{
    "data": {
        "id": 146091,
        "accession_number": "1971.28",
        "share_license_status": "CC0",
        "tombstone": "Bench, c. 1900. Attributed to Louis Majorelle (French, 1859\u20131926). Gilt wood; overall: 75 x 118.1 x 40.7 cm (29 1/2 x 46 1/2 x 16 in.). The Cleveland Museum of Art, James Parmelee Fund, 1971.28",
        "current_location": null,
        "title": "Bench",
        "creation_date": "c. 1900",
        "creation_date_earliest": 1895,
        "creation_date_latest": 1905,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, Nancy"
        ],
        "technique": "gilt wood",
        "support_materials": [],
        "department": "Decorative Art and Design",
        "collection": "Furniture",
        "type": "Furniture and woodwork",
        "measurements": "Overall: 75 x 118.1 x 40.7 cm (29 1/2 x 46 1/2 x 16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.75,
                "height_inch": 29,
                "height_inch_fraction": 0.5,
                "width": 1.181,
                "width_inch": 46,
                "width_inch_fraction": 0.5,
                "depth": 0.407,
                "depth_inch": 16,
                "depth_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 301427,
                    "title": "Year in Review: 1971",
                    "description": "<i>Year in Review: 1971</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972).",
                    "opening_date": "1971-12-28T05:00:00"
                },
                {
                    "id": 310102,
                    "title": "Art Nouveau in France",
                    "description": "<i>Art Nouveau in France</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 12-November 27, 1988).",
                    "opening_date": "1988-07-12T04:00:00"
                }
            ],
            "legacy": []
        },
        "provenance": [
            {
                "description": "(Lillian Nassau, New York).",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "In the 20th century, designers of French furniture in the Art Nouveau style began to take inspiration from Rococo pieces of around 1750. With its gently curving forms, this bench exhibits the Majorelle firm's version of this refined taste. It is presently covered with a Japanese brocade of about 1900.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79924234"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1971.28-bench"
            ]
        },
        "citations": [],
        "url": "https://clevelandart.org/art/1971.28",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/1971.28/1971.28_web.jpg",
                "width": "900",
                "height": "685",
                "filesize": "198912",
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            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/1971.28/1971.28_print.jpg",
                "width": "3400",
                "height": "2587",
                "filesize": "1464933",
                "filename": "1971.28_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/1971.28/1971.28_full.tif",
                "width": "6140",
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        "alternate_images": [
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                "print": {
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                "full": {
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                    "width": "6797",
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                },
                "date_created": "2019-07-16T11:03:41",
                "annotation": ""
            },
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                "web": {
                    "url": "https://openaccess-cdn.clevelandart.org/1971.28/1971.28_alt1_web.jpg",
                    "width": "900",
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                    "filesize": "364841"
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                "print": {
                    "url": "https://openaccess-cdn.clevelandart.org/1971.28/1971.28_alt1_print.jpg",
                    "width": "3400",
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                    "filesize": "3566614"
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                "full": {
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                    "width": "5080",
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                    "filesize": "77343024"
                },
                "date_created": "2019-07-16T11:06:47",
                "annotation": ""
            }
        ],
        "creditline": "James Parmelee Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 146091,
        "creators": [
            {
                "id": 12737,
                "description": "Louis Majorelle (French, 1859\u20131926)",
                "extent": null,
                "qualifier": "attributed to",
                "role": "artist",
                "biography": "Louis Majorelle, the son of a cabinet-maker, Auguste Majorelle, who worked in Nancy and specialized in reproduction 18th C. furniture. He was trained as a painter (under Millet in Paris) but gave up on painting and returned to Nancy to run the family workshops when his father died in 1879. Until 1890 he continued to work, like his father, in 18th C. styles for furniture. In the 1880s Gall\u00e9's first Art Nouveau pieces of furniture were made (in Nancy), and by 1900 Majorelle had so successfully turned over to the new style that he had become the main producer of Art Nouveau furniture and perhaps Europe. He mechanized his workshops, which were said to have been 'organized in the manner of a big industrial concern': and although his factory produced nothing that could not have been made as well, if not better, by the techniques of hand-craftsmanship, it was able to produce luxury furniture at a price within the range of the middle class.",
                "name_in_original_language": null,
                "birth_year": "1859",
                "death_year": "1926",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1971-05-13T00:00:00",
        "sortable_date": 1895,
        "date_added_to_oa": null,
        "date_text": "c. 1900",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-08-13 11:44:37.517000"
    }
}