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"share_license_status": "CC0",
"tombstone": "Two Angels and Cherubs Bearing an Icon of Christ, c. 1670\u201380. Probably by Paolo Naldini (Italian, 1616\u20131691). Terracotta; overall: 41.9 x 41.9 x 15.3 cm (16 1/2 x 16 1/2 x 6 in.). The Cleveland Museum of Art, Sundry Purchase Fund, 1971.230",
"current_location": "301 Baroque Sculpture Mezzanine",
"title": "Two Angels and Cherubs Bearing an Icon of Christ",
"creation_date": "c. 1670\u201380",
"creation_date_earliest": 1665,
"creation_date_latest": 1685,
"artists_tags": [
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"technique": "terracotta",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "Sculpture",
"type": "Sculpture",
"measurements": "Overall: 41.9 x 41.9 x 15.3 cm (16 1/2 x 16 1/2 x 6 in.)",
"dimensions": {
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"height": 0.419,
"height_inch": 16,
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"id": 301752,
"title": "Year in Review: 1972",
"description": "Year in Review: 1972. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 27-March 18, 1973).",
"opening_date": "1973-02-27T05:00:00"
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{
"id": 309864,
"title": "Baroque Imagery",
"description": "Baroque Imagery. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 1984-January 6, 1985).",
"opening_date": "1984-11-06T05:00:00"
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"description": "Art for Collectors, Cleveland Museum of Art, Cleveland, Ohio (October 5\u2013November 6, 1971).",
"opening_date": "1971-01-01T00:00:00"
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{
"description": "Year in Review 1972, Cleveland Museum of Art, Cleveland, Ohio (February 27\u2013March 17, 1973).",
"opening_date": "1973-03-01T00:00:00"
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{
"description": "Baroque Imagery, Cleveland Museum of Art, Cleveland, Ohio (November 6, 1984\u2013January 6, 1985).",
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"description": "P. & D. Colnaghi & Co., Ltd. (London, England), sold to the Cleveland Museum of Art, 1971.",
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"footnotes": null,
"date": "1971",
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"former_accession_numbers": [
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"did_you_know": null,
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"description": "This work is probably a study for a large altarpiece that would have combined several materials, including marble, stucco, and paint. The artist modeled his design in soft clay, which was then hardened by firing; subtle tints suggest the richness of the finished work. The idea of using sculptural figures to support a painted image within an altarpiece was influenced by the work of the Roman sculptor Gian Lorenzo Bernini (1598\u20131680), with whom Naldini is known to have worked.",
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"citation": "Lee, Sherman E. \u201cThe Year in Review for 1972.\u201d The Bulletin of the Cleveland Museum of Art 60, no. 3 (1973): 63\u2013115.",
"page_number": "Mentioned: p. 109; Reproduced: p. 77",
"url": "http://www.jstor.org/stable/25093732"
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"citation": "Schloder, John E., and Cleveland Museum of Art. Baroque Imagery. [Cleveland]: Cleveland Museum of Art, 1984.",
"page_number": "Reproduced: p. 27",
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