        "title": "Apollo",
        "creation_date": "1588",
        "creation_date_earliest": 1588,
        "creation_date_latest": 1588,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Netherlands, 16th century"
        ],
        "technique": "engraving",
        "support_materials": [
            {
                "description": "blued white laid paper",
                "watermarks": []
            }
        ],
        "department": "Prints",
        "collection": "PR - Engraving",
        "type": "Print",
        "measurements": "Platemark: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.); Sheet: 35.3 x 27.1 cm (13 7/8 x 10 11/16 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.353,
                "height_inch": 13,
                "height_inch_fraction": 0.875,
                "width": 0.271,
                "width_inch": 10,
                "width_inch_fraction": 0.6875
            },
            "platemark": {
                "height": 0.349,
                "height_inch": 13,
                "height_inch_fraction": 0.75,
                "width": 0.267,
                "width_inch": 10,
                "width_inch_fraction": 0.5
            }
        },
        "state_of_the_work": "I/I",
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "upper center, in plate (words form a halo around Apollo's head): Sol rutilus radiante coma, et fulgore corusco / Dispellit tenebras, totumque illuminat orbem ; lower center, in plate: HG.[in monogram] fe. ; lower center, in plate: A\u00b0.88. ; VERSO, upper center, in graphite: 38  N\u00b060 ; upper center, in graphite: H. Goltzius ; lower center, in graphite: C3575 7. ; lower center, in graphite: 1-10 ; lower right, in graphite: H 131 ; lower right, in graphite: 12[circled] ; lower left, in graphite: 1C [lt?]",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301313,
                    "title": "Year in Review: 1969",
                    "description": "<i>Year in Review: 1969</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970).",
                    "opening_date": "1970-01-27T05:00:00"
                },
                {
                    "id": 301400,
                    "title": "Albrecht D\u00fcrer - 500th Anniversary",
                    "description": "<i>Albrecht D\u00fcrer - 500th Anniversary</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 19-March 28, 1971).",
                    "opening_date": "1971-02-19T05:00:00"
                },
                {
                    "id": 304516,
                    "title": "Eight Masters of the Print",
                    "description": "<i>Eight Masters of the Print</i>. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981).",
                    "opening_date": "1980-10-14T04:00:00"
                },
                {
                    "id": 309881,
                    "title": "Leona E. Prasse, Connoisseur and Curator",
                    "description": "<i>Leona E. Prasse, Connoisseur and Curator</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 28-August 25, 1985).",
                    "opening_date": "1985-05-28T04:00:00"
                },
                {
                    "id": 189312,
                    "title": "Mannerism: Italian, French, and Netherlandish Prints, 1520-1620",
                    "description": "<i>Mannerism: Italian, French, and Netherlandish Prints, 1520-1620</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 3-October 26, 1997).",
                    "opening_date": "1997-08-03T00:00:00"
                },
                {
                    "id": 203744,
                    "title": "Themes and Variations: Musical Drawings and Prints",
                    "description": "<i>Themes and Variations: Musical Drawings and Prints</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 25-May 17, 2015).",
                    "opening_date": "2015-01-25T00:00:00"
                },
                {
                    "id": 288386,
                    "title": "Gods and Heroes: Ancient Legends in Renaissance Art",
                    "description": "<i>Gods and Heroes: Ancient Legends in Renaissance Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 26-December 31, 2017).",
                    "opening_date": "2017-08-26T04:00:00"
                },
                {
                    "id": 699500,
                    "title": "The Renaissance Engraver at Work",
                    "description": "<i>The Renaissance Engraver at Work</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-November 1, 2026).",
                    "opening_date": "2026-07-05T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "purchased from (Colnaghi, London, 5/10/69).",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
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        "early_education_description": null,
        "artlens_description": null,
        "description": "In the Netherlands, Hendrick Goltzius radically altered the engraver\u2019s formulas for producing shape, volume, and tone. Building on Cornelis Cort\u2019s and Agostino Carracci\u2019s formulas, he used swelled, crossed lines that end at the figure\u2019s outline. He interspersed the diamond shapes on Apollo\u2019s body with dots to convey the transition from dark to light\u2014effective for portraying the Sun God\u2019s exaggerated musculature, a hallmark of Goltzius\u2019s work. The S curve, a mark used by Albrecht D\u00fcrer, is now swelled to follow the complicated, swirling volume of clouds.",
        "external_resources": {
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                "https://www.wikidata.org/wiki/Q60780938"
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            "internet_archive": [
                "https://archive.org/details/clevelandart-1969.48-apollo"
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        "catalogue_raisonne": "Hollstein 131 (VIII)",
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        "creditline": "Mr. and Mrs. Charles G. Prasse Collection",
        "image_credit": null,
        "sketchfab_id": null,
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        "gallery_donor_text": "These Galleries are the Gift of James and Hanna Bartlett",
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                "id": 68231,
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