id: 145964
accession number: 1971.17
share license status: CC0
url: https://clevelandart.org/art/1971.17
updated: 2023-12-07 17:34:56.957000
Portrait of An Qi, 1715. Wang Hui (Chinese, 1632–1717), Tu Luo (Chinese, active c. 1715), Yang Jin (Chinese, 1644–1728). Hanging scroll; ink and color on paper; image: 122 x 53.6 cm (48 1/16 x 21 1/8 in.); overall: 259.7 x 80.1 cm (102 1/4 x 31 9/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1971.17
title: Portrait of An Qi
title in original language: 麓村高逸圖
series:
series in original language:
creation date: 1715
creation date earliest: 1715
creation date latest: 1715
current location:
creditline: John L. Severance Fund
copyright:
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culture: China, Qing dynasty (1644-1911)
technique: hanging scroll; ink and color on paper
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Wang Hui (Chinese, 1632–1717) - artist
* Tu Luo (Chinese, active c. 1715) - artist
* Yang Jin (Chinese, 1644–1728) - artist
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measurements: Image: 122 x 53.6 cm (48 1/16 x 21 1/8 in.); Overall: 259.7 x 80.1 cm (102 1/4 x 31 9/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: [印]上下千年.
麓村高逸:康煕乙未季春,廣陵涂洛寫照,海虞楊晉布景,八十四叟王翬補竹石。[印]耕煙; 王翬之印.
translation:
remark:
inscription: 俯視塵寰逸韻高,襟懷潚灑興偏豪。/
琴書座右親風雅,竹石池邊拭羽毛。/
蕉葉亂雲遮北礀,鶴翎凝雪戀東皋。/
翩翩度量如君少,靜對秋江萬斛濤。
translation:
remark:
inscription: 知君頗好道,作意洗緐縟。/
遂窮林亭勝,翛然契幽獨。/
自得會忘言,餘善時往復。/
岸幘若有期,把卷一停讀。/
鶴馴行載正,雲閑斷還續。/
橘柚欎寒煙,芭蕉瀉深綠。/
石橋逕屢迴,暗水流亦曲。/
真心恣奇探,曠景縱遐矚。/
陶謝不可作,此旨更誰屬。/
眷焉展斯圖,令我怡心目。
translation:
remark:
inscription: 逸興迥絶塵,風流仰高躅。/
側無鹿角巾,横呈豹皮褥。/
胸藏山壑富,座列琴囊足。/
橙懸萬顆黄,蕉散一叢綠。/
泉清鶴景長,樹遠雲光續。/
披圖識性情,伊人温似玉。
translation:
remark:
inscription: 風雅出塵寰,披圖見一斑。/
橘香新雨後,竹影夕陽間。/
流水鳴前澗,歸雲渡遠山。/
幽棲如可遂,應許共追攀。
translation:
remark:
inscription: 蕭灑披襟坐,琴書逸興長。/
衫分蕉葉碧,冠學竹皮黄。/
高樹穿雲斷,流泉帶菊香。/
幽懷真曠達,何地不羲皇。
translation:
remark:
inscription: 秋色滿林壑,孤琴獨玄閒。/
境歸簪紱外,道在水雲間。/
棄智如藏璞,栖心静若山。/
看君此圖畫,永以謝塵顏。
translation:
remark:
inscription: 修竹叢蕉坐綠天,君容早歳已如仙。/
山中寄謝王摩詰,頭白方知住輞川。/
千樹勝封萬戸侯,西風載滿李衡舟。/
看君高致輕軒冕,坐享江鄉富貴秋。
translation:
remark:
inscription: 6 seals unidentified.
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1971
opening date: 1971-12-28T05:00:00
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972).
title: Eight Dynasties of Chinese Painting
opening date: 1981-02-11T05:00:00
Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).
title: Portraiture: The Image of the Individual
opening date: 1983-11-22T05:00:00
Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).
title: Highlights of Asian Paintings from The Cleveland Museum of Art
opening date: 1998-02-21T00:00:00
Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).
title: Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c
opening date: 2017-08-14T04:00:00
Inspired by Chinese Landscape and Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 14, 2017-February 5, 2018).
title: When Salt was Gold: Yangzhou, City of Riches and Art (Chinese art rotation)
opening date: 2023-05-12T04:00:00
When Salt was Gold: Yangzhou, City of Riches and Art (Chinese art rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (May 12-November 5, 2023).
