{
    "data": {
        "id": 144743,
        "accession_number": "1969.53",
        "share_license_status": "CC0",
        "tombstone": "A Hare and a Leg of Lamb, 1742. Jean-Baptiste Oudry (French, 1686\u20131755). Oil on canvas; framed: 118 x 92.5 x 6 cm (46 7/16 x 36 7/16 x 2 3/8 in.); unframed: 98.2 x 73.5 cm (38 11/16 x 28 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1969.53",
        "current_location": "216B French and German",
        "title": "A Hare and a Leg of Lamb",
        "creation_date": "1742",
        "creation_date_earliest": 1742,
        "creation_date_latest": 1742,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France"
        ],
        "technique": "oil on canvas",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - French 18th Century",
        "type": "Painting",
        "measurements": "Framed: 118 x 92.5 x 6 cm (46 7/16 x 36 7/16 x 2 3/8 in.); Unframed: 98.2 x 73.5 cm (38 11/16 x 28 15/16 in.)",
        "dimensions": {
            "framed": {
                "height": 1.18,
                "height_inch": 46,
                "height_inch_fraction": 0.4375,
                "width": 0.925,
                "width_inch": 36,
                "width_inch_fraction": 0.4375,
                "depth": 0.06,
                "depth_inch": 2,
                "depth_inch_fraction": 0.375
            },
            "unframed": {
                "height": 0.982,
                "height_inch": 38,
                "height_inch_fraction": 0.6875,
                "width": 0.735,
                "width_inch": 28,
                "width_inch_fraction": 0.9375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "signed lower left:  J.B. Oudry / 1742",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 301313,
                    "title": "Year in Review: 1969",
                    "description": "<i>Year in Review: 1969</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970).",
                    "opening_date": "1970-01-27T05:00:00"
                },
                {
                    "id": 304393,
                    "title": "Chardin and the Still Life Tradition in France",
                    "description": "<i>Chardin and the Still Life Tradition in France</i>. The Cleveland Museum of Art, Cleveland, OH (June 6-August 12, 1979).",
                    "opening_date": "1979-06-06T04:00:00"
                },
                {
                    "id": 212586,
                    "title": "Fierce Friends: Artists & Animals, 1750-1920",
                    "description": "<i>Fierce Friends: Artists & Animals, 1750-1920</i>. Carnegie Museum of Art, Pittsburgh, PA (organizer) (March 26-August 17, 2006).",
                    "opening_date": "2006-03-26T00:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Salon of 1742.</em> Louvre, Paris, France (August 25\u2013September 21, 1742).",
                    "opening_date": "1742-08-25T04:56:02Z"
                },
                {
                    "description": "<em>Le Cabinet de l'Amateur.</em> Mus\u00e9e de l'Orangerie des Tuileries, Paris, France (February\u2013April, 1956).",
                    "opening_date": "1956-02-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "M. de Vaize and the de Vaize Family",
                "citations": [],
                "footnotes": null,
                "date": "until at least 1956",
                "sortorder": null
            },
            {
                "description": "(Sale: Galerie Charpentier, Paris, France, December 15\u201416, 1958, no. 64)",
                "citations": [],
                "footnotes": null,
                "date": "December 15\u201416, 1958",
                "sortorder": 2
            },
            {
                "description": "(Sale: Palais Galliera, Paris, France, December 4, 1963, no. 200, to Cailleux)",
                "citations": [],
                "footnotes": null,
                "date": "December 4, 1963",
                "sortorder": 3
            },
            {
                "description": "Private Collection, New York, NY",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 4
            },
            {
                "description": "[Eugene V. Thaw (1927-2018), New York, NY, sold to the Cleveland Museum of Art].",
                "citations": [],
                "footnotes": null,
                "date": "-1969",
                "sortorder": 5
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1969-",
                "sortorder": 6
