id: 146035
accession number: 1971.231
share license status: CC0
url: https://clevelandart.org/art/1971.231
updated: 2023-01-11 03:01:29.304000
Clearing Autumn Mists in the Chu Mountains, 1600s. Lan Ying (Chinese, 1585-aft 1664). Hanging scroll, ink and light color on silk; painting: 185.3 x 48.4 cm (72 15/16 x 19 1/16 in.); overall with knobs: 283.5 x 71.5 cm (111 5/8 x 28 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1971.231
title: Clearing Autumn Mists in the Chu Mountains
title in original language:
series:
series in original language:
creation date: 1600s
creation date earliest: 1600
creation date latest: 1660
current location:
creditline: Purchase from the J. H. Wade Fund
copyright:
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culture: China, Ming dynasty (1368–1644)
technique: hanging scroll, ink and light color on silk
department: Chinese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Lan Ying (Chinese, 1585-aft 1664) - artist
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measurements: Painting: 185.3 x 48.4 cm (72 15/16 x 19 1/16 in.); Overall with knobs: 283.5 x 71.5 cm (111 5/8 x 28 1/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Artist's inscription, signature, and 2 seals:
Clearing Autumn Mists in the Chu Mountains, painted in the manner of Mi Haiyue [Mi Fu]. Xihu waishi, Lan Ying
[seals] Lan Ying zhiyin; Shiwu toutuo
translation:
remark:
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CURRENT EXHIBITIONS
title: Year in Review: 1971
opening date: 1971-12-28T05:00:00
Year in Review: 1971. The Cleveland Museum of Art (organizer) (December 28, 1971-February 6, 1972).
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LEGACY EXHIBITIONS
* Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
* Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (January 7-July 7, 2015).
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PROVENANCE
(Hugh Moss, Ltd., London, sold to the Cleveland Museum of Art)
date: ?-1971
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1971-
footnotes:
citations:
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fun fact:
digital description:
wall description:
In his inscription Lan Yin states that he uses Mi Fu’s methods to depict this landscape. The ovoid "Mi" dots—Mi Fu’s brush idioms—are applied to give shape to the cloud-enveloped mountains and foreground tree grove for self expression. Engaging in the process of fang (imitation), he acquired the methods of various schools and masters to expand his technical range for creative transformations. Lan Yin developed his unique style and inspired major artists like Liu Du and Chen Hongshou.
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RELATED WORKS
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CITATIONS
Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.
page number: Reproduced: cat. no. 197, pp. 253-255
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1971.231/1971.231_web.jpg
print: https://openaccess-cdn.clevelandart.org/1971.231/1971.231_print.jpg
full: https://openaccess-cdn.clevelandart.org/1971.231/1971.231_full.tif