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LEGACY EXHIBITIONS
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PROVENANCE
An Qi 安岐 [c. 1683–c. 1744]
date:
footnotes:
citations:
Xu Bojiao 徐伯郊 [1913–2002]
date:
footnotes:
citations:
Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen
date:
footnotes:
citations:
Stephen O. K. Chen [20th century], New York/Tokyo, sold to the Cleveland Museum of Art
date:
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1971-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Ōmura, Seigai 大村西崖 and Ōmura Kidō 大村文夫. Chūgoku meigashū. 8 [中国名画集. 第8冊 = Collection of famous Chinese paintings]. Tōkyō: Ryūbunshokyoku, 1945.
page number: Reproduced: VIII, pl. 80
url:
Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.
page number: Mentioned: VII, Lists, 430 (Wang Hui), 453 (Yang Jin)
url:
Guo, Weiqu 郭味蕖. Song Yuan Ming Qing shu hua jia nian biao 宋元明清書畫家年表. Beijing: Zhongguo gu dian yi shu chu ban she, 1958.
page number: p. 321
url:
Lawton, Thomas. "The <<Mo-yüan hui-kuan>> by An Chʻi [安岐之<<墨緣彙觀>>]." In Qing zhu Jiang Fucong xian sheng qi shi sui lun wen ji [Symposium in honor of Dr. Chiang Fu-tsung on his 70th birthday = 慶祝蔣復璁先生七十歲論文集]. Shilin: Guo li gu gong bo wu yuan, 1969.
page number: Mentioned and Reproduced: p. 27, pl. 1
url:
Cheng, Qi 程琦. Xuanhuitang shuhua lu [萱暉堂書畫錄 = Paintings and calligraphy in the collection of Hsüan-hui-tʻang]. Hong Kong: Xuanhuitang, 1972.
page number: pp. 166(b)-168(b)
url:
Hung, Shou-hao. "Liu Hua Han-kuo shu-hua-chia yü shou-ts'ang-che t'an-k'ao" [Investigation of the Korean calligraphy, painters, and collectors in China]. Meishu xue bao 美術學報, no. 7 (January 1973), pp. 1071-1186.
page number: Reproduced: p. 1165
url:
Lee, Sherman E. “Varieties of Portraiture in Chinese and Japanese Art.” The Bulletin of the Cleveland Museum of Art, vol. 64, no. 4, 1977, pp. 118–136.
page number: Mentioned and Reproduced: pp. 124, 125, figs. 6, 7
url: www.jstor.org/stable/25159523
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 358
url: https://archive.org/details/CMAHandbook1978/page/n378
Hironobu Kohara 古原宏伸, Tamaki Ogawa 小川環樹, and Roderick Whitfield. Un Juhei, Ō Ki 惲壽平 王翬. Tōkyō: Chūō Kōronsha, 1979.
page number: Mentioned and Reproduced: p. 150, fig. 18
url:
Loehr, Max. The Great Painters of China. Oxford: Phaidon, 1980.
page number: Mentioned and Reproduced: pp. 316, 319, figs. 181, 182
url:
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: pp. 351-352, cat. no. 259
url:
Murashige, Yasushi 村重寧. Tennō to kuge no shōzō [天皇と公家の肖像 = Japanese Portrait Paintings of Emperors and the Nobility]. Tōkyō: Shibundō, 1998.
page number: p. 31
url:
Tōyō kaiga no seika: tokubetsuten: Kurīvurando Bijutsukan no korekushon kara [東洋絵画の精華: 特别展: クリーヴラント美術館のコレクションから= Highlights of Asian painting from the Cleveland Museum of Art]. Nara, Japan: Nara National Museum, 1998.
page number: Reproduced: p. 72, cat. no. 44
url:
Honour, Hugh, and John Fleming. A World History of Art. London: Laurence King, 1999.
page number: Mentioned and Reproduced: no. 16.4, p. 695
url:
Honour, Hugh, and John Fleming. A World History of Art. London: Laurence King, 2005.
page number: Mentioned and Reproduced: p. 689, fig. 16.4
url:
Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.
page number: Mentioned and Reproduced: pp. 416–418
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1971.17/1971.17_web.jpg
print: https://openaccess-cdn.clevelandart.org/1971.17/1971.17_print.jpg
full: https://openaccess-cdn.clevelandart.org/1971.17/1971.17_full.tif