id: 144934 accession number: 1970.137.1.b share license status: CC0 url: https://clevelandart.org/art/1970.137.1.b updated: 2023-03-11 20:50:51.029000 Box in Form of Lotus Leaf (lid), 1700s. China, Qing dynasty (1644-1911). Ivory; overall: 5.1 cm (2 in.). The Cleveland Museum of Art, Gift of Lois Clarke 1970.137.1.b title: Box in Form of Lotus Leaf (lid) title in original language: series: series in original language: creation date: 1700s creation date earliest: 1700 creation date latest: 1799 current location: creditline: Gift of Lois Clarke copyright: --- culture: China, Qing dynasty (1644-1911) technique: ivory department: Chinese Art collection: China - Qing Dynasty type: Ivory find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 5.1 cm (2 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Chinese Ivories: from the Shang to the Qing opening date: 1984-05-24T04:00:00 Chinese Ivories: from the Shang to the Qing. The British Museum, London, United Kingdom of Great Britain and Northern Ireland (May 24-August 19, 1984). title: China through the Magnifying Glass: Masterpieces in Miniature and Detail opening date: 2022-12-11T05:00:00 China through the Magnifying Glass: Masterpieces in Miniature and Detail. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 11, 2022-February 26, 2023). --- LEGACY EXHIBITIONS --- PROVENANCE Lois Clarke, New York, NY, given to the Cleveland Museum of Art date: ?–1970 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1970– footnotes: citations: --- fun fact: Inside each box is a lotus pond and two swimming ducks carved in high relief. digital description: wall description: In the Qing dynasty (1644–1911), luxury items became more affordable to larger parts of the society, including women, merchants, and literati in non-official positions. Imperial patronage and a growing urban population encouraged consumption of luxury goods and local craftmanship. This fine-grained, light yellow ivory carved in the shape of a lotus leaf illustrates the superb carving skills and the creative mind of the talented artisan who sought clients on a competitive market. --- RELATED WORKS --- CITATIONS Lee, Sherman E. “The Year in Review for 1970.” The Bulletin of the Cleveland Museum of Art 58, no. 2 (1971): 22–71. page number: Mentioned: p. 70, cat. no. 141 url: https://www.jstor.org/stable/25152361 Waston, William, ed. Chinese Ivories: From the Shang to the Qing : an Exhibition. [London]: The Oriental Ceramic Society, 1984. page number: cat. nos. 189, 190, p. 156 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1970.137.1.b/1970.137.1.b_web.jpg print: https://openaccess-cdn.clevelandart.org/1970.137.1.b/1970.137.1.b_print.jpg full: https://openaccess-cdn.clevelandart.org/1970.137.1.b/1970.137.1.b_full.tif