id: 146112
accession number: 1971.297.2
share license status: CC0
url: https://clevelandart.org/art/1971.297.2
updated: 2019-11-18 11:22:08.762000
Figure Pair, late 1800s-early 1900s. Guinea Coast, Ivory Coast, Baule, 20th century. Wood, beads; overall: 47.7 x 10 x 11 cm (18 3/4 x 3 15/16 x 4 5/16 in.). The Cleveland Museum of Art, Gift of Katherine C. White 1971.297.2
title: Figure Pair
title in original language:
series:
series in original language:
creation date: late 1800s-early 1900s
creation date earliest: 1880
creation date latest: 1920
current location: 108A Sub-Saharan
creditline: Gift of Katherine C. White
copyright:
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culture: Guinea Coast, Ivory Coast, Baule, 20th century
technique: wood, beads
department: African Art
collection: African Art
type: Sculpture
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 47.7 x 10 x 11 cm (18 3/4 x 3 15/16 x 4 5/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Object in Focus: Male and Female Spirit Spouse Figures
opening date: 2003-01-07T00:00:00
Object in Focus: Male and Female Spirit Spouse Figures. The Cleveland Museum of Art (organizer) (January 7-March 9, 2003).
title: African Master Carvers: Known and Famous
opening date: 2017-03-26T04:00:00
African Master Carvers: Known and Famous. The Cleveland Museum of Art (organizer) (March 26-July 16, 2017).
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LEGACY EXHIBITIONS
* CMA 1968: "African Tribal Images: The Katherine White Reswick Collection," cat. no. 85, repr.
CMA 1973: "Year in Review 1972," CMA Bulletin LX (March, 1973), p. 107, no. 38, repr. p. 105.
Cleveland, Ohio: The Cleveland Museum of Art; January 7- March 9, 2003. " Object in Focus: Male (blolo bian) and Female (blolo bla) Spirit Partner Figures, Africa, Ivory Coast, Baule, c. 1930s [wood; 1971.297.1-2]"
The Cleveland Museum of Art (3/26/2017-7/16/2017); “African Master Carvers: Known and Famous”.
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PROVENANCE
Katherine White Reswick
date:
footnotes:
citations:
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fun fact:
digital description:
wall description:
Baule figures carved as pairs usually represent untamed spirits of the wilderness called asye usu. These spirits may intervene in the lives of individuals by taking possession of them. If this possession does not result in madness, it can lead to the human host’s becoming a diviner who can enter into a trance to reveal the causes of ailments and other misfortunes. People who feel their lives are being interrupted by the asye usu commission carvings representing idealized male and female forms whose grace and beauty in both anatomy and adornment will seduce the spirits and compel them to use the sculptures as their temporary homes.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1971.297.2/1971.297.2_web.jpg
print: https://openaccess-cdn.clevelandart.org/1971.297.2/1971.297.2_print.jpg
full: https://openaccess-cdn.clevelandart.org/1971.297.2/1971.297.2_full.tif