id: 145413
accession number: 1970.67.a
share license status: CC0
url: https://clevelandart.org/art/1970.67.a
updated: 2023-05-23 11:06:51.074000
Portrait of the Zen Master Hotto Kokushi, c. 1286. Japan, Kamakura period (1185-1333). Wood with hemp cloth, black lacquer, and iron clamps; overall: 91.4 cm (36 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1970.67.a
title: Portrait of the Zen Master Hotto Kokushi
title in original language:
series:
series in original language:
creation date: c. 1286
creation date earliest: 1281
creation date latest: 1291
current location: 235B Japanese
creditline: Leonard C. Hanna, Jr. Fund
copyright:
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culture: Japan, Kamakura period (1185-1333)
technique: wood with hemp cloth, black lacquer, and iron clamps
department: Japanese Art
collection: Japanese Art
type: Sculpture
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 91.4 cm (36 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review: 1970
opening date: 1971-02-10T05:00:00
Year in Review: 1970. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-March 7, 1971).
title: Traditions and Revisions: Themes from the History of Sculpture
opening date: 1975-09-24T04:00:00
Traditions and Revisions: Themes from the History of Sculpture. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 24-November 16, 1975).
title: Masterworks of Wood: China and Japan
opening date: 1976-11-04T05:00:00
Masterworks of Wood: China and Japan. Portland Art Museum, Portland, OR (organizer) (November 4-December 5, 1976); Asia House Galleries, New York City, NY (January 13-March 27, 1977).
title: Reflections of Reality in Japanese Art
opening date: 1983-03-16T04:00:00
Reflections of Reality in Japanese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 16-May 1, 1983).
title: Portraiture: The Image of the Individual
opening date: 1983-11-22T05:00:00
Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).
title: Asian Autumn: Masterpieces from the Collection
opening date: 1991-09-17T04:00:00
Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).
title: Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art
opening date: 2009-06-27T04:00:00
Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).
title: Japanese Gallery 235 Rotation - July 2017-January 2018
opening date: 2017-07-15T04:00:00
Japanese Gallery 235 Rotation - July 2017-January 2018. The Cleveland Museum of Art (organizer) (July 15, 2017-January 2, 2018).
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LEGACY EXHIBITIONS
* One Thousand Years of Japanese Art (650-1650) from The Cleveland Museum of Art. Japan House Gallery, New York, NY (March 19-May 17, 1981).
* Main Asian Rotation (Gallery 235). The Cleveland Museum of Art, Cleveland, OH (April 15, 2013-November 16, 2015).
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PROVENANCE
(Mayuyama and Company, Tokyo, Japan, ?-1970, sold to the Cleveland Museum of Art)
date: ?-1970
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH, 1970-present
date: 1970-
footnotes:
citations:
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fun fact:
Two famous sculptural portraits of this monk, one at the temple Ankokuji in Hiroshima, and another at the temple Kōkokuji in Wakayama, are dated to 1275 and 1286, respectively.
digital description:
Hottō Enmyō Kokushi, is a posthumous title bestowed upon the Zen Buddhist monk Shinchi Kakushin (1203–1298) by the emperor Go-Daigo. The title means “perfectly awakened national teacher of the Dharma lamp.” Considered a fine example of “Kamakura realism,” while downplaying detail in the body, the sculpture emphasizes fidelity in representing the visage of Kakushin.
wall description:
Hottō Enmyō Kokushi, is a posthumous title bestowed upon the Zen Buddhist monk Shinchi Kakushin (1203–1298) by the emperor Go-Daigo. The title means “perfectly awakened national teacher of the Dharma lamp.” Compared with two sculptures of the monk created during his lifetime (both in and around 1275), this sculpture portrays Kakushin as a much older man. It comprises multiple wood blocks, with the main parts being the front, back, and the head, which is inserted into the body. Although only the lacquer remains today, the sculpture would once have been painted. Considered a fine example of “Kamakura realism,” while downplaying detail in the body, the sculpture emphasizes fidelity in representing the visage of Kakushin.
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RELATED WORKS
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CITATIONS
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 370
url: https://archive.org/details/CMAHandbook1978/page/n390
Lee, Sherman E, Ursula Korneitchouk, Michael R Cunningham, Ursula Korneitchouk, Cleveland Museum of Art, Japan House Gallery, Japan Society (New York, N.Y.), and Japan House Gallery. One Thousand Years of Japanese Art (650-1650): From the Cleveland Museum of Art: Catalogue. New York: Japan Society, 1981.
page number: Mentioned and reproduced: P. 42-43, no. 20
url:
Cunningham, Michael R., Stanislaw J. Czuma, Anne E. Wardwell, and J. Keith Wilson. Masterworks of Asian Art. Cleveland, OH: The Cleveland Museum of Art, 1998.
page number: Mentioned and Reproduced: pp. 190–191
url:
Franklin, David. The Cleveland Museum of Art. London: Scala Arts & Heritage Publishers Ltd., 2012.
page number: Reproduced: p. 26 - 27
url:
"Reopening of the Asian Galleries at The Cleveland Museum of Art: An Interview with David Franklin." Orientations: The Magazine for Collectors and Connoisseurs of Asian Art, vol. 44, no. 8 (November/December 2013): pp. 60-63.
page number: Reproduced: p. 63
url:
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IMAGES