id: 145092 accession number: 1970.273 share license status: Copyrighted url: https://clevelandart.org/art/1970.273 updated: 2023-01-19 15:25:08.541000 Transfer of Assemblages: Smile, 1962. Jean Dubuffet (French, 1901–1985). Color lithograph; sheet: 64 x 45 cm (25 3/16 x 17 11/16 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph F. Colin, New York, through ROGOCO Foundation 1970.273 © Artists Rights Society (ARS), New York title: Smile title in original language: series: Transfer of Assemblages series in original language: creation date: 1962 creation date earliest: 1962 creation date latest: 1962 current location: creditline: Gift of Mr. and Mrs. Ralph F. Colin, New York, through ROGOCO Foundation copyright: © Artists Rights Society (ARS), New York --- culture: France, 20th century technique: color lithograph department: Prints collection: PR - Lithograph type: Print find spot: catalogue raisonne: Webel 812 --- CREATORS * Jean Dubuffet (French, 1901–1985) - artist --- measurements: Sheet: 64 x 45 cm (25 3/16 x 17 11/16 in.) state of the work: 1 of 2 artist's proofs edition of the work: support materials: description: Arches paper watermarks: inscriptions: inscription: Signed by the artist at lower right: "J. Dubuffet 62"; lower left: "epreuve d'artiste" translation: remark: --- CURRENT EXHIBITIONS title: The Lithographs of Jean Dubuffet opening date: 1999-12-19T00:00:00 The Lithographs of Jean Dubuffet. The Cleveland Museum of Art (organizer) (December 19, 1999-February 27, 2000). --- LEGACY EXHIBITIONS * Cleveland, Ohio: The Cleveland Museum of Art; December 19, 1999 - February 27, 2000. "The Lithographs of Jean Dubuffet". --- PROVENANCE --- fun fact: digital description: wall description: Reports d'Assemblages (Transfer of Assemblages) Dubuffet not only worked directly on zinc lithographic plates, but also utilized lithographic transfer paper, a specially coated paper from which a design drawn with greasy lithographic crayon or ink can be transferred onto a lithographic plate. In 1961-62 Dubuffet printed some of The Phenomena plates onto transfer paper that he had cut into different shapes. The pieces were arranged to form images of distorted, yet whimsical, faces and figures. The design of each assemblage was then transferred onto a lithographic plate so that multiple impressions could be printed. --- RELATED WORKS --- CITATIONS --- IMAGES