{
    "data": {
        "id": 146167,
        "accession_number": "1971.63",
        "share_license_status": "CC0",
        "tombstone": "The Risen Christ Appearing to the Virgin, c. 1708. Francesco Solimena (Italian, 1657\u20131747). Oil on canvas; framed: 250.2 x 197.5 x 12.7 cm (98 1/2 x 77 3/4 x 5 in.); unframed: 222.5 x 169.5 cm (87 5/8 x 66 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1971.63",
        "current_location": "217 Italian Baroque",
        "title": "The Risen Christ Appearing to the Virgin",
        "creation_date": "c. 1708",
        "creation_date_earliest": 1703,
        "creation_date_latest": 1713,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy, 18th century"
        ],
        "technique": "oil on canvas",
        "support_materials": [],
        "department": "European Painting and Sculpture",
        "collection": "P - Italian 18th Century",
        "type": "Painting",
        "measurements": "Framed: 250.2 x 197.5 x 12.7 cm (98 1/2 x 77 3/4 x 5 in.); Unframed: 222.5 x 169.5 cm (87 5/8 x 66 3/4 in.)",
        "dimensions": {
            "framed": {
                "height": 2.502,
                "height_inch": 98,
                "height_inch_fraction": 0.5,
                "width": 1.975,
                "width_inch": 77,
                "width_inch_fraction": 0.75,
                "depth": 0.127,
                "depth_inch": 5,
                "depth_inch_fraction": 0.0
            },
            "unframed": {
                "height": 2.225,
                "height_inch": 87,
                "height_inch_fraction": 0.625,
                "width": 1.695,
                "width_inch": 66,
                "width_inch_fraction": 0.75
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 301427,
                    "title": "Year in Review: 1971",
                    "description": "<i>Year in Review: 1971</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972).",
                    "opening_date": "1971-12-28T05:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "London, Heim Gallery, 1971: \"Fourteen Important Neapolitan Paintings,\" cat. no. 9, repr.color.",
                    "opening_date": "1971-01-01T00:00:00"
                },
                {
                    "description": "CMA, Dec. 1971-Jan.1972: \"Year in Review 1971,\" cat., Bull., (Jan. 1972), no. 55.",
                    "opening_date": "1971-12-01T00:00:00"
                },
                {
                    "description": "Connecticut, Yale University Art Gallery, (9/9/87-12/6/87) Neapolitan Paintings in North America.",
                    "opening_date": "1987-09-09T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Unidentified church in France (sale: Palais des Congres, Versailles, May 24, 1970 [withdrawn], fig. D, as Spanish School, seventeenth century, La resurrection);",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            },
            {
                "description": "[Heim Gallery, Paris, London], sold to the Cleveland Museum of Art, 1971.",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "description": "The dramatic contrasts of light and dark reveal the long aftereffects of Caravaggio in Naples. Yet, the elegant forms, rich colors, and perfected body of Christ have far more affinities with the idealizing strand of Italian art in the 1600s and 1700s. Solimena sought to improve on nature, based on the study of antiquity, aiming to create a work of grandeur and nobility meant to inspire reverence and devotion appropriate to the holy subject.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60471906"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1971.63-the-risen-christ-app"
            ]
        },
        "citations": [
            {
                "citation": "Lurie, Ann Tzeutschler. \u201cAn Important Addition to Solimena\u2019s Oeuvre.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 59, no. 8 (October 1972): 219\u2013227.",
                "page_number": "Mentioned and reproduced: p. 217-219, Cover, fig. 1",
                "url": "http://www.jstor.org/stable/25152446"
            },
            {
                "citation": "Olszewski, Edward J. \u201cA Rediscovered Holy Family by Francesco Trevisani.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 64, no. 1 (January 1977): 25\u201336.",
                "page_number": "Mentioned and reproduced: p. 27-28, fig. 3",
                "url": "http://www.jstor.org/stable/25152673"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 140",
                "url": "https://archive.org/details/CMAHandbook1978/page/n160"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries</em>. Cleveland, OH: The Cleveland Museum of Art, 1982.",
                "page_number": "Mentioned: p. 417-419; Reproduced: p. 418",
                "url": null
            },
            {
                "citation": "Marandel, J. Patrice. \"Dealing and Scholarship: The Heim Gallery, London, 1966-1995.\" In <em>Buying Baroque: Italian Seventeenth-Century Paintings Come to America</em>. Bowron, Edgar Peters. ed. University Park, Pennsylvania : The Frick Collection, The Pennsylvania State University Press, 2017.",
                "page_number": "Mentioned and reproduced: p. 87-88",
                "url": null
            },
            {
                "citation": "Spinosa, Nicola.<em> Francesco Solimena (1657-1747) e le arti a Napoli </em>Roma : Ugo Bozzi editore s.r.l., 2018.",
                "page_number": "Mentioned & Reproduced: p. 369, fig. 147",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/1971.63",
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        "creditline": "Mr. and Mrs. William H. Marlatt Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": "Donna and James Reid Gallery",
        "athena_id": 146167,
        "creators": [
            {
                "id": 2315,
                "description": "Francesco Solimena (Italian, 1657\u20131747)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1657",
                "death_year": "1747",
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        ],
        "legal_status": "accessioned",
        "accession_date": "1971-06-10T00:00:00",
        "sortable_date": 1703,
        "date_added_to_oa": null,
        "date_text": "c. 1708",
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        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [
            "The Risen Christ Appearing to His Mother"
        ],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:50:39.701000"
    }
}