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "This lavish display of game was painted one year after a devastating famine gripped France.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Oudry used a starkly simple composition and sterile background to emphasize his virtuosity in depicting textures, a highly desirable skill of still-life painters at this time. These artists were aiming for the highest level of accuracy\u2014an effect of the Enlightenment, the contemporary intellectual movement that emphasized scientific reasoning in all pursuits. These paintings were generally displayed in hunting lodges or dining rooms, as a glorification of the hunt and the bounty it brings.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q55463945"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1969.53-a-hare-and-a-leg-of"
            ]
        },
        "citations": [
            {
                "citation": "Salon (Exhibition : Paris, France), and Orry. E<em>xplication des peintures, sculptures, et autres ouvrages de messieurs de l'Acade\u0301mie royale: dont l'exposition a e\u0301te\u0301 ordonne\u0301e suivant l'intention de Sa Majeste\u0301, par M. Orry ... dans le grand Salon du Louvre ... a commencer le jour de S. Lou\u0308is 25. Aoust 1742. pour finir le jour de S. Matthieu 21. Septembre suivant.</em> Paris: J. Collombat, 1742.",
                "page_number": "cat. no. 35",
                "url": ""
            },
            {
                "citation": "Locquin, Jean. <em>Catalogue raisonne\u0301 de l'oeuvre de Jean-Baptiste Oudry: peintre du roi (1686-1755).</em> Paris: Jean Schemit, 1912.",
                "page_number": "no. 74",
                "url": ""
            },
            {
                "citation": "Muse\u0301e de l'Orangerie.<em> Le cabinet de l'amateur, organise\u0301 par la Socie\u0301te\u0301 des amis du Louvre en souvenir de Monsieur A.-S. Henraux, son pre\u0301sident 1932-1953 [exposition] fe\u0301vrier - avril 1956</em>. [Paris]: E\u0301ditions des muse\u0301es nationaux, 1956.",
                "page_number": "cat. no. 81",
                "url": ""
            },
            {
                "citation": "Galerie Charpentier.<em> Tableaux anciens, dessins, aquarelles, gouaches, pastel; portrait de Gluck par J.S. Duplessis; orfe\u0300vrerie e\u0301gyptienne; rares gobelets d'or d'Egypte, XVIIIe dynastie; objets d'art de haute e\u0301poque.</em> 1958.",
                "page_number": "no. 64,  illus. pl. XI",
                "url": ""
            },
            {
                "citation": "Fare\u0301, Michel.<em> La nature morte en France; son historie et son e\u0301volutuion du XVIIe au XXe sie\u0300cle.</em> Gene\u0300ve: P. Gailler, 1962.",
                "page_number": "I, 142, 213",
                "url": ""
            },
            {
                "citation": "Muse\u0301e Gallie\u0301ra, and E\u0301tienne Ader. <em>Tableaux anciens, objets d'art et de bel ameublement principalement du XVIIIe sie\u0300cle, bronzes, sculptures, glaces, paravent, sie\u0300ges et meubles estampille\u0301s des mai\u0302tres e\u0301be\u0301nistes, tapisseries anciennes, tapis de la Savonnerie, tapis Hispano-Portugais, tapis d'Orient.</em> Paris: Palais Galliera, 1963.",
                "page_number": "no. 200",
                "url": ""
            },
            {
                "citation": "Acade\u0301mie royale de peinture et de sculpture (France), and L. Dussieux.<em> Me\u0301moires ine\u0301dits sur la vie et les ouvrages des membres de l'Acade\u0301mie royale de peinture et de sculpture</em>. Paris: F. de Nobele, 1968.",
                "page_number": "II, 388",
                "url": ""
            },
            {
                "citation": "<em>Extrait de la Gazette des Beaux-Arts</em>, no. 1213 (Feb).",
                "page_number": "p. 70, no. 323.",
                "url": ""
            },
            {
                "citation": "Lee, Sherman E. \u201cThe Year in Review for 1969.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 57, no. 1 (1970).",
                "page_number": "pp. 18, 48, no. 146",
                "url": "https://www.jstor.org/stable/25152307"
            },
            {
                "citation": "Davidson, Ruth, \"Museum Accessions,\" <em>Antiques</em>, (November 1970).",
                "page_number": "p. 705, repr.",
                "url": ""
            },
            {
                "citation": "Lanes, Jerold, ed., \"Recent Accessions of American and Canadian Museums\", <em>The Art Quarterly</em>, vol. XXXIII, no. 3 (Autumn, 1970).",
                "page_number": "p. 323",
                "url": ""
            },
            {
                "citation": "Talbot, William S. \u201cJean-Baptiste Oudry: Hare and Leg of Lamb.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 57, no. 5 (1970).",
                "page_number": "pp. 149-59",
                "url": "https://www.jstor.org/stable/25152331"
            },
            {
                "citation": "Clark, Carol C. \u201cJean-Baptiste Sim\u00e9on Chardin: Still Life with Herring.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 61, no. 9 (1974).",
                "page_number": "pp. 309, 313, n. 1, fig. 1",
                "url": "https://www.jstor.org/stable/25152549"
            },
            {
                "citation": "Fare\u0301, Michel, and Fabrice Fare\u0301.<em> La vie silencieuse en France: la nature morte au XVIIIe sie\u0300cle.</em> Fribourg: Office du Livre, 1976.",
                "page_number": "pp. 121, 125",
                "url": ""
            },
            {
                "citation": "Opperman, Hal N. <em>Jean-Baptiste Oudry</em>. New York: Garland Pub, 1977.",
                "page_number": "I, 120, 189, 552, no. P509, and II, 839, 945, 1116, fig. 288",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 178",
                "url": "https://archive.org/details/CMAHandbook1978/page/n198"
            },
            {
                "citation": "Weisberg, Gabriel P., and William S. Talbot. C<em>hardin and the Still-Life Tradition in France.</em> Cleveland: Cleveland Museum of Art, 1979.",
                "page_number": "cat. no. 5",
                "url": ""
            },
            {
                "citation": "Dunow, Esti. <em>Chaim Soutine, 1893-1943</em>. 1981.",
                "page_number": "fig. 139",
                "url": ""
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries.</em> Cleveland, OH: The Cleveland Museum of Art, 1982.",
                "page_number": "Reproduced: p. 106; Mentioned: p. 107",
                "url": null
            },
            {
                "citation": "Opperman, Hal, and Jean-Baptiste Oudry.<em> J.-B. Oudry, 1686-1755: [Exhibition Catalog]</em>. 1983.",
                "page_number": "pp. 206-7, cat. no. 77",
                "url": ""
            },
            {
                "citation": "\"Exposition J.B Oudry, Grand Palais,...: <em>Kunstchronik</em>, v. 36, no. 2, (Feb. 1983).",
                "page_number": "p. 93",
                "url": ""
            },
            {
                "citation": "Opperman, Hal, \"J-B. Oudry:Partridge and Young Rabbit Hung by the Feet,\" <em>Allen Memorial Art Museum Bulletin</em>, Vol. XLII, no. 2, (1987-88).",
                "page_number": "fig. 6, p. 50",
                "url": ""
            },
            {
                "citation": "Musee du Louvre, Department des peintures. <em>Nouvelles Acquisitions du Department des Peintures (1987-1990)</em>, Paris:Editions de la Reunion des Musees Nationaux, (1991).",
                "page_number": "p. 118",
                "url": ""
            },
            {
                "citation": "Ebert-Schifferer, S., and Russell Stockman. <em>Still life: a history.</em> New York: Abrams, 1999.",
                "page_number": "pp. 248 (repr.), 249, 250, fig. 181",
                "url": ""
            },
            {
                "citation": "Melville, Stephen W. <em>The Lure of the Object</em>. Williamstown, Mass: Sterling and Francine Clark Art Institute, 2005.",
                "page_number": "fig. 9, pg. 170",
                "url": ""
            },
            {
                "citation": "Lippincott, Louise, and Andreas Blu\u0308hm. <em>Fierce Friends: Artists and Animals, 1750-1900</em>. London: Merrell, 2005.",
                "page_number": "p. 37",
                "url": ""
            },
            {
                "citation": "Daverio, Philippe. <em>The ideal museum: an art lover's dream collection.</em> New York: Rizzoli International Publications, 2012.",
                "page_number": "pp. 64-5",
                "url": ""
            },
            {
                "citation": "Lajer-Burcharth, Ewa. <em>The Painter's Touch: Boucher, Chardin, Fragonard.</em> <br>Princeton : Princeton University Press, 2018.",
                "page_number": "Mentioned p. 111-115; Reproduced: p. 112, 115",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/1969.53",
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        "creditline": "John L. Severance Fund",
        "image_credit": null,
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            {
                "id": 1949,
                "description": "Jean-Baptiste Oudry (French, 1686\u20131755)",
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        "legal_status": "accessioned",
        "accession_date": "1969-05-10T00:00:00",
        "sortable_date": 1742,
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        "updated_at": "2026-08-22 11:53:15.576000"
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}